In Mary Shelley’s novel Frankenstein, Victor’s relationship with the creature is often characterized as one of creator and creation, versus father and son. “Mary then composed the story of Victor Frankenstein, a story which gothicized the relationship between parent and child.” (Lall 13) Victor assigns himself the role of ‘creator’ throughout the book, “A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me” (Shelly 33). However he only gives himself the role of father in the beginning of the book when he is creating the monster. “No father could claim the gratitude of his child so completely as I should deserve theirs” (Shelley 33). The bond of a father, including legal and moral …show more content…
responsibilities, would not apply to a creator. As the creator, Victor’s only responsibility is to create not care for the monster, but as his father his duty is to care and love the creature. Victor unfortunately only fulfills the obligations of being the creator leaving the monster lonely and rejected. To understand Victor’s evasion to responsibility, the creature’s similarities to a child has to be recognized.
Even though the creation of the monster is outside of marriage, it is still produced aseually. This leaves the question, if the monster was childlike or if he was a monster? Vicor thinks that his creation was not childlike, but a monster, “flash of lightning illuminated the object and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect, more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy demon to whom I had given life” (Shelley 50). If Victor saw the monster as his child then maybe he would have completed some obligations that come with being a father. Such as, caring for, loving, and teaching. This would have cut out a lot of problems that were caused by the monster being lonely or outcasted. Victor could have introduced the monster to the world, which would have made it easier to be accepted into …show more content…
society. In Victor’s description of his childhood, Victor shows what fulfilments his parents had in his life, “ I was…their child, the innocent and helpless creature bestowed on them by Heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me” (Shelley 20). Even in his quote Victor calls himself a “creature” (Shelley 20), because he was subject to his parent’s will, yet he still says his parents had an obligation to raise him. Victor directs the creature’s fate to one of misery and fails in his duty to raise the creature because in his eyes the monster is not his child. A difference could be made by saying that Victor recognizes a parent’s duty to a creature “bestowed on them by Heaven” (Shelley 20), but cannot recognize his duty for a creature that he creates himself. Victor’s refusal of his role as a father and his paternal responsibilities is shown with Victor’s change in language.
Before the monster awakens Victor uses the word “father,” but after the monster awakens he refers to himself as “creator” and “author.” The monster on the other hand does see Victor as a father, “I learned from your papers that you were my father, my creator; and to whom could I apply with more fitness than to him who had given me life” (Shelley 118). The monster also recognizes the obligations Victor has to him. The monster first feels abandonment from Victor. The reader knows this when the monster says, “But where are my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses” (Shelley 101). This is what leads the monster into a life of abandonment and
loneliness. Looking at Victor’s relationship with the creature it can be said that they could have had a father and son relationship, but Victor’s mistakes caused misery to both the creature and Victor. The issue in this story is that Victor failed as a father, not in the creation of life. If Victor had been more of a father to the creation then maybe none of these problems would have occurred in the first place. In the beginning the monster was not evil, but when Vicor did not fulfil his obligations as a father the monster began to act out and cause the conflict in the story.
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
His mother's love was shown throughout the beginning of the book so much more than his fathers was. Together the two parents loved him so much it helped him grow and this is why his childhood was so phenomenal. When Victor was sent off to Ingolstadt, he had no real idea of what it was like to be an adult. He was taken care of so well by his mother that once she was away from her parents, her father being at home and his mother being dead, he was not sure what was right and wrong. Victor's curiosity for knowledge is what led him to be a man of science and this is why he came up with the idea to experiment and create a human being from death. Without thinking of the results that were to come, Victor's ambition to become godlike pushed him to finish his project. The end result terrified Victor so badly that even he left him alone. To start, he left him alone in his apartment and when he returned, the monster was gone. “I could hardly believe that that so great a good fortune could have befallen me, but when I became assured that my enemy had indeed fled, I clapped my hands for joy and ran down to Clerval.” (Shelley 61) This is the first time that Victor does not care for his monster properly. After all of the care that Victor received from his mother, readers would think that Victor would grow up to be just like his parents and be so kind and gentle. Victor is unable to take responsibility of the monster that he created. Victor is prejudiced by the appearance of the monster which leads him to run away from his
As he goes off to college, interested in the science behind life and death, he ends up going his own way and attempts to create a living being. Victor “had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body” (Shelley 43). The being Victor has created does not by any means sit well with him. As victor is away from his family and for six years, he is neglectful to them, which only adds to his sorrow and misery. Victor’s isolation is brought upon him because of himself, however his creation, or “the monster”, is isolated from any connections with humans against his will. To start out, the monster would have had Victor there with him, but Victor is ashamed of what he has created, and abandons the monster. The monster is a very hideous being, which sadly is a contributing factor to his isolation. With nobody to talk to at any time, naturally this will be condescending and frustrating. Although the monster is able to
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
If Victor had stayed around and showed the monster the real world, he might have not have went on to perform violent actions. This portrays Victor as a selfish character and gives more of an insight on his personal life. As a child, Victor is only interested in furthering his own knowledge and not worried about anyone else. He spent much of his time “drawing the picture of [his] early days... when [he] would account to [himself] for the birth of that passion which afterwards ruled [his] destiny” (Shelley 34), or otherwise a magnificent creation that would change his future. When constructing the Monster, he put all of his relatives in the back of his mind, and only focused on his own success and victory. This further explains the theme of being selfless and only doing certain things that will benefit
Shelley’s mother died eleven days after Mary was born ( Britton 4). Like Mary Shelley, the monster was born motherless, and this deeply affected him. The monster proclaimed, “no mother had blessed me with smiles and caresses” (Shelley 86). Just as the monster longed for a family connection, so did Shelley. Barbara D’amato wrote, “The unconscious conflicts and psychic experiences of loss and of longing for connection are captured and revealed in the orphaned character of Mary Shelley’s fictional story, Frankenstein (118). Shelley and the monster also share the struggle of feeling abandoned and hated by their fathers. Shelley’s father abandoned her twice during her life. The first time was when Shelley was a young child. Shelley believed that her stepmother was interfering with Shelley’s and her father’s relationship, and this jealousy caused conflict between the family members. Shelley’s father later sent her to live somewhere else. When Shelley was older, her father disapproved of her decision to elope with Percy Shelley which resulted in him disowning Mary. This abandonment left Shelley with the feeling that there was something terribly wrong with her (D’Amato 126). The monster was also abandoned by Frankenstein, or the man that can be considered his father. The monster explained to Frankenstein why he had become the violent being that he was, when he told Victor, “Believe me Frankenstein: I was benevolent; my soul glowed with love and humanity; but am I not alone, miserably alone?” (Shelley
In the novel Frankenstein, by Mary Shelley, the main theme revolves around the internal and external consequences of being isolated from others. Being isolated from the world could result in a character losing his/her mental state and eventually causing harm to themselves or others. Because both Victor Frankenstein and the creature are isolated from family and society, they experienced depression, prejudice, and revenge.
In Mary Shelley’s Frankenstein we are introduced early in the story to one of the main characters Victor Frankenstein and subsequently to his creation referred to as the monster. The monster comes to life after being constructed by Victor using body parts from corpses. As gruesome as this sounds initially we are soon caught up in the tale of the living monster. Victor the creator becomes immediately remorseful of his decision to bring the monstrous creation to life and abandons the borne creature. Victor describes his emotions and physical description of his creation as follows:
As previously mentioned, Victor’s childhood was full of parental support, and even included his parents “adopting” another child into their home (Shelley 35). The creature’s “parent” Victor, abandons him, leaves him to fend for himself, which results in the creature feeling angry toward Victor. The creature had a resentful, distant relationship with his creator, while Victor’s upbringing could not have been more different. Shelley uses the story of Victor’s childhood; the adoption of Elizabeth, the stories of the De Lacey children to compare to the creature and the “upbringing” Victor is denying him. The opposition in parenthood is displayed between Victor and the creature are displayed by the way Shelley writes the creature’s last quotes after Victor’s death “Once I had falsely hoped to meet with beings who, pardoning my outward form, would love me for the excellent qualities I was capable of unfolding” (Shelley 239). The opposition lies in the monumental difference in parenting between Alphonse and Caroline Frankenstein, and Victor Frankenstein. Perhaps if the creature had been cared for more adequately, the story would’ve ended much
Many people know that Mary Shelley, the author of Frankenstein, was part of a family of famed Romantic era writers. Her mother, Mary Wollstonecraft, was one of the first leaders of the feminist movement, her father, William Godwin, was a famous social philosopher, and her husband, Percy Shelley, was one of the leading Romantic poets of the time ("Frankenstein: Mary Shelley Biography."). What most people do not know, however, is that Mary Shelley dealt with issues of abandonment her whole life and fear of giving birth (Duncan, Greg. "Frankenstein: The Historical Context."). When she wrote Frankenstein, she revealed her hidden fears and desires through the story of Victor Frankenstein’s creation, putting him symbolically in her place (Murfin, Ross. "Psychoanalytic Criticism and Frankenstein.”). Her purpose, though possibly unconsciously, in writing the novel was to resolve both her feelings of abandonment by her parents, and fears of her own childbirth.
He had asked Victor to create him another monster as a companion and if he doesn’t keep his promise, then he will be miserable. When Victor goes to England with the intention of creating this promised monster, his friend Henry follows him. After several months, Victor destroys the half created creature and this upsets the monster very much so because he wants this companion. When he kills Henry, the monster distinctly planned it so that Victor would be blamed for the murder. Through all this confusion on who killed Henry, Victor knew all along that the monster did it. At this point, Victor knew that he must return to Geneva to protect his family whom he loved very much (Shelley 181). Since this monster killed Henry, Victor knew that his family was now is in danger. The monster is very happy that Victor is having to suffer because, Victor is now feeling the loneliness that he feels all the time. Though the monster’s character is not evil, the pain he feels is what he wants his creator to feel. His revenge only increases throughout the book because he is only longing for a fellow companion that Victor can only give him, but yet he is choosing not to create it. The anger that is within the monster is only growing and this is increasing the possibilities of him hurting more
The father knows that his child has not been given the chance to end life blissfully, and believes that him committing suicide is the closest he will get to a happy ending. The father is aware that it is not right to embed the idea of suicide into a child’s head, but he is only trying to protect him from the dangers around him. Even though he knows his son’s life will not last long, he does not want him to witness the full potential of monstrosity, and how easy it is for someone to take another’s life away. Differently, in Frankenstein, Victor is faced with the decision to create another female monster so that the monster he already created has a companion. The monster proposes, "You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being.” (Shelly, 153). After refusal, Victor finally agrees to go through with the idea, not only because the guilt of rejecting his creation— but the fact that he does not want the monster killing anyone else that Victor loves. Victor hopes that the female companion will end the monsters desire to kill, which will protect his loved ones and himself, but knows that it is not right to create another creature that is potentially dangerous to themselves and also society, because if the monsters breed, they can create a race of evil. Victor is left pondering the outcome of his potential decision, and ends up destroying the female creature during the process of creating her. Thinking he made the right choice, he is proven wrong when the monster is enraged and takes away the love of Victor’s life, and then ends both of their lives. This shows that Victor tries to prevent harm to his loved ones, but one choice
In Mary Shelley’s prominent novel, Frankenstein, Victor attempts to prove that life can be formed from stray limbs, and other miscellaneous body parts. His creation is deemed a success when he composes a brutally hideous creature, who is indeed, filled with life. After the being is created, it is demonstrated that our world is much too discriminative to the way in which we physically look.
Humanity relies far more on characteristics than outer appearance. Instead of judging humanity solely on the flaws that cannot be changed, human qualities must be looked at. From infancy, humans desire the companionship of their families. Humans also want to make others’ lives better and easier through good morals and unselfishness. Curiousness and a passion for knowledge for the world increases while a child grows up. Frankenstein by Mary Shelley implies that desire for companionship, good morals, and a passion for knowledge defines humanity through Victor and the monster’s struggles.
The notion of father is mainly used in regard to a man who had biologically played the role of father in the birth of a human child. In this case, Frankenstein's creature is neither Frankenstein's biological offspring and neither what most would call, a human being, in the traditional sense of the word, the creature being put together from dead human remains, later brought to life through some unknown procedure. Considering however the creature's behavior and the fact that it showed the capability of generating emotions such as only a human being can, denotes that Victor Frankenstein had greater responsibilities toward the creature, very much like a father to his son, than toward a cat or a dog, brought back to life, which would not have the ability to consciously analyze the situation they are in, responsibilities which Victor Frankenstein did not manage to live up to. He failed as a father because, scared of the creature's appearance, he simply abandoned it, denying it any trace of love or affection what so ever. One of the key discussions between the creature and Frankenstein was the one when they met on the ice.