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The study of Gothic literature
Nature during romanticism
The study of Gothic literature
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When one normally thinks of the word gothic, an emo kid sitting in his basement and hating society is what normally comes to mind. However, the true meaning of gothic is much more romantic, dark and mysterious than anything we experience in society today. It evokes the images of dark castles, monsters and the mad scientists who made them. Graveyards and death, but mountains, flowers and life as well. When a work is gothic it shows the beauty in life, but the ugliness in it as well. The author wishes for the reader to value life, but see its faults as well. The reader sees how they may undervalue life, and fear the loss of it. They see how uncontrollable some things are, and how one small mistake may lead to your destruction. In Frankenstein, …show more content…
Whether it was influencing character mood, or the weather mirrored character actions, the setting was an important feature to a gothic work. The term gothic was first used as an adjective to describe the architecture of the middle ages. The buildings were dark, pointed, mysterious, and generally frowned upon in the 18th century. Which is when the gothic literature started, being started merely in spite of the enlightenment period of the time to point out flaws in society, and scare readers (D1). Therefore the settings in a gothic work are normally dark and gloomy, but show powerful natural scenery as a foil to the graveyards, and castles that occupy the dark recesses of the mind. The aspect of natural scenery is an idea carried over from the romantic movement. The scenes are normally on mountains, rivers, or other desolate beautiful landscapes (B1). The characters in Frankenstein all are fascinated with nature and scenery. The Alps, Rhine, and other mountains and water bodies are prominent scenes in the novel, and the characters always comment on their beauty. To Shelley a human was to, by default, love nature and all things around them. Whether it is a bird song, or a flower blooming humans were to have an affinity for nature. In other words, the characters were affected by scenery around them, and it normally mirrored their actions, as discussed in “Romanticism” (B2). For instance, Victor heads home to Geneva and the weather is pleasant and warm, Victor then speaks to the weather saying it is mocking him since he is in a bad mood. While visiting William’s grave, a storm erupts over the Alps, Victor then becomes emotional and in a lightning bolt he sees the creature (E7). The restlessness in the storm reflects Victor’s unstable mood, and then the lightning bolt strike fear into Victor when he sees the creature. This theme is carried over again on Victor’s wedding day. At first both
Using gothic conventions Frankenstein explores Mary Shelley’s personal views on the scientific developments, moral and economical issues that occurred during the 19th century and Shelley’s personal emotions and questions regarding her life. As an educated person, Mary Shelley had an interest in the development of the world such as political and moral issues and she challenged these issues in the novel.
The Fulfillment of the Definition of Gothic Horror by Chapters 5 and 4 of Mary Shelley's Frankenstein
Essay 2 Psychoanalysis is the method of psychological therapy originated by Sigmund Freud in which free association, dream interpretation, and analysis of resistance and transference are used to explore repressed or unconscious impulses, anxieties, and internal conflicts (“Psychoanalysis”). This transfers to analyzing writing in order to obtain a meaning behind the text. There are two types of people who read stories and articles. The first type attempts to understand the plot or topic while the second type reads to understand the meaning behind the text. Baldick is the second type who analyzes everything.
Mary Shelley’s world renowned book, “Frankenstein”, is a narrative of how Victor Frankenstein, a brilliant chemist, succeeds in creating a living being. Although Frankenstein’s creation is benevolent to begin with, he soon turns murderous after being mistreated by humans. His anger turns towards Frankenstein, as he was the one who brought him into the world that shuns him. The Monster then spends the rest of the story trying to make his creator’s life as miserable as his own. This novel is an excellent example of the Gothic Romantic style of literature, as it features some core Gothic Romantic elements such as remote and desolate settings, a metonymy of gloom and horror, and women in distress.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
In the examination of Northanger Abbey and Frankenstein one comes to very different conclusions as to why their authors used gothic elements. The two authors had very different purposes for their stories. Powerful emotions are often an element of gothic literature as it was a genre that took Romanticism to excessive extents. While Austen used this gothic element to satirize the gothic novel, Shelley used it to display a deeper point about the evils of ambition. Both authors exhibited characters severe emotions to show the importance of rationality instead of extremes, but ultimately had a different purpose in presenting this view.
As one of the first gothic novels Frankenstein explores the darker side of human nature, ambitions, and the human mind.
Nature is a key element in romanticism as the early romantics stressed the divine beauty they saw in nature. Mary Shelley uses the elements of nature to further the emotions of her characters and create a safe place for them to think. She also goes into the aspects of science and nature, "[Scientists] penetrate into the recesses of nature and show how she works in her hiding-places” (Shelley 33). In Frankenstein, Mary Shelley creates a novel based around science overreaching to boundaries. Many scientific experiments of the early 1800s make an excellent base in history for Frankenstein. Trials such as biomedical trials that began during along with the continuing studies into human anatomy and the natural world. Weather is an important element of nature which is commonly used to reflect and supplement human emotions. After William’s death, whilst Victor is returning to Geneva to talk to his father “the heavens were clouded, and [soon] the rain was coming slowly in large drops” (Shelley 62). Therefore, the storm reflects Victor’s mournful attitude and as the storm p...
Moreover, the adjustment can greatly affect the actions in a novel like this. Abhorred Frankenstein's creation proclaims that "the desert mountains and glaciers are monotonic my refuge. I have been here many days; Caves ice, I just do not fear, they are a dwelling to me, and the only man no skimping "(Shelly 84). The unfortunate creature lives in places where man You can not go for the reason that temperatures and dangers of these settings are too extreme. But near the end, the rage of Frankenstein takes him around the world a search haunted by its double enduring terrible hardships, the Monster has also supported. Frankenstein pursues its creation to the Arctic waste revenge being the only thing keeping him alive. This "only serves to Thicken the strange darkness that surrounds and envelops them "(Nitchie 274). Here it seems as if Frankenstein can finally capture his adversary, but nature thinks otherwise. The monster tempts angered its creator through a world of ice and the environment becomes an obstacle that arose the "wind; the sea roared, and as with the powerful impact of an earthquake; It is divided and connected with a tremendous
Older Gothic literature was in castles and deserted buildings. Modern Gothic novels were written in more populated areas. Another text that can be classed as ‘Gothic’ is the novel ‘Frankenstein’. The reason for it being a ‘Gothic’ novel is the way it has a mutant character. Frankenstein is a mutant and is made by a crazy scientist ‘I saw the hideous phantasm of a man stretched out, and then, on the working of.
Monsters are often present in gothic novels; especially in those that combine horror and romance. A monster will be the cause of individual characters fears. Frankenstein can be linked to this genre in many ways, the most obvious link being the horror element of the story. The thought of someone created from dead flesh would have been a horrific thought back then and still would be now, also Victor playing god would have been considered terrible back then “A new species would bless me as its creator” the 1800’s were still very religious times and trying to create life artificially would have been condemned by religious people.
As can be seen Frankenstein utilises many of the conventions of the gothic genre and can thus be considered a gothic novel. Its links to the Romantic movement are also evident. The stereotypical settings, characters and plots, interest in the sublime, emphasis on suspense, the production of excessive emotion in the reader ( particularly that of terror and horror), the presence of the supernatural and the notion of the ’double’ are all features of Frankenstein that illustrate this.
Through the use of different gothic elements such as gloom and horror, each film is able to become gothic. In Emily Bronte's Wuthering Heights the constant wind, rain, and dark cloudy skies make their presence felt throughout the entire film. This stormy weather lead to bad things happening and was usually around when the film was set at Wuthering Heights. The weather is symbolic of the attitudes of the people from Wuthering Heights as well as death. It depicted the inner fury of each person living there, as well as the dead. When Lockwood sees Catherine's ghost it is during a fierce storm that smashes through a window. In Mary Shelley's Frankenstein the use of stormy weather would almost always lead to something wrong or evil happening. Though this weather is also symbolic, it was not symbolic of a household of bad attitudes. The use of storms was to symbolize the presence of evil as well as the creation and destruction of a Monster. When Frankenstein's monster comes to life it can be said that one monster is born, and one monster is destroyed. The monster being destroyed is Dr. Frankens...
From the time Frankenstein created his monster, he finds little comfort in the beauty of nature. One passage that I find particularly striking was when Victor exclaimed, "Dear mountains! My own beautiful lake! How do you welcome your wanderer? Your summits are clear; the sky and lake are blue and placid. Is this to prognosticate peace, or to mock at my unhappiness?" (106). It is as if Victor is offended by the beauty and calmness of the landscape simply because it conflicts with the inner turmoil he is feeling inside. He continues through the story to "pass through many beautiful and majestic scenes [with] eyes fixed and unobserving" and "shunn[ing] the face of man; all sounds of joy or complacency [being] torturous to [him]; solitude [being his] only consolation -- deep, dark, death-like solitude" (210). One probable reason why he finds beautiful, peaceful scenes offensive can be found in the passage where Victor laments, "Nothing is more painful to the human mind, than, after the feelings have been worked up by a quick succession of events, the dead calmness of inaction and certainty which follows, and deprives the soul both of hope and fear" (127).