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Rural life vs urban life
Personal essay nervous conditions
Personal essay nervous conditions
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THE OPEN WINDOW Mr Framton Nuttel is suffering from a nerve disease. He is advised by the doctor to shift to a rural town. Framton embarks on a trip intended as a nerve cure; He travels to an old rectory place in the countryside where he finds himself in an unfamiliar situation that ends up having a negative effect on his seemingly nervous condition. Framton arrives at a rectory in the countryside to spend sometime alone. His sister had set up introductions for him with a few members of the community. His first visit is to the Sappleton house. Upon arriving at the Sappleton house, where Vera, Mrs Sappleton’s 15-year-old niece, welcomes him he does not find the friendship he is looking for. Upon discovering that Framton has never met the Sappletons, …show more content…
She explains they have been out for snipe in the marshes today, so they will make a fine mess over her poor carpets like all the menfolk do. She rattles on cheerfully about the scarcity of birds, and the prospects for duck in the winter. To Framton it is all purely horrible (Aldrich, & Marjorie, 1954). Framton makes a desperate but only partially successful effort to turn the talk on to a less ghastly topic, he is conscious that his hostess is giving him only a fragment of her attention, and her eyes are constantly straying past him to the open window and the lawn beyond. It is certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary. All of a sudden Framton announces that the doctors agree ordering him to complete rest, an absence of mental excitement, and avoidance of anything in the natural violent physical exercise (Aldrich, & Marjorie, 1954). Framton labours under the tolerably widespread delusion that total strangers such as Mrs Sappleton and chance acquaintances are hungry for the least detail of one’s ailment and infirmities, their cause and cure. He continues to say that on the matter of diet, the doctors are not so much in agreement. Mrs Sappleton says no in a voice, which only replaces a yawn at the last moment. She then brightens suddenly into alert attention but not to what Framton is explaining, this disappoints
As part of her initiation into the sorority, Millicent is told to ask each passenger on a bus what they ate for breakfast. Most people answer very typically, while peculiar old man says that he ate “heather birds’eyebrows on toast.” He then explains to Millicent that heather birds are mystical purple birds that are free to be as they are. This man doesn’t care that he might be seen as strange for saying these things. He is very content with himself and the things he says. Even the man’s appearance is one of individuality. He “looked something like a gnome or a cheerful leprechaun. ” The conversation between Millicent and the old man takes place on a city bus. Most people would not appear to be cheerful and approachable when riding city transit, but this man is comfortable with expressing himself and does not feel the need to act like everyone else. He eagerly and readily tells Millicent about the heather birds, and how he too wishes to be mythological one day. Much like the heather birds, the old man is different from others. The man is the true representation of individuality in this story. The man’s openness with his individuality made Millicent think that perhaps all the ridiculous questions she was supposed to ask as part of her initiation were nothing to be embarrassed about. The man’s tale of the
“ I wonder what this family thought about when their mortgage finally outgrew their crops, and thus gave the signal for their eviction. Many thoughts, like flying grouse, leave no trace of their passing, but some leave clues that outlast the decades. He who, is some unforgotten April, planted this liliac must have thought pleasantly of blooms for all the Aprils to come. She who used this washboard, its corrugations worn thin with many Mondays, may have wished for a cessation of all Mondays, and soon.” (Leopold
Mr. Hale describes Mrs. Foster as being “queer” or strange. It is know that people in highly stressful situations can behave in a manner that is considered inappropriate such as laughing at a funeral and perhaps Minnie Foster is in such a situation that mental she is struggling to believe what has happened. She may also be in a state of shock causing peculiar behavior and a lack of judgement. Furthermore, the possible motive that Minnie Foster killed her husband over him killing her bird is weak. Mrs. Hale remembers Mrs. Foster as being a normal girl who people adored and yet how could such a normal person commit murder over the death of a bird. Perhaps the bird had died and she simply had not had time to bury the bird. Minnie Foster’s behavior suggest she was in shock over the death of her husband causing her to act strange not because she killed her husband and further the weakness of the suggested motive that she killed Mr. Foster because he killed her bird jumps to a conclusion without clear
In the beginning the narrator concentrates on a typo on the hospital menu saying “…They mean, I think, that the pot roast tonight will be served with buttered noodles. But what it says…is that the pot roast will be severed…not a word you want to see after flipping your car twice…” (Hempel 53) as if he’s trying to keep his mind off of everything. Nevertheless, the narrator continues on to speak regarding his memory, the realization of eventual death, and the duality of experience. Although from time to time, as a coping mechanism, he restrains himself from getting too serious—by means of making jokes on the surface—he finds himself plunging into deeper meaning.
The Wrights home was a poor, lonely type of home. The trees that surround the house grew in a sad state. The road that led up to the farm was an unoccupied path. Minnie Wright is the woman who lives on these lonely grounds. She is friendless and mostly keeps to herself. There is no one for her to talk to, her husband died recently, thus, she lives out her life as an outcast. In hindsight, Mrs. Hale, a woman who knows Mrs. Wright, explains to her friend, “'But I tell you what I do wish, Mrs. Peters I wish I had come over sometimes when she was here I wish– I had.’ I [too] wish I had come over to see Minnie sometimes.’” Since no one takes the time out of their busy schedules to visit Mrs. Wright, Minnie feels unwanted.
The narrator in “The Yellow Wallpaper” knows she is sick, but the men in her life do not think she is seriously ill. Her husband, John, and her brother are both physicians of high standing, so she does not know what to do when they diagnose her as being perfectly healthy. Even though she does not agree with their remedies, she has no say over them. She admits with discomfort, “So I take phosphates or phosphites-whichever it is, and tonics, and journeys, and airs, and exercise, and am absolutely forbidden to “work” until I am well again”(Gilman 956). Although she would know if she was sick and what would make her feel better than anyone else, she is forced to go along with her husband’s elaborate plan for her path to recovery.
At the start of the play, all of the characters enter the abandoned farmhouse of John Wright, who was recently hanged by an unknown killer. The Sheriff and County Attorney start scanning the house for clues as to who killed Mr. Wright, but make a major error when they search the kitchen poorly, claiming that there is nothing there ?but kitchen things.? This illustrates the men?s incorrect belief that a kitchen is a place of trivial matters, a place where nothing of any importance may be found. Mrs. Peters then notices that Mrs. Wright?s fruit froze in the cold weather, and the men mock her and reveal their stereotype of females by saying ?women are used to worrying over trifles.? The men then venture to the upstairs of the house to look for clues, while the women remain downstairs in the kitchen where they discuss the frozen fruit and the Wrights. Mrs. Hale explains that Mrs. Wright, whose maiden name was Minnie Foster, used to be a lively woman who sang in the choir. She suggests that the reason Mrs. Wright stopped being cheerful and active because of her irritable husband.
The Sheriff, Attorney, and neighbour Mr. Hale look for evidence while the women Mrs. Peters and Hale are left to their own devices in the kitchen. Condescendingly, the men mock the women’s concerns over Mrs. Wright’s stored preserves, its stated: “Well, women are used to worrying over trifles.” (Hale, act 1) It’s inferred that women- who care only of trifles, something of little or no importance, must be trifles themselves. Ironically, these said trifles: the quilt, preserves, a little bird- which will be discussed later, are what solves this mystery. A major concern expressed by all the characters is motive; why would Mrs. Wright kill her husband? While discussing the marriage and disposition of the victim, its stated: “Yes--good; he didn't drink, and kept his word as well as most, I guess, and paid his debts. But he was a hard man, Mrs. Peters. Just to pass the time of day with him. (Shivers.) Like a raw wind that gets to the bone.” (Mrs. Hale, act 1) Abuses, which have been hinted at all throughout the play are finally spoken of in these lines. Audiences find, that Mrs. Wright- “real sweet and pretty, but kind of timid” - would murder her
Even with the pain of bearing children, raising them, doing household and even farm chores, their efforts have never been truly appreciated. Mrs. Wright was “…real sweet and pretty, but kind of timid—and fluttery…” as Mrs. Hale, her neighbor, describes her (22). This would all soon change after her wedding day. With Mr. Wright’s insipid character and lack of patience of any joyous sound, Mrs. Wright’s spirit dwindled to nothing. It seems she spent hours at a time focusing on her quilts, preserves, and caring for the only life there was in the house, her canary. Even when Mr. Hale offered to get a party telephone, Mr. Wright responded, “…folks talk too much anyway…”(5). This silence he preferred also applied to his spouse. There were no hugs given out much less a smile. He failed to give her even the most minimal sing of appreciation much less the emotional warmth she hungered for.
The narrator, referred to as Jane, has been suffering from what her husband, who is a physician, believes is a “temporary nervous depression.” He prescribes a “rest cure”
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
The narrator is forbidden from work and confined to rest and leisure in the text because she is supposedly stricken with, "…temporary nervous depression - a slight hysterical tendency," that is diagnosed by both her husband and her brother, who is also a doctor (1).
The first words of the book convey a parrot that spoke “a language which nobody understood”, and Edna’s husband “had the privilege of quitting [the parrot] when [it] ceased to be entertaining” (11). In the same light, Edna speaks of and wishes for a life that nobody apprehends. Her husband also possesses the moral, objectifying liberty to quiet Edna when she did not provide leisure, as one can turn off a song once it grows into a tedious nuisance. A further exemplification comes about when Old Monsieur Farival, a man, “insisted upon having [a] bird. . . consigned to regions of darkness” due to its shrieking outside (42). As a repercussion, the parrot “offered no more interruption to the entertainment” (42). The recurrence of the parrot evolves Edna’s state of stagnance as a consequence of being put to a halt by others despite her endeavor of breaking free. Ultimately, as Edna edges out towards the water to her death, a bird is depicted with “a broken wing” and is “beating the air above, reeling, fluttering, circling disabled down, down to the water” (159). This recurrence parallels the beaten bird to a suffering Edna. She has “despondency [that] came upon her there in the wakeful night” that never alleviates (159). Dejection is put to action when Edna wanders out into the water, “the shore. . . far behind her” (159). Motif of birds articulates her suicide by its association with
Critique of “First Flight” The “First Flight” is an excellent short story that made pathos for the reader to portray in the life of an everyman who has to deal with exclusion and people’s bad choices. Gregory is an 18 year old who just wants to be sociable but everyone just shuts him out and doesn’t pay attention to him. He stops in a train station to warm up and is ridiculed on a false accusation of stealing a pilot uniform. W.D Valgardson perfectly shows both of the main themes.
Although the couple is on a romantic vacation, George proceeds to neglect his wife. This is evident not only in his mannerisms but also in his lack of involvement in her want for the cat. When the wife says that she wants to go get the cat, George makes a poor attempt at offering to help. Unmoving and still laying in his same position on the bed, he remains focused on his book, and offers a half-hearted ?I?ll get it?(533). Since she is not looked after by her husband, she takes comfort in the fact that the innkeeper takes a liking to her and a concern to her well-being. By offering her an umbrella and his assistance ?the pardone made her feel very small and at the same time very important. She had a momentary feeling of supreme importance? (534). Often times women who are neglected need to seek outside attention, whether negative or positive. The fact that the pardone gave the American wife this feeling of importance reflects the lack of attention or even affection she receives from George. On the other hand, she can be like most women who are, in fact, attention whores. These are the typ...