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Analysis of tim burton
Analysis of tim burton
Tim burton director analysis
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Victor (Johnny Depp) is forced to marry Victoria (Emily Watson) but he accidently marries Emily (Helena Bonham Carter) the Corpse Bride! Emily had made a curse that whoever said their vows right would marry Emily since she was killed by her fiancé. Victor and Emily go to the living world and they get married, but Emily refuses and leaves Victor with Victoria. Tim Burton’s characters, setting, and plot in Corpse Bride can be watched by all ages and is really exciting and interesting. Since the characters are animated it makes them unique. The way all the characters are animated makes them look real except they are all walking and talking cartoons. When the introduction was introduced, the butterfly that was shown looked real and animated, also the way Victor’s hands moved while painting the butterfly. Also when the characters were talking and singing, …show more content…
The scenes are sometimes unpredictable because they go back and forth from scene to scene. Like when Victor was tricking Emily to meet his parents, they went to the underworld to the living and then Emily and Victor went back to the underworld and scene played on. The scenes may change others opinions of what’s going to happen. Like when Victor was about to kill himself with the poison, Emily stopped him right after she saw Victoria. If Victoria wasn’t there Victor would’ve died. Ultimately, all elements if the film work unpredictably, but still maintains the audience’s attention. Burton uses an unordinary setting, like the living world is so dark and has no real color, but in the underworld it is all colorful but still dark. Also the characters are different, the living people look somewhat ordinary because they have the posture and the looks to be living, but the non-living characters are blue and green and unreal. But in all, in the film Corpse Bride, Tim Burton uses setting, plot, and characters, to set the theme of the story and makes it interesting to
“Death's Acre” tells about the career of a forensic hero, Dr. Bill Bass, creator of the famous "Body Farm" at the University of Tennessee-the world's only research facility devoted to studying human decomposition. He tells about his life and how he became an anthropoligist. He tells about the Lindbergh kidnapping and murder, explores the mystery of a headless corpse whose identity surprised police.
In "Killings"by Andre Dubus and In the Bedroom, directed by Todd Field, the author and director decided to go different directions with the beginning of the story, keeping the plot of the story almost identical. However, beginning the story differently impacted both works in completely different aspects. Dubus begins the story at the funeral of Frank which leads the reader to draw conclusions about what happened before Frank's funeral, while Field’s gives more background to viewer which allows the reader to make more connections. Dubus begins the story at Frank’s funeral which leads the reader to become confused throughout the story. As the reader reads through the story, they have to be able to connect the dots to understand what is happening. While in the movie, Field’s begins with the backstory leading up to Frank’s death which makes it easier for the viewer to understand what is happening. The difference between the two stories impacts how the reader and viewer are able to interpret the story.
...ton never fails to enthrall his vieweres with effective cinematic techniques, such as high key and low key, and flashbacks. By incorporating these cinematic techniques he is defining his style. He uses high and low key relationships to create imagery and symbolism through the effects of irony. The films entertains the viewer while simultaneously illuminating a subtle, yet distinguishable message. Also flashbacks, allow the viewers to comprehend the plot and intensifies the desire in continuing to view the film in order to obtain answers. There are may more cinematic techniques used within the films, and each technique plays a significant role in the film’s infrastructure, however, high key and low key relationships and flashbacks contribute most in defining Tim Burton’s style.
My Big Fat Greek Wedding is a film made in 2004 directed by Joel Zwick that evidently portrays several sociological concepts throughout the film. This film highly demonstrates the sociological topics of gender and culture all through the movie. The roles of gender, gender stratification as well as gender stereotyping are exemplified during the film. As for culture, the film displays subculture, counterculture, ethnocentrism, cultural relativism and cultural diffusion. My Big Fat Greek Wedding focuses on a single 30-year-old Greek woman, Toula Portokalos, who works at her family’s restaurant. Toula’s life takes a turn when she unexpectedly falls in love with a man who is not Greek. The film revolves around Toula’s family as well as her boyfriend,
The Transylvanian village itself embodies much theatrical mise-en-scene. The Old World-styled buildings in the village cast an antiquated ambience to the film. Most of the setting of the film is seemingly unto itself and unattached to the contemporary world in which the film otherwise takes place. [aestheticism- brummett quote]The lightning that almost ubiquitously strikes during exterior shots of the Frankenstein castle, as well as scenes involving Frankenstein's laboratory, becomes a character of its own: with intense flashes of light during the scene in which the exhumed corpse is given life to become the Creature.
The film the Corpse Bride is a must see movie. In this movie you will see so many different cinematic techniques used by the director Tim Burton. Victor (played by Johnny Depp) is the main Charter in this movie. Victor was introduced to us using a close-up, establishing shot. For example when the movie starts we see a close up of a had drawing a butterfly, soon the hand is zoomed out to a face of a skinny dark haired young a man who we will soon find out is
...nimation associated with them and are easily recognizable to what action they are performing. Animations flow nicely from frame to frame and have a good sense of fluidity.
Romeo, heartbroken over his "love" Rosaline, and Juliet, an innocent girl. The two meet by fate, and instantly fall in love. This is where their lives started to go down, even though for them, they thought it was going to be the best thing ever! They split away from each other for the first time, but soon meet afterwards in the orchard, where Juliet's balcony is located. This scene is famously known as "The Balcony Scene". They speak to each other of love, kiss, and then finally- marriage is brought up. This makes everything even worse for them. Skipping a couple of scenes now, Romeo and Juliet are married now (Yay!), Mercutio is killed by Tybalt, and Tybalt is killed by Romeo. This puts their marriage in danger, because Romeo is
Overall, Burton’s creative style is clearly seen in his films Edward Scissorhands and Beetlejuice. It is most clearly seen through his use of dramatic music and low key lighting. The dramatic music helps to set the mood and the low key lighting creates suspense and leaves the audience asking questions. Through the use of these 2 cinematic techniques, Burton is able to fascinate his audience with mysterious and exciting stories, and that is what makes him a great and unique
Tim Burton has many style elements that almost always show up in his movies or artwork. His work can be easily recognized from the use of curlicues and stripes or the dark scenes. Maybe you recognize him by the distorted proportions of a character like the parents in The Corpse Bride. A lot of his characters also have crazy hairstyles and overshadowed eyes like Edward Scissorhands in the movie Edward Scissorhands. In Edward Scissorhands Edward has very crazy hair and also wears an all black leather suit. His mansion is extremely dark which is one of Tim Burton’s main styles. Out of these two movies Tim’s style can even be seen on the movies cover art.
In the movies he directs, Burton creates great and vast settings that are what the viewers expect to be perfect. Yet these perfect settings have cruel people and circumstances accompanying it. As an example, the neighborhood in Edward Scissorhands is vibrant and vivid in details and coloring.
“The Vow” is a movie that encases the turmoil and hardship associated with retrograde amnesia and the classic symptoms and steps associated with recovering and potentially regaining lost memory. Taking into account the information gained through multiple sources; such as, lecture of Mental Health, medical databases, and the personal experiences of Krickett Carpenter, the Vow provides both an accurate and inaccurate depiction of retrograde amnesia.
A huge meadow bristling with flowers and animals. A house engulfed in flames. A couple having a conversation. What do they all have in common? They all provoke a feeling in the audience. Whether it's anger, sympathy, or joy, they all create feeling in one way or another. It is this feeling, called mood, that Tim Burton uses to convey his messages. He uses many cinematic techniques to accomplish this. Sometimes they are subtle, but at other times they are pivotal to a scene. Throughout his movies, Tim Burton uses the techniques of lighting, camera angles, and framing to convey the message that when people take risks, they may fail, but will learn in the process.
Film adaptations based on particular works such as Dickens’s Great Expectations are not the only means through which we get a glimpse of Victorian culture and society. Animated films such as Tim Burton’s Corpse Bride (2005) represent the Victorian era through humor and exaggeration and reveal Burton’s awareness of 19th century English society. In his study Gothic Fantasy: The Films of Tim Burton, Edwin Page argues that Burton’s films are not realistic in nature, but like fairy tales they communicate through symbolic imagery, as they speak of “things far deeper within our conscious and subconscious minds than most films would dare to delve” (7). His films are believed to be personal and reflect dark humor, as he combines elements of fairy tales, the gothic, parody and grotesque. Most importantly, Burton usually identifies himself with subordinate characters in horror films that exhibit grand melodramatic emotion and also finds himself “identifying with the monsters rather than the heroes, as the monsters tended to show passion whereas the leads were relatively emotionless” (13). The monsters in his films symbolize the outsider and the alienated, a figure that defies society and is almost always exaggerated in representation. Significant examples from his numerous films include Edward in Edward Scissorhands (1990), demonic Mrs. Lovett and the blood thirsty barber in Sweeney Todd: The Demon Barber of Fleet Street (2007) and the tragicomically grotesque jilted bride Emily in Corpse Bride (2005).
For my second media critique, I chose to focus on the 2011 film Bridesmaids. Bridesmaids is a comedy written by Kristen Wiig and Annie Mumolo, directed by Paul Feig. With grossing almost $300 million worldwide, 44 nominations, and 11 awards won, Bridesmaids has been a relevant film in popular culture over the last three years (“Bridesmaids”).