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Marriage in Ernest Hemingway's Cat in the Rain
In today's society, people have the assumptions that we have evolved far beyond past cultural notions and marital stereotypes. The reality to this is that we are not so superior and tend to take the easy way out in relationships. This is reflected through our atrocious divorce rate. The American wife in Ernest Hemingway's 'Cat in the Rain,' although controlled by her husband, George, is an obvious victim of marital neglect. While vacationing in Italy, the romance capital of the world, George's use of control and carelessness cause the wife to focus on a stray cat for fulfillment.
Although the couple is on a romantic vacation, George proceeds to neglect his wife. This is evident not only in his mannerisms but also in his lack of involvement in her want for the cat. When the wife says that she wants to go get the cat, George makes a poor attempt at offering to help. Unmoving and still laying in his same position on the bed, he remains focused on his book, and offers a half-hearted ?I?ll get it?(533). Since she is not looked after by her husband, she takes comfort in the fact that the innkeeper takes a liking to her and a concern to her well-being. By offering her an umbrella and his assistance ?the pardone made her feel very small and at the same time very important. She had a momentary feeling of supreme importance? (534). Often times women who are neglected need to seek outside attention, whether negative or positive. The fact that the pardone gave the American wife this feeling of importance reflects the lack of attention or even affection she receives from George. On the other hand, she can be like most women who are, in fact, attention whores. These are the typ...
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...ugh attention from who she most certainly should be receiving it from, her own husband. It is almost like she looks to him for the protection and care her husband cannot provide. This goes back to the immaturity issue, like she needs to be rescued or something, or maybe even seeking a father figure. The whole idea that she wants to rescue the cat from the rain reflects her own desire to be rescued. On her way to do so, the pardone happens to be there to help, or offer assistance and make her important.
In conclusion, I think that although the American wife does possess traits which make her spoiled, and even immature, she is definitely a victim of neglect.
Works Cited:
Hemingway, Ernest. ?Cat in the Rain.? The Practical Guide to Writing with Readings and Handbook. 8th ed. Eds. Sylvan Barnet, Marcia Stubbs, Pat Bellanca. New York: Longman, 2000. 407-10.
Writing with Readings and Handbook. 3rd ed. New York: W.W. Norton & Company, Inc., 2013. 52-57. Print.
In Of Mice & Men, the character Curley’s Wife is depicted as flirtatious, promiscuous, and insensitive. However, her husband Curley sees her as only a possession. Most of the workers at the ranch see her as a tart, whereas Slim, the peaceful and god-like figure out of all the men, see her as lonely. This answer will tell us to which extent, is Curley’s wife a victim, whether towards her flirtatious behaviour, or to everyone’s representation of her.
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
Mahin, Michael J. The Awakening and The Yellow Wallpaper: "An Intertextual Comparison of the "Conventional" Connotations of Marriage and Propriety." Domestic Goddesses (1999). Web. 29 June 2015.
After a decade of not seeing his mother and brother, Howard returns to his hometown in Mississippi. It is evident how thrilled he is. As the train approaches town, he begins “to feel curious little movements of the heart, like a lover as he nears his sweetheart” (par. 3). He expects this visit to be a marvelous and welcoming homecoming. His career and travel have kept his schedule extremely full, causing him to previously postpone this trip to visit his family. Although he does not immediately recognize his behavior in the past ten years as neglectful, there are many factors that make him aware of it. For instance, Mrs. McLane, Howard’s mother, has aged tremendously since he last saw her. She has “grown unable to write” (par. 72). Her declining health condition is an indicator of Howard’s inattentiveness to his family; he has not been present to see her become ill. His neglect strikes him harder when he sees “a gray –haired woman” that showed “sorrow, resignation, and a sort of dumb despair in her attitude” (par. 91). Clearly, she is growing old, and Howard feels guilty for not attending her needs for such a long time period: “his throat [aches] with remorse and pity” (par. 439). He has been too occupied with his “excited and pleasurable life” that he has “neglected her” (par. 92). Another indication of Howard’s neglect is the fact that his family no longer owns the farm and house where he grew up. They now reside in a poorly conditioned home:
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
The narrator also feels intimidated by his wife?s relationship with the blind man. When he is telling of her friendship with Robert h...
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
In a subtle way, Brush also makes the wife’s actions selfish. Even though her husband was wrong to react in the way that he did, she was also selfish in her actions. Clearly, her husband has a shy personality because “he was hotly embarrassed” (13) in front of “such few people as there were in the restaurant” (11). Using a couple of this age (“late thirties” (1)), Brush asserts that the wife should have known her husband’s preferences and been sensitive to them. The author also uses the seemingly opposite descriptions the couple: “There was nothing conspicuous about them” (5) and the “big hat” (4) of the woman. The big hat reveals the wife’s desire to be noticed.
...could relate to the daily struggles of completing chores to please their husbands and children and understood how Minnie Wright could develop feelings of desolation due to the lack of variety in daily activities. When the men found the unwashed towels by the sink and the burst jars of fruit in the cupboard, they quickly took a tone of disgust and disappointment that Mrs. Wright fell short of her “womanly duty” of picking up daily messes. Women in the early 20th century often were not rewarded for completing difficult tasks amongst the homestead on a daily basis, but could be punished and mistreated for not completing the tasks in a timely manner. Glaspell’s work “offers a sympathetic portrait of an abused wife, a woman who is mistreated economically, psychologically, emotionally, and perhaps physically… [her actions] supporting battered woman syndrome” (Keetley).
This short story is told in the Third person limited omniscient point of view through eyes of Lenore. This point of view is significant in uncovering the complexities of Lenore’s character. If it were told through the eyes of George, the reader would then believe Lenore to be actually a “simple” woman. However because it is told through Lenore we understand how she is truly feeling about this situation; “Lenore feels that she is like Julie: Julie’s face doesn’t betray emotion, even when she is interested, even when she deeply cares.” (Beattie 37) This lets the reader know that Lenore does care what is going on with George and Sarah and all of the other girls he brings home. That even though she does not show it or talk about it out loud. That she deeply cares what is going on and does not appreciate how George is acting in front of her.
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
Now that we have a little background on the author, we can take a closer look at the actual work and its characters. The two main characters of the story a narrator and her husband, John, and the story takes place in the 19th century. Life for the two is like most other marriages in this time frame, only the narrator is not like most other wives. She has this inner desire to be free from the societal roles that confine her and to focus on her writing, while John in content with his life and thinks that his wife overreacts to everything. Traditionally, in this era, the man was responsible for taking care of the woman both financially and emotionally, while the woman was solely responsible for remaining at home. This w...
America,” Susan S. Lanser explains that “reading or writing her self (sic) upon the wallpaper allows the narrator, as Paula Trechler puts it, to ‘escape’ her husband’s ‘sentence’ and to achieve the limited freedom of madness which, virtually all these critics have agreed, constitutes a kind of sanity in the face of the insanity of male dominance” (Lanser 418). This perspective shows how the patriarchal way in which John infantilizes his wife and forces her to rest against her intuition ultimately leads to her