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Literature and psychology essay
The importance of symbolism
The use of symbolism in the novel
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There is a thin line between love and hate. Love is having a strong affection for another person, place, or thing and sometimes, it makes people do crazy things. Whether it is a woman chopping off hair due to a bad breakup or placing permanent tattoos on the body for commitment, one will go to major extremities to satisfy their passion for love. In Nathaniel Hawthorne’s story, “The Birthmark,¨ a psychotic scientist strives for perfection not only leading to the death of his beautiful wife, but overall attempting to have power and control over nature. Nathaniel Hawthorne utilizes symbolism and foreshadowing to display the thematic complexities of mortality and human imperfection that the birthmark personifies psychologically and symbolically …show more content…
in the relationship between scientist and his loving test subject. In the story, “The Birthmark,” Aylmer, a science fanatic, isolates society and briefly loses interest for his love of science for the love of a woman whom he marries, a beauty named Georgiana. Aylmer believes Georgiana is a charming sweetheart initially, but ends up having a appetite to alter what is unappealing to his eye: a crimsoned birthmark “of the smallest pygmy size” shaped as a hand placed directly under Georgiana’s eye (Hawthorne 6). Georgiana is very beautiful and epitomizes divine perfection that any man would be satisfied to marry. Aylmer, on the other hand, sees the birthmark as a standstill to Georgiana’s true perfection. Jeffrey Howard states, “. . . Aylmer’s unification with and destruction of the birthmark-which parallels his marital unity and eventual destruction of Georgiana-exists as a reaction to the birthmark which he perceives as a threat to his masculine dominance” (133). Georgiana’s flaw literally creates a huge trial in Aylmer’s masculinity and the married couple´s relationship and on in the story Aylmer has a dream about it. Stated by Aylmer, Georgiana listens to Aylmer’s nightmare: “The mind is in a sad state when Sleep, the all-involving, cannot confine her specters within the dim region of her sway, but suffers them to break forth, affrighting this actual life with secrets that perchance belong to a deeper one.
Aylmer now remembered his dream. He had fancied himself with his servant Aminadab, attempting an operation for the removal of the birthmark; but the deeper went the knife, the deeper sank the hand, until at length its tiny grasp appeared to have caught hold of Georgiana’s heart; whence, however, her husband was inexorably resolved to cut or wrench it away” (Hawthorne 7-8).
The dream about the birthmark on Georgiana’s face gives off as another symbol of Aylmer’s disgust, furthermore feeding into his obsession and making him have nightmares of removing the object only to what he thinks is mental. Consequently, this drives his motive to change the appearance of his wife.
Manipulating Georgiana into feeling ashamed of her outer beauty, Georgiana agrees to the allow Aylmer and his assistant, Aminadab, to perform the removal of the birthmark. Aminadab attempts to give beneficial insight to Aylmer stating, “If she were my wife, I’d never part with that birthmark” (Hawthorne 10). Aminadab symbolizes nature himself as seeing Georgiana for what she really is, imperfections and all, and not trying to scientifically modify her. Lynn Shakinovsky comments, “For Aylmer, the mark supposedly represents Georgiana's connection to earthliness, her lack of heavenly
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perfection, and is therefore unacceptable” (269). Partaking in listening to Aylmer’s selfish feelings and devastating nightmares, Georgiana agrees to make her husband happy again. Aylmer proposes a way to get rid of the birthmark with something Aylmer primarily admired so dearly: science. Despite Aminadab remark’s, Aylmer plans to create an elixir to remove Georgiana’s birthmark. Georgiana states, “Let the attempt be made at whatever risk. Danger is nothing to me; for life, while this hateful mark makes me the object of your horror and disgust,-- life is a burden which I would fling down with joy. Either remove this dreadful hand, or take my wretched life!” (Hawthorne 8). As a wife, Georgiana only wants to satisfy Aylmer. Being a hindrance and unsuitable to the eye, Georgiana felt self-conscious about her appearance that she onced was praised wholly on and now only chooses to submit to being the experiment wholly. Though knowing something terribly wrong could happen, Georgiana risks taking the elixir and endangering her life for Aylmer. Unfortunately, Georgiana allows Aylmer, along with Aminadab, to subtract the birthmark from her face. The three decide on moving to the apartments, where Aylmer’s laboratory is located. Before the process, Georgiana becomes intrigued by the various studies that her husband can actually do in his profession. On the contrast, Georgiana discovers by reading his journal that Aylmer’s previous experiments don't ever absolutely meet their “full” performance. According to Cindy Weinstein, she provides better insight for Aylmer’s work and personal life intertwining: Georgiana’s body, and more specifically the birthmark, marks the site where the promises of the laboratory and the home converge. But the laboratory we later learn, has been none too kind to Aylmer, whose scientific experiments up until this point “were almost invariably failures, if compared with the ideal at which he aimed. The birthmark presents Aylmer with a chance both to right these professional wrongs and, in doing so, to establish Georgiana as the “perfection” of hearth and home “where he would fain have worshipped” (48). Though with the help of science, Aylmer successfully eliminates the birthmark from Georgiana’s face.
Ironically, he gets rid of more than Georgiana’s birthmark: Aylmer potion takes away Georgiana’s life as well. Georgiana states, “My poor Aylmer, she repeated, with a more than human tenderness, “you have aimed loftily, you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offer. Aylmer, my dearest Aylmer, I am dying!” (Hawthorne 431). Using Aylmer’s love for science to increase his likeness for Georgiana, Aylmer poorly chooses science over love literally. Michael Tritt states, “Aylmer strives to have power over his environment and even life itself, and in so doing, to transcend his animal (and finite) nature” (1). The author reveals that when one becomes obsessed with love, it can significantly worsen and become corrupt. Leading up to this intoxicating moment, Aylmer knows his refining ¨remedy¨ is dangerous, but he has such a hold on completing his defective experiment, he gives it to her anyway and it kills her. Aylmer loves science more than he loves his wife and shows his obsession by not only removing the untroubled birthmark, but killing Georgiana completely, validating his insane, “obsessive revulsion” to substitute her perfectly imperfect “female physiology” through his own psychological coax (Fetterley 167). Thus, furthermore justifying that the birthmark represents the mortality of Georgiana is subject
to nature and science can not dominate it. Hawthorne displays many thematic experiences that fortify the intensity of the leading symbol. The difficulties of the birthmark in the relationship between the failing couple illustrates symbolism and foreshadowing through Aylmer’s nightmare, Georgiana’s submissiveness, and through the process of removing the birthmark. Both Aylmer and Georgiana are both accountable for her following death. The tensions in the story play a significant role in evoking the various emotions and building suspense towards a great ending. Aylmer’s love for science lessens the love for his wife after the birthmark had likely threatened his intelligence and masculinity, making him unfit for any type of companionship. The birthmark personifies the liveliness of Georgiana wholly. Even after she was unbothered of jealous women calling it something of a “bloody hand,” Georgiana could not confront her husband of whom she loves that she is uncomfortable with the way he speaks about something that is apart of her. Her subservient ways backfires on both her and the scientist. The story altogether showed the exotic twist on science vs. nature and aesthetic beauty vs. inner beauty, playing big roles throughout the entire story. All of the upcoming actions, one by one, ultimately lead to Georgiana’s death. No one should ever feel the need to drastically change for anyone under any circumstances. All human beings consist of many flaws and striving for perfection is okay, but it could ultimately lead to chaos, destroying the individual as a whole. Overall, Aylmer’s attitude and intellect drives his motive towards the pursuit for perfection.
He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradoxical can exist on this earth, and that being imperfect is just part of being human. Being a man of science, Aylmer rendered Georgiana's birthmark "as a symbol of his wife's liability to sin, sorrow, decay, and death." Through the birthmark on Georgiana, Hawthorne is able to portray that nature didn’t intend for things to be perfect. People are not perfect because the human condition is imperfect.
The attempted removal of Georgiana’s birthmark by Aylmer signifies a desire to conquer nature and reveals a hidden quality within Aylmer. The first instance in which the reader sees Aylmer trying to conquer or control nature is subtle, it is near the beginning of the story and the narrator says “[Aylmer] persuaded a beautiful woman to become his wife” (211). The common belief is that love occurs naturally and cannot be forced. It seems as though the narrator chooses to state that Aylmer persuaded his wife, rather than fell in love with her, in order to indicate early on in the text Aylmer’s tendencies toward manipulating nature. Later in the
The birthmark is a lingering thought on his mind from daylight till twilight that it somehow possesses over him. In his dream, Aylmer recollects, “. . . the deeper went the knife, the deeper sank the hand, until at length it’s tiny grasp appeared to have caught hold of Georgiana’s heart, . . . her husband was inexorably resolved to cut or wrench it away” (Hawthorne 3). Aylmer recognizes how hysterical the dream is and begins to feel guilty. It is clear that his dream can be seen as being deeply obsessed with the mark that surfaces across Georgiana’s cheek. Furthermore, Aylmer is so fixated on Georgiana’ s birthmark and is set on getting rid of it, that even Georgiana begins to get jittery. Aylmer expresses, “I have already given this matter the deepest thought--thought which might almost have enlightened me to create a being less perfect than yourself” (Hawthorne 3). Georgiana seems terrified over her husband’s thoughts, but refrains herself from telling him how insane
In conclusion the theme of The Birthmark is expressed within the story. “The crimson hand expressed the ineludible gripe in which mortality clutches the highest and purest of earthly mould, degrading them into kindred with the lowest, and even with the very brutes, like whom their visible frames return to dust. In this manner, selecting it as the symbol of his wife's liability to sin, sorrow, decay, and death.” (Hawthorne 359). This story tells a lot about human nature, the most important one is that human beings are naturally imperfect creatures, trying
Nathaniel Hawthorne’s, “The Birthmark” was on the darker side of the Romantic Movement, but it was still a love story. There was a love of science and obsessing over beauty and perfection. Aylmer love Georgiana and she loved him. She was willing to die for him, and he was willing to experiment on her, even if meant losing her. Hawthorne put himself into his work, expressing fears, and emotions that was hard to put into words. His surroundings impacted the outcome of his
Out of love for her husband, Georgina agrees to go on with the experiment. Aylmer shows her that the elixir will cure her of her imperfection by putting it on a plant that was covered in spots and before their eyes, the spots on the plant disappeared. Right away, Aylmer gave his wife the elixir and, like magic, the birthmark disappeared. As the two were looking at what the elixir did to Georgina, they neglected to see the plant dying. Before they knew it, Georgina started to slowly die right in front of her husband’s eyes.
Georgiana is a fine wife, and a seemingly beautiful one, too. Aylmer expresses deep affection towards his wife, but it is hinted from the beginning that his two passions in life will eventually have to come in conflict. The meaning of the birthmark shifts suddenly in the end, but in the beginning, it is viewed as Georgiana’s ability to be imperfect and to sin. It is in the shape of a human hand because an angel supposedly has a grip on her, linking her to the other world. That is most men’s reactions, but some women viewed it as disastrous to her beauty. Although Aylmer is not initially concerned with it, it eventually gets to him, obsessively occupying himself with it. He would stare at it whenever he had a chance, and tried to be candid about it. When it became apparent that Aylmer was quite concerned with this, Georgiana asked him to elaborate. He was more disgusted by the mark than Georgiana assessed. Her most significant reply to him was “You cannot love what shocks you!”
Our society has many ways of manifesting its obsession with physical perfection. In our society people go to extreme lengths to achieve perfection. The 'Birthmark';, written more than a century ago, is an early version of our modern obsession with physical perfection.
The birthmark present on Georgiana’s face symbolizes many different things, such as the idea of unattainable perfection of nature even while knowing the inevitable consequences it holds. The main character Aylmer is obsessed with removing
Every man before has always complimented Georgiana on her sweet imperfection. People would tell her all the time that true beauty was in that little blemish. Aylmer, being the man of Science wanted to change what nature had created. Typically, we all know better than to go against Nature, but not Aylmer. Georgiana finally agreed to let her husband remove the birthmark due to a frightening dream Aylmer had encountered. Aylmer started working on a potion to remove Georgiana 's birthmark. As soon as Georgiana sipped the potion, she suddenly falls into a deep coma-like state. The birthmark magically disappears from Georgina 's face. However, as the birthmark fades away, so does Georgina 's life. Hawthorne uses Georgiana 's character to symbolize beauty in this story. Georgiana is already made perfect in the eyes of Nature and all other men, expect Aylmer. Aylmer, representing Science, tries to change Georgiana 's beauty that Nature has created. Aylmer was successful in removing the birthmark, but unsuccessful in keeping Georgiana alive. Aylmer was too intertwined in Science to realize that Georgiana was perfectly made by Nature. Nature paid Aylmer back for trying to correct Georgiana 's face by taking the life of his beloved
One of the main themes discussed in this story is perfection which was evident by Aylmer obsessing over making his wife perfect by removing the birthmark off
Though she consents to having her birthmark removed, Georgiana’s initial reaction to Aylmer’s shock at her facial defect is to redden “with momentary anger” before dissolving into tears (645); though her secondary reaction fits into the stereotypical female response to a physical critique, the fact that her initial reaction is anger implies that she is more than merely a docile housewife. However, her actions still reflect those of a docile housewife; when he confines her to a dimly lit apartment, she acquiesces solemnly and quietly spends her days doing as Aylmer
As we have seen through my analysis of this novel, the ideals of Lacanian psychoanalysis can be applied to situations found throughout the novel in order to interpret the actions of the main character. We have seen that Goldmund has developed through the different phases of development set forth by Lacan in his work. We also have identified that the ‘desire’ of the main character is to meet his mother, while his ‘signifiers’ are the many women that he has brief relationships with. From this interpretation of Goldmund and his desire, you can see that Lacanian psychoanalysis is an effective and exceptionally useful way to approach critically examining literature.
It is a reminder that any living thing will die. Aylmer is a smart man, but he forgets that he cannot make his wife immortal. He is only trying to make his wife’s blemish go away. Just like clearing acne, if you try too hard it gets worse or leaves a scar. His guts to push forward even though he knows the dangers lead him astray.