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Music's impact on society through history
Music's impact on society through history
Music's impact on society through history
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The context of performances throughout history revolves around the subject and purpose of the composition. Social events such as weddings and banquets, Religious gathering, accompanying workers during harvest and soldiers on their way to battle and for the Greeks performances were closely tired with sports and athletic games for encouragement and motivation.
The social attitudes surrounding these subjects and purposes heavily influenced composers approaches to writing, use of modes to create moods, instrumentation for texture and even figuration for interest. The Development of instruments plays an important role in the composers work, brass instruments like the Trombone and the French Horn, woodwind like the flute or clarinet or string and plucked instruments like the lute and double bass. Each varying from culture to geographical origin to century. Recently a 500 year old instrument was finally built by Slawomir Zubrzycki, the Viola Organista designed by the great Leonardo Da Vinci who at the time simply did not pocess the means of constructing this magnificent instrument, for if he did we surely would of seen a significant cultural trend amongst the music composers of the era.
In the 17th Century the French Horn began to become an important brass element to music composers. The Instrument began as an invention based on early hunting horns and has origins first being used in late 16th Century, Western Europe Operas. These horns were monotone until 1753 where a German musician of the name Hampel, invented a use of moveable slides in varying lengths to change the key of the horn. In 1760 it was further developed by the discovery that placing your hand over the bell of the French Horn, lowered the tone called stopping. The St...
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...ayed in a specific order or focusing on important notes to be played, created moods. This was most notable in mediaeval times, where tonality revolved around 8 primary modes or 'Church Modes'. All derived from Greek modes before the modern 'key' was established, Dorian, Phrygian, Hypodorian, Hypophrygian, Lydian, Mixolydian, Hypolydian and Hypomixolydian.
A Technique developed over the musical periods is figuration or the smallest musical idea repeated or looped to maintain interest. In the early 16th Century Through Composed music was far more common due to its use in musical theatre and operas, Claudio Monteverdi is an excllent example of this, where is comparision to Mozart. Monteverdi's work tend to be continus and uninterrupted where Mozart's work consisted of a collection of songs containing minimal repetition and progressed with interruptions for dialogue.
On the other hand, the pre-1600 styles in European art music are based upon the following features:
Giuseppe Torelli, was an Italian violinist, teacher and composer, is considered one of the early developers of the Baroque concerto and concerto grosso. Torelli also composed a significant number of works for the trumpet during the Baroque period (1600-1750). Around 1690, one can begin to see the first works for the trumpet. He was familiar with the virtuoso trumpeter, Giovanni Pellegrino Brandi. Brandi would sometimes play with the San Petronio orchestra, of which Torelli was violin player. This acquaintance could explain Torelli’s awareness of the trumpet’s timbre, dynamic range, and expressive capabilities.
Next we come to a point in time where a great leap had to be made. Musicians had made positive steps forward in the way of pitch and time but of only one or two notes at a time. What was needed was an in instrument that gave players control of many pitches simultaneously. The mechanism ...
Antonio Stradivari, a man known by many as on of the greatest luthiers of all time. The question at hand is why? From as early as the early 1700’s Stradivari was well known in the music world and still is. His instruments are reproduced in order to fool consumers into buying an instrument that has the same design as a Strad. There are also luthiers that try to replicate Stradivari’s beautiful design for their own satisfaction. Antonio Stradivari’s instruments have become socially and technically popular over time due to his superior craftsmanship, and for others, its large price tag. Stradivari’s life, affecting how his instruments were made, changed the perception of his instruments technically and socially.
There are various aspects of our lives and of those there is music. Music is an inextricable part of life. It can be dated back to the most primitive of time. Where there are humans there is some form of music varying from culture to culture. Languages, belief systems and many other variables within a nation have great influence on what is considered music and what’s not music. This is why it is very important when listening to music to consider the context in which it was created in. This will enable you to appreciate the different sounds and musical constructions such as rhythm, melody, harmony and also the lack thereof. American music is fundamentally diverse because of the many ethnicities and subcultures. These attributes of society are also found in other nations around the world. The Middle East, Europe and Sub-Saharan Africa are nations of varied ethnic groups whom have expressed their beliefs, culture and other extra musical influences in their music. Through the study of many ethnomusicologists in these regions we can acknowledge and or comprehend the different sounds of music apart from our ethnocentric understanding of music.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
performance to a major degree reflects the spirit of the times, and some of today's 'authentic' performances have less to do with historical accuracy, attempting rather to produce a performance which, in John Eliot Gardiner's words, will 'excite modern listeners.' (Sartorius)
This paper will firstly define what the Chorus are and their role in Traditional Greek plays. Once that is defined we will then discuss the impact of the Chorus in each episode as well as the Choral Parodos and Stasimon’s . We will then reach an overall conclusion at the end about the effect of the Chorus’s contribution.
The first forms of theatrical arts originated in ancient Athens during the sixth century BC. From then, theatre quickly rose in popularity and was considered a widespread Athenian delight by the end of the fifth century BC. It’s quick rise in popularity was not just because it provided the audience with entertainment, but because of its religious, political, social, and cultural significance to the Athenians. The theatre was many things in Athens; it was a religious festival to the gods, a competition of literature, a social gathering, a form of celebration, and a platform to discuss and debate current events. The Athenian lifestyle and the development of ancient Athens was significantly influenced by theatre during fifth and fourth century
In classical Greek drama and tragedy, the chorus reacts, responds, and comments on the actions and plot of the play. The purpose of the chorus is to represent the customary attitude of what is occurring, to clarify the actions as well as assess the feelings of certain characters, and to overall unify the play. Traditionally, choruses consisted of males, specifically the older men of whatever territory or city-state the play takes place in. The chorus plays a vital role in the four Greek tragedies “Antigone”, “Agamemnon”, “Medea”, and “Oedipus”.
Most of the early music that we have today still in print is primarily sacred music. This music, for the most part, is in the form of sections of the Mass, such as the Gloria, Kyrie and Agnus Dei. Most people of the Middle Ages were poor peasants who worked all day for meager wages and had no idle time lounging the way the upper classes did. Therefore, there are few extant secular compositions of music from this era. The rise of a new middle class, however, gave financial freedom for some people to spend time and money on entertainment in the form of music and dance. Thus, the rise of the middle classes also gave way to the rise in composition and performance of secular music, which became the music of choice for composers of that day.
The percussion family that is known in today’s Western Academia music is fundamentally not very different from the shape it looked in the Romantic era. The Romantic era lead to not only the percussion section expanding, but the brass section as well. Orchestra’s in the Early Romantic period (ca. 1830) grew from roughly forty performers to as many as ninety performers toward the beginning of the 20th century. The most growth was the addition of wind instruments with extended ranges, such as piccolo, English horn, bass clarinet, etc.; however, various brass instruments, such as horns and trumpets, were utilized in greater number due to the invention of valves. These valves gave the brass section the ability to reach all chromatic notes throughout
Along with perfect fifths, Williams believes the French horn and other brass instruments
There are quite a few differences between Classical and Romantic music; these two types of music are from two different time periods (and that is probably the most obvious reason why they are different from each other). The Classical period in music lasted from about 1730 until 1815. This was the time of composers such as: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Christoph Willibald Gluck, Domenico Scarlatti, and “Papa” Joseph Haydn, among others.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...