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In the book Frankenstein by Mary Shelley, Victor Frankenstein is the main character and very interested in, “natural philosophy, and particularly chemistry”(Shelley 41). Like Frankenstein, a scientist by the name of Patrick Steptoe is also intrigued with life and the process of in vitro fertilization. They both were successful in creating life but in very different ways. Victor Frankenstein and Patrick Steptoe, the scientist studied, are similar in many ways. Victor Frankenstein created a living creature that had a large stature but resembled a human in many ways. The monsters, “... yellow skin scarcely covered the works of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these …show more content…
luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion and straight black lips”(Shelley 47). The creature was a terrifying sight to the human eye. On the other hand Patrick Steptoe was involved in what is called in vitro fertilization. Both received negative feedback, especially Frankenstein’s monster, some appreciated Steptoe’s discovery and others saw it as playing God, which was frowned upon by many. Victor Frankenstein began to study life. He invested all of his time to learning about it so that he could accomplish his ultimate goal. Victor wanted to create a being out of dead human body parts. He did not think about the consequences of what could happen long term. He successfully created this living creature but it did not turn out the way he had imagined. It was very large in stature and scared the daylights out of anybody who saw him. Victor abandoned his creature out of pure disgust. The creature was all alone out in the world and has, “sworn eternal revenge” (Shelley 122) on Frankenstein and his family. The creature’s first victim was Victor’s little brother. The family was devastated at his death and a woman by the name of Justine was being accused of the boy’s murder. She is absolutely shocked and confused at how she could be mistaken for a murderer. Nonetheless, she is sentenced to death and is killed a few days later. Victor can not bare the pain of knowing he is responsible for the death of two people. His hands made the creature that killed his brother and has now taken the life of a good friend of his family. Victor’s creature has made an impression on the world and it has not been a good one. Victor’s life and many others lives have been mangled by the hatred in this creature’s heart. Patrick Steptoe, although interested in life, did not take the same approach as Frankenstein did to creating life.
He stuck with the basic principles of how life is created, he just made it possible for women who cannot have babies properly to be able to still have them. He created what is called in vitro fertilization. This was the process of extracting eggs from a woman, fertilizing that egg and planting it back in the woman. Their reactions after their works had been complete were very different. Victor was horrified at what he had done and did not want to take responsibility for it. Mr. Steptoe was very pleased with his accomplishments and thought that it was a great find in the scientific world. He soon found out that not everyone was fond of his discoveries. The religious community was the group that disapproved in vitro fertilization the most. They envisioned baby breeding farms and along with that saw it as Mr. Steptoe “playing God” (Danielson). There were many positives that came out of this as well. It can be very devastating to be told that you cannot have babies. That is something most people look forward to for much of their life. Patrick Steptoe and in vitro fertilization make it possible for these people to have babies. If used morally this process is fantastic and could be very useful. If IVF is abused and used for the wrong reasons then it should be abandoned and never used
again. Victor Frankenstein and Patrick Steptoe are similar in that they have the same general goal of creating life. That being said, their process, result, and satisfaction are very different. Victor created an unrealistic monster that does not fit in and wants to destroy humans. Patrick Steptoe came up with a good idea to help out people with reproductive issues. Unfortunately, people did not all accept the fact that this was his intention and his only intention. The moment Frankenstein’s creature was introduced to the world there was immediate tension between it and the human race. Patrick Steptoe had some people supporting him and also had some trying to tear him down. Both men were successful in achieving their goal but one regretted it and the other cherished his discovery. Frankenstein created a killer and Steptoe created an artificial baby maker.
Frankenstein, by Mary Shelley, a very gory story, can also be seen a romantic piece within having characteristics, such as celebration of the individual, importance of imagination, strong emotions, and an awe of nature. Within the piece there is many references to how one comments on the accomplishments and achievements of another or themselves, also known as the celebration of an individual. An example of how Frankenstein uses the celebrations of individual is when Frankenstein, himself, talks about his achievements of how fast his experiments turned out. He talks about his success, by staying, “ As I applied so closely, it may be easily conceived that my progress was rapid ” (chapter four). By saying, “applied” it shows that he is saying
Victor Frankenstein, a medical student spend two whole years trying to create a human out of body parts in his apartment while studying in Ingolstadt. Frankenstein focused his time and energy on his creation, isolating himself from his friends and family back home and he succeeded in making a human, albeit an abnormal human. Victor at seeing his Creation let his instincts take a hold of him which lead to his demise in the end. Victor flees the apartment in fear of the Creature, “Unable to endure the aspect of the being I had created, I rushed out of the room and … I escaped and rushed downstairs” (59). Due to his appearance, which is grotesque and ugly with scarring and yellowish skin, Frankenstein’s instinct is to flee from the Creature.
In her novel Frankenstein, Mary Shelley and the film Edward Scissorhands by Tim Burton their creations have a desire to be loved. Which leads them on a journey of acceptance for themselves and others. Everyone has felt the need to find why they are here on earth; we all search for answers we are no different from them.
“I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I was, have made me what I am” (Shelley 92). Frankenstein’s Creature presents these lines as it transitions from a being that merely observes its surroundings to something that gains knowledge from the occurrences around it. The Creature learns about humanity from “the perfect forms of [his] cottagers” (90). Mary Shelley’s Frankenstein offers compelling insights into the everlasting nature versus nurture argument. Her husband, Percy Bysshe Shelley wrote, “Treat a person ill, and he will become wicked.” Shelley believes that the nurture of someone, or something, in the Creature’s case, forms them into who they become and what actions they take. While this is true for Frankenstein’s Creature, the same cannot be said about Victor Frankenstein.
Never Let Me Go. Not a modern promethean Since the beginning of time man has been infatuated with the idea of pushing the human body to its limits by the use of science. The Space program is the best example of science helping humans accomplish things never before thought possible. In the age of technology and scientific advancement, ideas that once seemed like science fiction, for example, people walking on the moon, are now a reality. In order to push human development, ethics and morals have been pushed to the side.
In today’s world of genetically engineered hearts and genetically altered glowing rats, the story of Frankenstein, by Mary Shelley, seems as if it could be seen in the newspapers in our near future. The discoveries seen in modern science, as well as in the novel, often have controversy and negative consequences that follow them, the biggest of which being the responsibility the creator of life has to what has been created. Victor Frankenstein suffers from a variety of internal and external conflicts stemming from the creation of his monster, which in return also experiences similar problems. Shelley uses these tumultuous issues to portray the discrepancies between right and wrong, particularly through romanticism and the knowledge of science.
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
Victor Frankenstein was the creator of the monster in the book. He was an ambitious man who had high hopes and dreams for himself, but this characteristic was the cause of his downfall. He had a ruthless desire to obtain forbidden knowledge- a knowledge that only God was worthy of having. This lead him to lock himself in his laboratory, disregarding his family, friends, and health. His one purpose was to create life. In his quest to create a human being and bestow the power of life, Victor eventually did create a creature, but this lead to a situation
In Mary Shelley’s Frankenstein we are introduced early in the story to one of the main characters Victor Frankenstein and subsequently to his creation referred to as the monster. The monster comes to life after being constructed by Victor using body parts from corpses. As gruesome as this sounds initially we are soon caught up in the tale of the living monster. Victor the creator becomes immediately remorseful of his decision to bring the monstrous creation to life and abandons the borne creature. Victor describes his emotions and physical description of his creation as follows:
In this specific chapter, Victor's scientific obsession appears to be a kind of dream, one that ends with the creature's birth. Up until this point in the novel, Frankenstein has been playing god; he cannot-- or will not-- recognize that his obsession with “infusing life” into an inanimate body is fundamentally wrong. Shelley’s implement of stark contrast between the beauty of life and the ugliness of death (and thus his creature) plays an important role in illuminating Frankenstein’s reaction to the birth of his creation. The contrast used in this section words as a literary tool to describe Frankenstein’s descent from science into madness. The beauty that he saw in nature represents his love for science, while the wretchedness of his creation represents his immense fear of death. This contrast is necessary to understand Frankenstein’s personality in this scene. Frankenstein ironically describes his monster as “beautiful”, as was his intention during his previous work, while invoking an image of true horror in his description of a patchwork corpse that he himself is disgusted by (Shelley 60). The contrast between the creature’s features, from his proportionate limbs and “pearly” white teeth to his “watery” eyes and “straight black” lips, shows the attractive human qualities Frankenstein saw i...
Victor Frankenstein, the main character in Mary Shelley’s novel, is the creator of the monster. When Victor created the monster, he believed he created the monster for the betterment of humankind, but he actually created the monster because he desired to prove to the world that an average human can do Godly acts. The desire to create the monster goes back to Victor’s childhood. As a young kid, Victor’s passions always lied in science and chemistry and in college; he became obsessed with the idea of creating life out of inanimate objects. He then decided to specialize in Alchemy. Within Shelley’s book Frankenstein, Victor said:
“The doctor [Victor Frankenstein] and his monster represent of one another and their relationship mirrors that of the head and the heart, or the intellect and the emotion. In this context, the monster’s actions have been viewed as manifestations of the doctor’s—and Shelley’s—repressed desires” (Bomarito and Whitaker). The motif of doppelgänger is established when Victor created the creature. As Victor is alone and obsessed with science, he resorts to creating a “being of a gigantic stature, that is to say, about eight feet in height, and proportionally large” (Shelley 38). Whenever the creature comes to life, Victor is frightened and flees from the creature, even though he does not realize, that he has subsequently created a double of himself.
Although interpretation of things varies from people to people, how I interrupted the book of Mary Shelley’s Frankenstien, more focused on how it related to Splice. Frankenstein was created in 1818, which was about scientist Victor Frankenstein, who creates a creature during a science experiment. Vincenzo Natali’s Splice is a 2009 film about genetic engineers Clive Nicoli and Elsa Kast, who hope to achieve fame by successfully splicing together the DNA of different animals to create new hybrid animals for medical use. Frankenstein is a romantic novel about the depths of human emotion and imagination, while Splice is a contemporary science film produced as a modern-day Frankenstein. Elsa and Victor share a similar relationship with their creatures; both become obsessed with creating their creatures and both in a constant battle between science and nature.
Victor Frankenstein is the protagonist and the narrator of the main story in Frankenstein. Raised by doting parents, Victor confesses: “I was their plaything and their idol, and something better-their child, the innocent and helpless creature bestowed on them by Heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me.” (35) This statement condemns his later reckless and arrogant behavior. Victor was obsessed from an early age with natural philosophy and the ultimate knowledge of life. He sought answers to the many questions that puzzled great minds before him. Motivated by ambition and an insatiable quest to be God like and create life, Victor dedicated himself to this one pursuit for nearly two years. The creature, which was made out of old body parts stolen from the cemetery, strange chemicals, and a mysterious spark, convulsed to life. In this moment, Victor becomes a creator of a human life, the “God” to a being that was deserving of the attention and love of its creator.
The novel Frankenstein is about a man named Victor Frankenstein who wanted to tamper with life and death by "exploring unknown powers, and unfold to the world the deepest mysteries of creation." (Frankenstein, pg.40). He acquired the knowledge of science when he attended the university of Ingolstadt, and once the knowledge of science was gained, Frankenstein went to his secret laboratory to create a creature with gigantic stature. At first, Frankenstein had doubts about creating a human being; however, with "the improvement which every day takes place in science and mechanics, [he] was encouraged to hope [his] present attempts would at least lay the foundation of future success." (Frankenstein, pg.47) Once Frankenstein created his human being, his dream was vanished because he had accomplished his dream. His dream of creating a human being soon turned into a nightmare.