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Flannery O'Connor's short story “Good Country People” is typically seen as one of many stories that depicts themes of the feminist movement. Many see the story as where a well-educated woman seeks to change gender roles and seek self-dependence. However, my interpretation of the story resulted in differing themes of the story. Contrary to popular readings, I find that Flannery O'Connor's "Good Country People" is used to delegitimize feminism while in other instances it portrays aspects of male dominance to insinuate that women need a man to be in control because women are not capable of taking care of themselves.
O'Connor renders a point to show that women are not capable of being independent by having a well-educated woman like Hulga live
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at home with her mother. Hulga has a PhD in Philosophy which is atypical of a woman at the time. In theory, you would think that someone who went against the odds and accomplished a feat would be able to live on her own. However, by placing her with her mother, O'Connor shows that even the best educated women cannot be independent. Hulga's dependence on her mother disproves any evidence of her being a feminist, and adds to my point that most women need a man to take care of them. If she really wanted a story that endorses progressive themes like feminism, she would make sure that she would have a character that represents full independence of women. The comments in the story from the Mrs.
Hopewell continues anti-feminist rhetoric that seems to undermine Hulga’s need for an education. For example, Mrs. Hopewell states at one point in the story “there was no more excuse for her to go to school…it was nice for the girls to go to school to have a good time.” (O'Conner 3). She is essentially saying that the goal of school for women is to go for social enjoyment instead of getting a quality education. If the story encouraged a feminist ideology, then Mrs. Hopewell would seek to encourage Hulga to become well-educated and have the ability to pursue independence. Instead she goes after Hulga due to her feminist mindset and negatively comments on her by saying “while went about all day in a six-year-old skirt and a yellow sweatshirt with a faded cowboy on a horse embossed on it…Mrs. Hopewell thought it was idiotic and showed simply that she was still a child.”(O'Conner 3). This is just a continuation of surface level attacks towards her daughter and displayed anti feminist actions that were apparent at the time. This further tells why the story does seek to resume the anti-women societal norms instead of the advancement of …show more content…
women. Another way to delegitimize women within the story is make the “feminist” figure in the story an atheist. The fact that O'Connor made Hulga an atheist shows that the story is saying that educated women are dissolute because at the time that the story was written, America was not very accepting to nonbelievers as it is today. Coincidently, O’Conner herself is a devout Catholic and often mentions her religion as the answer of changing the world in many of her writings. (Popova 1) With that in mind, I question why she makes a character beliefs that is supposed to be a symbolic agent of the feminist movement contrary to her own? The goal was to make Hulga less appealing to those who were overwhelmingly religious at the time. It also furthers the assumption that education turns women into demonic heathens instead of having good moral beliefs. Her being an atheist could also be used to drive away people from her feminist attitudes because her standing as an atheist could be linked to communism. At the time that this story was written (1955), America was in the midst of the Cold War and the American public was scared that communism would come into the US. With that, people could expose character Helga’s ideology as Left-winged and would only raise suspicions of Helga. That hurts feminism because people could say that there are commonalities between that and communism, which could end up with a negative assumption of all feminist. If O’Conner wanted to have a story expresses a positive image of a feminist, she would have had a religious individual instead of someone who can lead to questionable connotations. The actions of the women characters seem to express the idea that despite their level of education, women will always have a false view of reality. O'Connor brought out a situation where evidence was provided to show that women fail to distinguish between good and evil in the world. Despite the fact that there are four women in the story, not one of them suspected that the Bible salesman would turn out to be a deceiving individual. Mrs. Hopewell saw the salesman and thought of him positively as “country people” and “the salt of the earth.” (O'Conner 4) Hulga has received a PhD in Philosophy; however, that education did not prevent her from being oblivious when properly identifying the true intentions of the boy. Even the Mrs. Hopewell furthers the belief that education does not help her much because she describes her as "brilliant, but she doesn't have a grain of sense.” (O'Conner 3) This advances the story’s actions of delegitimizing feminism and contends that women need a man because only they understand the real world. Only men know how other men think, so the story argues that women need someone there to see the true observation of reality. By showing that even educated women are not able to see the real world, the argument furthers the idea that they should not be treated equal in society. Like many situations in the short story, O'Connor did not show women in a positive and suitable fashion, but she instead made them out to have a foolish logic where they could not identify the real world, hence propelling the argument against feminism. Mrs.
Hopewell’s description of Mrs. Freeman in the story as “good country people” upholds the stereotypical attributes of what a woman. I interpreted this as a support for stereotypical actions for women. For example, Mrs. Freeman is an example of a long philosophy that women should work in the kitchen. It is ironic that Hopewell sees Mrs. Freeman as “good country people” because of her participation in gossip which is not seen as acceptable. By having Hopewell’s endorsement of nosey behavior and other stereotypical roles of women within the story, the story's portrayal of “good country people” is just O’Connor’s continuation of standards that negatively view women. If Mrs. Freeman was an innocent and selfless individual, then my assessment of Mrs. Hopewell’s use of “good country people” to describe her would not argue that the story is just endorsing stereotypical conduct. However, that is not the case and casting Mrs. Freeman’s conduct as good damages the arguments that the story has premises of
feminism. The final evidence that I am providing to show that “Good Country People” is delegitimizing feminism is the actions of the Bible salesman. His actions demonstrates male dominance because he put himself in the position where he was superior to Hulga. For example, he removes Hulga’s glasses because once her glasses were taken off, she was not able to see her surroundings. This removes her individuality as a women and thus requires her to be dependent on a man to be able to see again. With that, the salesman at that point was in complete control of Hulga because she was impaired and she essentially turned into a subordinate of his desires. This is parallel to what men who believe in maintaining dominant social roles over women due to the efforts of feminism. She was not able to do anything on her own without a man and this is a symbolic way of showing male supremacy. Another action of the salesman that shows male dominence is when he takes away Hulga’s prosthetic leg because this limits her freedom of movement and takes away a part of her life. Throughout the story, Hulga’s leg has been a big influence on her independence, so by taking it away the salesman is taking away something that is essentially her biggest identity. That is another symbolic action within the story, which O’Connor shows that women must follow the desires and wishes men throughout life. When the salesman took away both her glasses and leg that was just saying that she feminisms beliefs do not matter and she is always vulnerable to men. I have brought out evidence to argue that “Good Country People” does not seek change gender roles or the self dependence of women in society. The story pushes women back instead pushing them forward like many interpret. While I could see that there are a few examples within the story that positively paint feminism, those examples are only surface level because once you think deeper into the story, the overall themes of the study do not render that conclusion. Instead the story tells the truth about the roles of women when reality hit Hulga. Showing the downfall of Hulga is a symbolic way of foreshadowing of what would happen to feminist women who seek independence. It shows that no matter how much she tried to portray herself as independent, in the end she need help from a man in control. With all of this in mind, O'Connor's successfully attained her goal of showing weakness of feminist and to alter the false impression of their place in the world. Furthering pushing back the calls for gender equality.
In "Good Country People," Flannery O'Connor skillfully presents a story from a third-person point of view, in which the protagonist, Joy-Hulga, believes that she is not one of those good country people. Joy is an intelligent and educated but emotionally troubled young woman, struggling to live in a farm environment deep in the countryside of the southeast United States, where she feels that she does not belong. Considering herself intellectually superior to the story's other characters, she experiences an epiphany that may lead her to reconsider her assumptions. Her experience marks a personal transition for her and constitutes the story's theme--the passage from naïveté to knowledge.
When an individual has to do a compare and contrast for a short story in the realm of literature, I believe that you have to take into account the deeper meaning in a short story. You have to read between the lines, one has to know what the symbols and what metaphors are. “A symbol is something that has a literal identity, but also stands for something else—something abstract—like an idea, a belief, or an emotion. A metaphor is a figure of speech in which an implied comparison is made between one object and another that is different from it.” (Clugston, 2014) The reader needs to know that the author is using figurative language in the short story. Once the individual can understand this, the literature work will be significantly easier to do a compare and contrast essay.
Flannery O'Connor's "Good Country People" In "Good Country People" by Flannery O'Connor, uses symbolism in the choice of names, almost to the point of being ironic and humorous. These names center around the personality and demeanor of the characters. Hulga, once known as Joy, simply changed her name because it was the ugliest she could think of.
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
A husband is thought to be a money maker, a powerhouse, and a leader while a wife is thought to be a cook, a cleaner, and a follower in Gilded Six Bits. The reader recognizes Hurston's representation of gender stereotypes through the typical southern dialect between Missy and Joe, and joe's reaction to Missy after she is caught cheating. Hurston demands the reader to question power inequality in marriages during the 1900s. The Gilded six bits illuminates the haunting idea that female stereotypes to this day may not have completely
Symbolism has been seen as a very important role in Flannery O’Connor’s short story “Good country people”. Flannery O’Conner has written several short stories portraying herself as a Catholic writer who attacks religious views being opposed, though uses the fundamentals of nihilism portrayed through Hulga (Joy), the main character of her story. She uses multiple frank descriptions and the usage of different types of symbolism to get the audience to understand her main points. The use of names and an artificial leg give a vivid description of the main character and her views towards nihilism. O’Conner’s symbolistic usage of names, name change and an artificial leg all link the main character’s nihilistic philosophy of life which leads to her
Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her happiness) and the Bible salesman's own attempt to satisfy his own "manly pointer" proves to the reader that, by coincidence or not, the names of "Good Country People" are indeed very well selected.
Hulga has been to college for many years, earning a Ph.D. in Philosophy. Coming from such a rural background, she feels that her education raises her status in the intellectual world, and therefore life in general, above anyone not as educated as she is. "You poor baby…it’s just as well you don’t understand"(404). The young woman fails to see that there is much more to life than what you can learn in a book. Due to a heart condition, however, Hulga is forced to remain home on the farm, instead of being in an academic setting where her education would be recognized and encouraged. This attitude that she is above most other people isolates Hulga from everyone around her. Even her mother c...
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Even before this event, the struggles of women in society were surfacing in the media. Eliza Farnham, a married woman in Illinois during the late 1830s, expressed the differing views between men and women on the proper relations between a husband and wife. While Farnham viewed a wife as being “a pleasant face to meet you when you go home from the field, or a soft voice to speak kind words when you are sick, or a gentle friend to converse with you in your leisure hours”, a recently married farmer contended that a wife was useful “to do [a man’s] cookin and such like, ‘kase it’s easier for them than it is for [men]” (Farnham, 243).
Susan B. Anthony, a woman’s rights pioneer, once said, “Oh, if I could but live another century and see the fruition of all the work for women! There is so much yet to be done” (“Women’s Voices Magazine”). Women’s rights is a hot button issue in the United States today, and it has been debated for years. In the late 1800’s an individual named Charlotte Perkins Gilman wrote literature to try and paint a picture in the audience’s mind that gender inferiority is both unjust and horrific. In her short story, “The Yellow Wallpaper” Gilman makes the ultimate argument that women should not be seen as subordinate to men, but as equal.
After the women come across a shattered jar of canned fruit, they converse about Mrs. Wright’s concern about the matter. Mrs. Peters states, “She said the fire’d go out and her jars would break” (Glaspell 918). The women here identify with Mrs. Wright’s concern, because they understand the hard work that goes into canning as part of the demanding responsibilities women endure as housewives. The Sheriff’s reply is “Held for murder and worryin’ about her preserves” (Glaspell 918). In other words, the men perceive the event as insignificant; they clearly see women as a subservient group whose concerns hold little importance.
In Good Country People, Flannery O’Connor explores the complexities of human behavior and how common stereotypes shape the response that these behaviors receive. The title, Good Country People, suggests this work of fiction will tell a tale of modest people living in the countryside as they display neighborly etiquette by performing a series of good deeds for one another. The expectation is that the characters will set an admirable example of how one should conduct his or her life, and thus challenge the reader to embark on a journey of personal improvement. However, this is not a tale of such inspiration, instead it presents characters whose lives (and actions) are quite complicated. None of the characters can be classified exclusively
O?Connor continues to establish theme through her characterization of Hulga. She describes Hulga as being cynical about the world and the people she knows. The irony here is that she sees these people as being simple ?country people,? she doesn?t see them as they actually are, full of hidden feelings and motivations. She views herself as superior to her mother, Mrs. Hopewell, and her mother?s tenant, Mrs. Freeman. Her opinion of the other characters as less than herself, because of their tendency to see their world through the eyes of southern women, limits Hulga?s interaction with them. She...
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.