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Acceptance of diversity
Four most recognized attitudes regarding diversity
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Frances Farmer gained notoriety early on through her unconventional ways; from writing a high school award-winning paper revealing her atheist beliefs to traveling to the Communist Soviet Union in thick political tension, she was a beautiful intellectual put on the map. Farmer quickly became a talented movie star and Hollywood began to groom both her outside and inside appearance into something she was not. Farmer’s same unconventional ways that brought her into the spotlight pulled her tumbling down. Her outspoken manner on set “for a woman” nd her defiance for authority challenged the Hollywood studios. She began to lose parts of her identity as she gave in to Hollywood, society, and her overbearing mother. Farmer was soon swept into alcohol, …show more content…
prescription drugs, and reckless behavior.
The justice system and her overbearing mother stepped in and institutionalized Farmer. She was stripped of her legal rights and trapped into a cycle of mental institutions, where she was wrongfully diagnosed as mentally ill and mistreated.
Throughout Farmer’s life there were outside forces that contributed to her tragic story. One being, that she was an eccentric woman forced to conform to society’s norms to survive in the spotlight. During Frances’ time in the film industry, women were to be represented as sexual objects, there for the pleasure of a man’s eye. Therefore, the Farmer was belittled and objectified by the Hollywood studios. She learned that for her career to survive she must give in to the conventional ways of beauty and behavior of a woman. Naturally, this type of resolution rendered a loss of self-identity. Additionally, it deeply bothered Farmer that she was not being portrayed realistically in movies, she wanted to truly act the part rather than being a feminine prop. Her primitive nature favored creativity, non-conformity, and strong curiosity, all which society frowned upon for women. Furthermore, the intrusion of her personal life was an additional force
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that led to Farmer’s problem. The press took every chance they got to exploit a scandal out of Farmer such as leaving Hollywood, drunk driving and, being arrested and institutionalized. They twisted Farmer’s character by portraying her in the worst possible light, making Farmer withdrawal socially. An additional example of an intrusion of Farmer’s personal life is the stripping of all her legal rights as an individual. This dehumanized her by dividing the line between the mentally ill and the mentally healthy. Moreover, perhaps the most betraying force that proved to be a factor in Farmer’s problem was her relationship with her mother, Lillian. Lillian used Farmer’s career as an outlet to live out her own selfish desires and dreams. Farmer repeatedly tells her mother that Hollywood is exhausting her mental health however, her mother continues to accept movie deals and interviews. Countless times Lillian institutionalizes Farmer. This devastates Farmer, an independent woman at heart, with her identity being ripped away from her. The tragedy of Farmers situation is if she were alive today she would not face the same issues.
Most of the factors that fueled Farmer’s problems were contextualized to her time. Today, Farmer’s eccentric nature coupled with the evolution of social freedom would have allowed her to self-actualize rather than be forced to conform to norms. The media and society have evolved to value gender equality. Today in Hollywood women are being casted in complex roles and challenging stereotypes, such as characters like Katniss Everdeen from the Hunger Games and Wonder Women. Farmer would be able to portray herself realistically in movies because of the increasingly, diverse array of women identities today. Also, her artistic voice that was ignored during her time due to sexism would now be valued for its creativity. Moreover, in regards to the intrusion of her personal life Farmer would possess legal rights that would inhibit her from being trapped in a cycle of mental institutions beyond her will. Today psychiatric patients have explicit rights such as to refuse treatment. Unfortunately, she would still experience intrusion with the press and media, even more so due to the rise of advanced technology. American culture idolizes celebrities because they feel a connection to them through witnessing their career and legacy grow. However, it is that same connection that renders an expectation and obligation to be intrude on the private aspects of a celebrity’s life. Additionally, there are
increasing amounts of gossip columns and television shows dedicated to scrutinizing celebrities. In regards to Farmer’s relationship with her mother, the toxic relationship would still internally effect Francis today. However, the only difference is her mother would not have the authority to control her life to the same degree. Her mother would not be able to arrange a series of hospitalization stays at mental institutions because the newly outlined rights of psychiatric patients. Also, it is now easier for a woman to become financially, legally, and socially independent; this would weaken Farmer’s dependency towards her mother. Farmer’s story conveys how mental illness was defined and treated from the 1930s to the 1940s. First, it suggests that abnormal psychological functioning has physical causes through biochemical and anatomical malfunction. Therefore, it must be treated in a biological capacity. For instance, Farmer was treated for biochemical malfunction with insulin shock therapy and electric shock therapy. This was intended to correct how information is passed to and from cells by rewiring the thinking of the brain. Farmer was also treated for anatomical malfunction through a lobotomy which disconnects the frontal lobe and makes one unable to organize and carry forth impulses. Nevertheless, her story also shines light on the societal position of defining mental illness. Once an individual is labeled they become dehumanized and society’s ethics and morals are changed. Society creates a subdivision within humanity and everything a mentally ill individual does becomes abnormal and dangerous to an outsider. This created an unspoken treatment: learning the “way” to get out through mentally healthy statements.
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
At that time, Viola Desmond was the one of the only successful black canadian business woman and beautician in Halifax because there are were very few careers offered to the black. She Attended Bloomfield High school and also, studied in a program from Field Beauty Culture School, located in Montreal. These schools were one of the only academies that accepted black students. After she graduated, she promoted and sold her products because she wanted expanded her business;she also sold many of her products to her graduates. In addition, she opened a VI’s studio of beauty culture in Halifax.
Jennie Wade was the only civilian to die in the battle of Gettysburg. Jennie Wade was born in Gettysburg, Pennsylvania, and died there just twenty short years later. The battle of Gettysburg was then known as one of the bloodiest battles in the American civil war. This caused a single civilian to lose their life, Jennie Wade was that person to die at Gettysburg. Many other civilians died in the war itself, but only she died at Gettysburg.
The female fatale Norma Desmond, starred by Gloria Swanson, is a distorted version of the actress herself - who had been largely absent for almost 16 years when she performed in Sunset Boulevard. Norma Desmond is the typical example of a celebrity living in the netherworld between the passed stardom and reality - "I am big, it is the pictures that got small." In the entire Sunset Boulevard, Norma is always performing as if constantly watched by fictional audiences. Her dramatic movements, s...
We live in a time where gender equality is almost a reality. Women can do many of the same jobs men can do and in single families or in times of need take a patriarchal role in their family or the workplace. This is exactly what happened in The Grapes of Wrath, when Ma had to slowly take control over her family and progressively lead the Joads out of their own familial depression. The role of women and their status within the book is elastic throughout the novel and breaks the common convention at the time. As a reader, we see Ma Joad often assume a male role, and we see Tom Joad display a more traditionally feminine role as time progresses in the story. The novel complicates its own understanding of women and men in 1930’s America and changes definitions of gender roles and female character in the novel and in life.
While Madame Ratignolle, Madamoiselle Reisz and Edna are very different characters, all of them are unable to reach their potentials. Madame Ratignolle is too busy being the perfect Louisiana woman that she no identity of her own; her only purpose in life is to care for her husband and children. Madamoiselle Reisz is so defiant and stubborn that she has isolated herself from society and anyone she could share her art with. Edna has the opportunity to rise above society’s expectations of females, but she is too weak to fight this battle and ultimately gives up. While these three characters depict different ideas of what it truly means to be a woman and what women’s role in society should be, none of them can reach their full individual potential.
Having attended a leading drama school, April portrays herself as a golden person to her suburban audience until others around her make mistakes and she loses her grip, causing her performance to sink below those of the amateurs. No longer has a golden person in the eyes of the public, April allows the “weight and shock” that she is a “graceless, suffering creature” with a “constricted” appearance and a “false smile” to overwhelm her (Yates 13). Her sudden epiphany puts her in a limbo between what she wants to be and what suburbia dictates she is, a middle-class housewife whose only purpose is to take care of her
Imagine it – all the rules you were raised to follow, all the beliefs and norms, everything conventional, shattered. Now imagine It – Clara Bow, the It Girl. The epitome of the avant-garde woman, the archetype of the flapper, was America’s new, young movie actress of the 1920’s. Modern women of the day took heed to Bow’s fresh style and, in turn, yielded danger to the conventional America. Yet Bow’s contagious and popular attitude came with its weaknesses - dealing with fame and the motion picture industry in the 1920’s. Despite this ultimate downfall, Clara’s flair reformed the youth and motion pictures of her time.
To understand why Hitchcock’s portrayal of female characters is crucial to fully understanding the film, it is important to consider the way society worked for women in the fifties. Women “were taught to pity the neurotic, unfeminine, unhappy women who wanted to be poets or physicists or presidents” (Friedman, 16). It was completely wrong for women to try and get male dominated jobs. They were supposed to be housewives who did not have any power in society. “They had no thought for the unfeminine problems of the world outside the home; they wanted the men to make the major decisions” (Friedman, 18). In her book, Friedman continues to explain how most of the women she had interviewed who were housewives felt dissatisfaction with their lives and were ashamed that they felt this way.
Julia Child tried to keep herself occupied in France but couldn’t find anything she loved to do. Finally she decided to take a class at Le Cordon Bleu for cooking. She did not like the treatment she was getting in the women’s only class. ...
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
In today’s world, men and women are perceived equally by the society. In the past, authority and control define men while women are given the characteristic of helplessness. Men are able to get hold of high positions while women usually are subservient to them. In movies, we would usually see women portray roles that are degrading due to the stereotypical notions they associate with this gender group. Moulin Rouge, a movie set during the 1900s narrates the story of a courtesan woman, Satine, as she undergoes hardships to earn money, experiences love but unfortunately, due to her irrational choices, faces tragic consequences at the end. Satine is a symbol of how women are being treated by the society during the era before post-feminism, where men have superiority over women. As the plot develops, Satine transforms from a worthless prostitute to someone who is courageous and willing to face her fears in order to attain her aspirations. Psychoanalyst theory and feminist analysis are apparent throughout the film. The male gaze, fantasy and feminism are three topics that will be covered in depth in this essay through relating it to the movie.
Noted in Yvonne Tasker’s Working Girls: Gender and Sexuality in Popular Cinema, Goldie Hawn says this about women's role in the film business “There are only thee ages for women in Hollywood: Babe, District Attorney and Driving Miss Daisy” (1998, p. 3). While Haw...
Who am I? Many people struggle to find the answer to this question. Identity defines us. It comes from the way people are raised, their beliefs, their family structure, and the community around them. It’s a personal struggle that people fight with every day to try to figure out. April Raintree was one of those people. In the book “In Search of April Raintree” by Beatrice Culleton Mosionier, April ran from who she really was, a Metis.
Madame Bovary, a novel by Gustave Flaubert, describes life in the provinces. While depicting the provincial manners, customs, codes and norms, the novel puts great emphasis on its protagonist, Emma Bovary who is a representative of a provincial woman. Concerning the fundamental typicality in Emma Bovary’s story, Flaubert points out: “My poor Bovary is no doubt suffering and weeping at this very moment in twenty French villages at once.” (Heath, 54). Yet, Emma Bovary’s story emerges as a result of her difference from the rest of the society she lives in. She is in conflict with her mediocre and tedious surroundings in respect of the responses she makes to the world she lives in. Among the three basic responses made by human beings, Emma’s response is “dreaming of an impossible absolute” while others around her “unquestionably accept things as they are” or “coldly and practically profiteer from whatever circumstances they meet.” (Fairlie, 33). However, Emma’s pursuit of ideals which leads to the imagining of passion, luxury and ecstasy prevents her from seeing the world in a realistic perspective or causes her to confuse reality and imagination with each other.