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Chaucer's views on women
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Sexuality in The Wife of Bath and the Pardoner
In Geoffrey Chaucer’s The Canterbury Tales, an eclectic mix of people gathers together at Tabard Inn to begin a pilgrimage to Canterbury. In the General Prologue, the readers are introduced to each of these characters. Among the pilgrims are the provocative Wife of Bath and the meek Pardoner. These two characters both demonstrate sexuality, in very different ways. Chaucer uses the Wife and the Pardoner to examine sexuality in the medieval period.
The Middle Ages were a time of expanding and experimenting sexually for the people. Religious figures who had taken vows of celibacy had children, sometimes with more than one woman. Even some popes of the time had illicit affairs. However, adultery was often condoned, especially in knights, because the Chivalry Code expected of them certain “actions”:
An act of infidelity was no disgrace, always provided that one preserved the form of polite society…Any knight who contented himself with wedding a virgin before himself having grown practiced in adultery and carried off several trophies of the chase was unworthy of his spurs. Adultery was a social diversion for the upper classes. A knight had to have a lady whom he worshiped…Church and state tolerated the adulterous relationship…It was the thing to choose a celestial patroness…(1)
At the same time, women were repressed in their sexual feelings and were subject to their husband’s demands. If an unmarried woman had sexual relations, she would be dishonored, thrown into exile or even killed. Horrible experiments sought often to find ways of getting rid of any pleasure women would experience during intercourse.
People in the Middle Ages had two distinct views on sexuality at that...
... middle of paper ...
...though he was condemned by his sexuality.
Chaucer used controversies to create character. He wanted his characters to teach the readers something new about life. The Wife of Bath and the Pardoner demonstrate Chaucer’s way of creating characters based on the sexuality of the medieval period.
WORKS CITED
(1)Life in the Middle Ages: Appearance vs. Reality. English Department: St. John’s College High School. stjohns-chs.org.
(2) Geoffrey Chaucer. The Canterbury Tales edited by M.H. Abrams. The Norton Anthology of English Literature. (New York: W.W. Norton & Company, Inc., 2001). All future references will come from this text.
(3) Taken from notes in lectures by Dr. Raymond Nighan.
(4) Monica E. McAlpine. The Pardoner’s Homosexuality and How It Matters. www.courses.fas.harvard.edu/~laa14/sourcebook/mac-pard.htm.
(5) E. McAlpine.
(6) E. McAlpine.
This might seem ironic coming from a man in this period, but it is not so ironic when one looks at the Canterbury Tales and acknowledges it as a fine work of parody. Chaucer attacks other traditions vigorously, a good example of which is his discussion of corruption in the church . His critical look at the standards for women which are especially enforced by the church add humor to the tale of the Wife of Bath while also making a political statement. Chaucer prepares the reader for the tale with his brief description of the wife in the Prologue. She is a skilled cloth-maker and devoted Christian pilgrim trips as well as several other shrines in different countries.
Many Americans pretend that the days of racism are far behind; however it is clear that institutional racism still exists in this country. One way of viewing this institutional racism is looking at our nation’s prison system and how the incarceration rates are skewed towards African American men. The reasons for the incarceration rate disparity are argued and different between races, but history points out and starts to show the reason of why the disparity began. Families and children of the incarcerated are adversely affected due to the discrimination as well as the discrimination against African American students and their likelihood of going to prison compared to the white student. African American women are also affected by the discrimination in the incarceration rate. Many white Americans don’t see how racism affects incarceration rates, and that African Americans are more likely to face discrimination from the police as well as being falsely arrested.
The use of euphemism and crudeness in “The Wife of Bath’s Prologue” is simultaneously unnerving and amusing, and begs the question of how a “wicked” woman like The Wife could ever actually progress in medieval society. Chaucer incorporates subtle allusions to female sexual organs and it is this bluntness (that would raise eyebrows even today) which establishes the Wife as such a powerfully outspoken character. Because courtship in Chaucer’s time was considered worthy of complete submission, the fact that the Wife places such emphasis on domination and even psychological power hints at her being an object of irony (and not a feminist figure “before her time”). It is for this reason that Chaucer’s delicate use of “queynte”- a term from which
In today’s society, adultery is not viewed as it would have been viewed back in the 1600’s. Adultery is defined as a voluntary sexual intercourse between a married person and a person who is not his or her spouse. In society today, people understand that it is not right to commit adultery, despite knowing that it is often done more. Adultery is committed more now, in the view of its not a punishable act, as it was in the 1600’s. Committing adultery in the 1600’s was considered committing one of the sins that can not be forgiven. Many people were killed for this type of act, however as generations past people begin to view adultery differently.
Lambdin, Laura C. and Robert T. Lambdin, ed. Chaucer's Pilgrims: An Historical Guide to the Pilgrims in the Canterbury Tales. London: Greenwood Press, 1996.
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
Marriage is an aspect of medieval society that strives to remain pure and innocent, but when the sin of lust is compounded, problems start to rise. The marriages during the middle ages are not much different than present day, because they originate by a physical, emotional, and mental attraction between two people of the opposite sex. Chaucer demonstrates several different circumstances dealing with marriages. Most are comic in nature, and illustrate crude, sexual humor (Varnam, 1). The first circumstance that Chaucer addresses is a “January and May,” relationship. This is a situation where an older man falls in love with a scandalous young girl in “The Merchant’s Tale.” In this specific case, she deceives him to believe that she is innocent (Rogers 2: 385). January has a description in “The Merchant’s Tale,” of being single for over sixty years and he has reached a point in his life when he wanted to experience the bliss of marriage. January chooses May because of enticing feelings o...
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The first century morality was not unlike our twenty-first century morality. Premarital and extra-marital affairs exist in both. Prostitution is common in both centuries. The speed in which sexual perverseness can occur in today’s society can occur at a much more rapid rate due to the Internet, however, with the same outcome as it was then, the defiling of one’s body, a body that belongs to God. God forgives us as Christians, as King David wa...
In The Canterbury Tales, Geoffrey Chaucer creates a wonderfully complex character in the Wife of Bath. She exhibits many traits easily identifiable as virtuous--honesty, cheerfulness, and the desire to follow the teachings of the Bible. At other times she reveals traits easily perceived as negative--greed, cruelty, and promiscuity. By the end of her tale to the other pilgrims, more light is shed on her character when it becomes apparent that her tale parallels certain aspects of her own life. Understanding the Wife of Bath’s motivations for her actions through the tale provides an explanation, and, from a sympathetic point of view, an excuse for her negative behavior. Through the voice of the old hag giving the knight two choices, the Wife of Bath highlights an issue that has been central to the formation of her own moral character. She strongly believes that God gave her the freedom of choice, and she is taking that freedom to make decisions in her own best interest. Her decisions and resulting behavior, although morally questionable, are the result of her attempts to rise above her station in life.
These three articles give the modern reader a sense of what sexuality was in Ancient Rome. These articles reinforce that sexuality is important in human societies. They show that how you did or did not do sexual activity was very important and under scrutiny like in Western societies today. Though these articles are using limited resources to make conclusions, they do their best to help the reader make sense of sexual Roman society.
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
In terms of literary quality, Chaucer went great lengths to give all elements a bit of attention. The work is primarily about a knight who is pardoned from a rape on the condition that he acquires the answer to one of life’s most difficult questions. He is sent out on a quest to figure out what women want from their men, and he is eventually successful in this task. Chaucer uses the action and the plot along with strong character development to make this a compelling story. First and foremost, he develops the Lady of Bath very well in the prologue to this work. In her article in the Chaucer Review, Susan Carter writes at length about the ways in which Chaucer uses strong character development to hammer home his points. She writes, “If Chaucer is not actually endorsing the strident voice he gives to the Wife, he is certainly making play with textuality, with subjectivity, and with the construction of ideas about sexuality” (Carter, 2003). Alongside the character usage, Chaucer creates a stirring plot where the knight is nearly brought down until he is finally saved by a woman late in the game. The atmosphere surrounding this story is somewhat dark and mysterious, especially when Chaucer includes magic as a part of the eq...
In today’s society the differences in morals between the rich and the poorer classes are virtually non-existent, but during Medieval times “morals and, above all, the virtues at its center, played an important role not only for distinguishing between good and bad, but, more importantly, even for the structuring of society” (Virtus 1). The aristocracy class and the immoral poor class had morals but how they demonstrated them varied; the aristocratic class used chivalry as the basis of their morals, while the immoral poor class did not. Chivalry was not only a code of conduct for those who followed it; chivalry was a way of life. ‘Chivalry first arose in Europe during the Crusades. Chivalry dealt with loyalty honor, and service to women on and off the battle field’ (“The Medieval Period: 1066-1485” 76). The Knight in The Canterbury Tales is the perfect example of someone who follows the code of chivalry. Chaucer describes him with much admiration as “a most distinguishable man, who from the day on which he first began to ride abroad had followed chivalry, truth, honor generousness and courtesy” (Chaucer, "The Prologue." 117). While Chaucer praises the knight for ...
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.