Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Eunuchs and the confucians in chinese court
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Eunuchs and the confucians in chinese court
While it may not be shocking that Western audiences had distaste for the practice of Eastern castration practices, it is a bit more surprising that, despite evidence of the use of eunuchs in China for over a period of 3,000 years, their reputation in China was no more positive. Throughout its history, Chinese historians have made eunuchs the objects of shame and disdain, all the while categorizing them as guilty of greed and female traits that made them susceptible to their weaknesses.27 Yet, while Chinese historians of late Qing often linked eunuchs to the decline of dynasties of the past, indulgence, and corruption, they more often than not seemed to regard eunuchs as necessary to the function of the palace and imperial court, no matter what their qualms with them may have been.28
Becoming a Eunuch in Qing China
In his 1877 Royal Asiatic journal article entitled “Chinese Eunuchs,” George Carter Stent, an English recruit of the Chinese Imperial Maritime Customs Service (CMC) wrote for the first time about the castration process in which Chinese males became eunuchs. In fact, as Melissa Dale writes in her journal article, “Understanding Emasculation: Western Medical Perspectives on Chinese Eunuchs,” western physicians and foreign observers wrote the only known historical accounts of the emasculation procedure during the Qing dynasty.29 During this time period, Western physicians of the late nineteenth and early twentieth centuries were fascinated with the Chinese practice of emasculating young boys and men to serve as palace eunuchs. Most surprising to Western observers such as Stent was that Chinese knife experts known as daozijiang would not only cut off and remove a eunuch’s testicles, but would also remove the penis.30...
... middle of paper ...
...emoved. As eunuchs were entrusted around the emperor’s concubines, eunuchs who still had fleshly remnants of their genitals, no matter how small, were looked at with suspicion that they might still be sexually deviant. This particular man felt that if his scar was not removed and his pelvis made flat, he may lose his position within the palace.41
While it was not fully understood by western practitioners, it was apparent that the Chinese of the Qing dynasty preformed the ritual of emasculation on eunuchs to protect the ‘honor’ of women within the imperial palace. It was thought that by removing the male’s genitals, he would no longer have sexual longing, nor would his judgment be clouded with sexual desires and disillusions. This is turn would keep the eunuchs from lusting after the many wives and concubines of the emperor who sfilled the walls of the Forbidden City.
I also found it somewhat interesting that those who were in command of fleets and armies in China were mostly eunuchs. These eunuchs were fiercely loyal to the emperor. Levathes describes in depth how prisoners would be castrated and become eunuchs. Zheng He was the commander for Zhu Di fleet of treasure ships. Despite him being a eunuch he was not the stereotypical one; he had a big, booming voice and was about six feet tall. Zheng He died on the returning trip to China and is now renowned as one of the greatest real-life legends of all time.
Lessons for Women was written by Ban Zhao, the leading female Confucian scholar of classical China, in 100 C.E. It was written to apply Confucian principles to the moral instruction of women, and was particularly addressed to Ban Zhao’s own daughters. As her best remembered work, it allows the reader insight into the common role of a woman during this fascinating time-period. The work starts off by Ban Zhao unconvincingly berating herself, and claiming how she once lived with the constant fear of disgracing her family. This argument is rather implausible, for the reader already knows the credibility of Ban Zhao, and how important her role was in ancient China.
Ban Zhao wrote Lessons for a Woman around the end of the first century C.E. as social guide for (her daughters and other) women of Han society (Bulliet 167). Because Zhao aimed to educate women on their responsibilities and required attributes, one is left questioning what the existing attitudes and roles of women were to start with. Surprisingly, their positions were not automatically fixed at the bottom of the social hierarchy. Ban Zhao’s own status as an educated woman of high social rank exemplifies the “reality [that] a woman’s status depended on her “location” within various social institutions’ (167). This meant that women had different privileges and opportunities depending on their economic, social, or political background. Wealthier noble women would likely have access to an education and may have even been able to wield certain political power (167). Nevertheless, women relinquished this power within the family hierarchy to their fathers, husbands, and sons. Despite her own elevated social status, Ban Zhao still considered herself an “unworthy writer”, “unsophisticated”, “unenlightened’, “unintelligent”, and a frequent disgrace to her and her husband’s family (Zhao). Social custom was not, however, the only driving force behind Zhao’s desire to guide women towards proper behavior.
Most outcasts of history had a particular, exclusive life; full of struggles against the society ever since birth and grew up with a heart made out of steel from the harsh criticism they have endured. They differ from the community within their beginning to their end, and many of their stories end up becoming legends and gaps of the past that nobody will be able to reincarnate. China’s first and last female emperor, Wu Zetian, was one of these exclusives. Ever since birth, her history of tactics to the people around her; in order to ascend the throne, juxtaposed towards society’s attitudes of women at the time; through her breakdown of gender stereotypes and quick knowledge, and offered a new perspective to the world of just how cruel and beautiful women can be. She successfully destructed all accumulated views of women in the Tang Dynasty, and created her future in the way she wanted it – on top of every man in her country. She was an outcast – somebody who juxtaposed against the demands of her. She was history.
In her article "The body as attire," Dorothy Ko (1997) reviewed the history about foot binding in seventeenth-century China, and expressed a creative viewpoint. Foot binding began in Song Dynasty, and was just popular in upper social society. With the gradually popularization of foot binding, in the end of Song Dynasty, it became generally popular. In Qing Dynasty, foot binding was endowed deeper meaning that was termed into a tool to against Manchu rule. The author, Dorothy Ko, studied from another aspect which was women themselves to understand and explained her shifting meaning of foot binding. Dorothy Ko contends that “Chinese Elite males in the seventeenth century regarded foot binding in three ways: as an expression of Chinese wen civility,
Footbinding The republic of China officially banned the traditional Chinese practice of footbinding in 1911. In “Footbinding”, John King Fairbank tells the story of what he learned about the Chinese tradition of footbinding. Footbinding became popular and a symbol of upper-class status, but it then spread to the lower class and soon became a necessity for marriage. Footbinding started out as a sexual erotic way to control women but in turn was more harmful than good.
Timothy Brook’s book, The Confusions of Pleasure: Commerce and Culture in Ming China is a detailed account of the three centuries of the Ming Dynasty in China. The book allows an opportunity to view this prominent time period of Chinese history. Confusions of Pleasure not only chronicles the economic development during the Ming dynasty, but also the resulting cultural and social changes that transform the gentry and merchant class. Brook’s insights highlight the divide between the Ming dynasty’s idealized beliefs, and the realities of its economic expansion and its effects. Brook describes this gap through the use of several first hand accounts of individuals with various social statuses.
The sexual lifestyle of women during the medieval time period was quite different among married and single women. Medieval women were not accurately informed of their sexual organs due to bad medical research. They thought they must perform sexual acts on a regular basis to preserve themselves. The third-century writer Galen was looked upon as an authority for medical information on sexual activities. Galen stated that, “a woman’s womb was ‘cold’ and needed constant warming by ‘hot’ sperm” (Time Traveler’s 55). One would assume that hu...
At the center of Japanese and Chinese politics and gender roles lies the teachings of Confucius. The five relationships (五倫) of Confucius permeated the lives of all within the Heian and Tang societies.4 However, the focus here will be on the lives of the courtesans. The Genji Monogatari provides us with an unrivalled look into the inner-workings of Confucianism and court life in the Heian period. Song Geng, in his discourse on power and masculinity in Ch...
At the same time, women were repressed in their sexual feelings and were subject to their husband’s demands. If an unmarried woman had sexual relations, she would be dishonored, thrown into exile or even killed. Horrible experiments sought often to find ways of getting rid of any pleasure women would experience during intercourse.
The Beshir Agha's memoir written by Hathaway, allows us to plunge into the facts and the concealed world of the eunuchs.Hathaway proceeds with his article by providing a brief introduction to Beshir's biography. Saying, he was emanated from the eastern part of Africa, Abyssinia. At first, when I began reading, I felt so frustrated and obnoxious due to the way castration was held and its attributed appalling treatment. But through continuing the reading, I perceived the momentum functionality of eunuchs in prospering and enhancing the economy in the Islamdom empires. Indeed, I'm not justifying the atrocity that had encountered those eunuchs, though.According to text, there is an account of two brothers whom originally emanated from Georgia,
The eunuch is an integral part of the 18th century play The Mogul Tale, by Elizabeth Inchbald. He serves a historical role by being the Mogul’s advisor, watchman, and, most importantly, harem guard. Eunuchs are generally defined as castrated males and are thus excellent choices to guard the Mogul’s women – no fear of the guard taking the ladies for himself. Inchbald reinforces these noble positions by showing the eunuch as the Mogul’s “right-hand man”. But with the passing of time these traditional roles have died along with the people who embraced them. Eunuchs now exist in an India that has all but forgotten their position as protectors. They are now part of a larger, marginalized group that exists on the fringe of Indian society - the hijras1.
Examples of cultural constructions can be seen throughout history in several forms such as gender, relationships, and marriage. “Cultural construction of gender emphasizes that different cultures have distinctive ideas about males and females and use these ideas to define manhood/masculinity and womanhood/femininity.” (Humanity, 239) In many cultures gender roles are a great way to gain an understanding of just how different the construction of gender can be amongst individual cultures. The video The Women’s Kingdom provides an example of an uncommon gender role, which is seen in the Wujiao Village where the Mosuo women are the last matriarchy in the country and have been around for over one thousand years. Unlike other rural Chinese villages where many girls are degraded and abandoned at birth, Mosuo woman are proud and run the households where the men simply assist in what they need. The view of gender as a cultural construct ...
A need for both socialization and a sense of identity forge tight community bonds that many maintain throughout their life. Their life may center on religion, race, or even the socioeconomic class to which they belong. Communities reflect these aspects by grouping together individuals in similar situations and beliefs. Pang-Mei Natasha Chang’s Bound Feet & Western Dress expresses the importance of tradition and culture in community identification by detailing the life of the conventional Chang Yu-i and her relationship with a westernized Hsü Chih-mo. Susanna Kaysen depicts her personal struggles with finding the community that she belongs to in Girl, Interrupted. Both Yu-i and Kaysen learn that community is not assigned, rather it is chosen by a self motivated individual wanting inclusion. Community is formed from a group of people with similar goals and beliefs who obtain identity and strength in numbers. The member is forever bound to his or her community thus preserving the ideals in association which makes finding a new identity is impossible. The effect a community has on its constituents is profound in that it governs the way one looks at the world.
The idea of ‘one-sex’ bodies (a form of thought in Ancient Greece) began to be replaced in the 18th century with the “biological differentiation between men and women” (Mottier, 33). While a gender hierarchy remained, male and female bodies were now seen as biologically and fundamentally different. With the changes of thought during this period, a biological model of sexuality also came about. In the 19th century, the concept of ‘sexual inversion’ became popular (Mottier, 38). Homosexuals were viewed as suffering from gender disorders; they were not criminals, but abnormal and in need of a cure (Mottier, 39). What do all of these developments have to do with sexual behaviors becoming known as sexual identities?