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Analysis on Tim Burton's cinematic style
Analysis on Tim Burton's cinematic style
Analysis on Tim Burton's cinematic style
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Tim Burton has many style elements that almost always show up in his movies or artwork. His work can be easily recognized from the use of curlicues and stripes or the dark scenes. Maybe you recognize him by the distorted proportions of a character like the parents in The Corpse Bride. A lot of his characters also have crazy hairstyles and overshadowed eyes like Edward Scissorhands in the movie Edward Scissorhands. In Edward Scissorhands Edward has very crazy hair and also wears an all black leather suit. His mansion is extremely dark which is one of Tim Burton’s main styles. Out of these two movies Tim’s style can even be seen on the movies cover art. For Edward Scissorhands the setting is in the neighborhood with the extravagantly colored
What makes a producer’s style unique? How does a producer’s style distinguish itself from others’ styles? In Tim Burton’s imaginative productions, Alice in Wonderland, Edward Scissorhands, and Charlie and the Chocolate Factory, one is able to identify Burton’s distinct style when peeling back the layers of his films. Summarizing these films, in Alice in Wonderland, a young woman is transported to the mystical wonderland, where she must defeat the forces of evil along with a journey of self-discovery. Next, in Edward Scissorhands, an unfinished project is discovered and integrated into the everyday lives of people in a nearby suburban town. The film shows how Edward, an unfinished man, tries to live an ordinary life and make deal with his attraction towards Kim. Finally, Charlie and the Chocolate Factory is a story of a boy from an impoverished family who has come upon the chance to visit Mr. Wonka’s candy factory. In these three films, Burton’s cinematic style can be depicted through his frequent use of front and back lighting and low angles to show the opposing forces between good a...
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Genre is the French word for 'type'. Type is the kind of text it is.
Using the production elements of symbolism; especially hands themselves, and the use of allusion to elements from other genres; particularly those from fairytale and gothic romance/horror films, Tim Burton has directed the film in such a manner to illustrate, emphasise and ridicule the materialism and lack of imagination of society. The film however, is prominently a satire which has certain elements from fairytale, comedy and horror genres. Through the choices made by the director, the audience is invited to become aware of the inhumanity present in the way society functions, especially in its prejudiced treatment towards people who do not conform. The use of allusion in Edward Scissorhands is one of the most important choices in production that has been made by director Tim Burton. In order to fully appreciate and understand the plot, the movie is dependant on the audience being able to recognise certain references and elements emulated from other films.
Individuality is rejection, whether it be a rejection of society or a rejection by society. Burton explores the consequences that can derive from rejection and how appearances may differ from reality. The work of Tim Burton consists of a unique style unlike any other. Not only do his films convey his ideas of individuality to the audience, it is done in a distinctive Burton way. Burton’s style of the formal elements of German Expressionism, gothic horror, and unique characters allow him to convey his ideas. His views of individuality are evident through the work of his film 'Edward Scissorhands' and short film 'Vincent'.
1939 created into a film. It was a masterpiece that was to be one of
An essay “Man and Superman: In athletic competitions, what qualifies as a sporting chance?” by Malcolm Gladwell is attempted to answer an issue “Do genetic advantages make sports unfair?” The essay contains two arguments: human biological diversity makes sports unfair, and, consequently, as human attempts to equalise all the players as considered a moral obligation, the sports industry has no problem with athletes’ self-transformation while doping athletes is prohibited which, in his opinion, they should be justified just like those self-transformations. Gladwell also criticises the sports industry who is actually a culprit of this fairness, they try to level the playing by measuring that no one has an advantage over others but the consequence is a catalyst of science intervention.
...and camera movements creatively. He uses camera angles to show the intensity of the influence of the characters. Burton not only uses lighting for visuals, but also uses it to add depth to the character. Moreover, Burton uses sound to make the audience empathize with the characters. He uses flashbacks to explain to us why the characters act in a certain way. His camera movements shaped meaning into scenes. The odd characters in his movies seem to reflect a bit about himself. For instance, he felt like an outcast during his childhood, similar to Edward in Edward Scissorhands. He was a lonely sort of person like Willy Wonka in Charlie and the Chocolate Factory. He had a peculiar attraction to supernatural things like Lydia in Beetlejuice. Although Burton has an extraordinary way of composing his movies together, it’s what makes his movies very original and intriguing.
A cinematic technique Burton often uses is low key lighting. In his opening credits during Big Fish and Edward Scissorhands, the credits were dull and dark. An example would be in Edward Scissorhands. Edward’s house was in low key lighting
wealthy Hollywood director. Charlie and The Chocolate Factory and Alice in Wonderland are examples of Burton movies that the characters have to go through challenging obstacles to find their triumph. Burton uses low angles and high key lighting in Charlie and the Chocolate factory and in Alice in Wonderland to emphasize that positive attitude affects a person’s fortune.
It is hard to imagine a person who has not heard of Steven Spielberg. He is one of the most renown, if not the most renown, American filmmakers of the century. His films have captivated and helped develop imaginations of contemporary society and remain among the most successful films ever made.
On August 25, 1958, Timothy Walter Burton was born (“Biography”). Burton had a painful childhood in which the relationship with his parents and brother was nonexistent (Morgenstern). Through his intense feeling of isolation, his visual talent began to develop. The comfort found in hobbies such as writing and drawing led him to attend the California Institute of the Arts which led him to his first job in any artistic field at the Disney Animation Studios (“Biography”). Burton has since been referred to as one of the most visually gifted writers, artists, and filmmakers that America has seen (Hanke). His short stories, poems, and film scripts are centered on an inner darkness which he has been slowly acquiring since his childhood. He throws himself into everything he writes and makes even the simplest characters have a deep, complex meaning. His famous darkness and symbolism is shown in his book The Melancholy Death of Oyster Boy and Other Stories. The book contains a collection of his short stories, poems, and illustrations about a variety of fictional characters that can be compared to Burton and his life. Tim Burton’s home life and previous hardships have made a significant impact on his work. In my paper, I will draw parallels to his life and work as well as prove that there is reasoning and beauty in the way he is.
Chasing dreams and aiming high in life are the inspiration for many, if not most people in the world. Unfortunately, chasing these dreams too aggressively may have devastating consequences. There is countless number of examples of situations where pursuing dreams too vigorously lead to the downfall of people’s lives. The two novels “Frankenstein” by Mary Shelley and “The Great Gatsby” by F. Scott Fitzgerald depict great examples of characters that sacrifice and become insatiable to acquire their dreams but the consequences are dreadful. They are both set at very different time frames and societies. Frankenstein is set in the 1800s and is considered a science fiction while The Great Gatsby is set during the summer of 1922 and is thought upon as a socially criticizing novel. One being a gothic novel and the other being a modernist novel, they may seem very different. Frankenstein uses the themes of the danger of knowledge, lies and deceit, compassion and forgiveness/revenge. The Great Gatsby’s themes are based on the American dream of 1922, upper class shallowness, and romanticism. Although these novels don’t seem to relate at all, some of the main themes are similar in both novels. These themes include emotion, romanticism, tragedy, and ambivalence. Different time frames, genres, settings, and ideas, but the idea of people making ruthless decisions is clear on both novels.
Many perceive The Lion King, Disney's most successful movie to date, as Disney's only original movie; the only movie not previously a fairy tale from one country or another. This, however, is not the case. While The Lion King seems not to be beased on a fairy tale, it is in fact strongly based on the play Hamlet by William Shakespeare. Disney writers cleverly conceal the basic character archetypes and simplified storyline in a children's tale of cute lions in Africa. To the seasoned reader, however, Hamlet comes screaming out of the screenplay as obviously as Hamlet performed onstage.
Tim Burton said in an interview that when he was a kid he would watch all kind of monster movies. “My parents said I started watching those movies before I could even walk.”As a kid he loved horror movies and he liked drawing pictures. He said he did not care what people thought of his drawings and just drew them his own way. His drawings also show his love for horror because they are all unique and creepy looking. Some of his pictures are based on the movies he directed. He started directing at twenty years old. He was very interested in animation. One of his first films was Batman. Most of the films he directed have a gothic horror aspect. I believe since his childhood was all about horror movies, he gained an appreciation for those films and applied his passion in the films he directed. "Vincent Price, Edgar Allan Poe, those monster movies, those spoke to me. You see somebody going through that anguish and that torture –things you identify with –and it acts as a kind of therapy, a release. (Tim Burton 17).”Besides the fact that he watched horror movies, the place where he lived influenced him as well. The dark and light aspects of life have always fascinated Tim Burton, consistently arguing that one cannot exist without the other: ‘life is an incredible jumble of being funny and sad and dramatic and melodramatic and goofy and everything’. During his childhood in suburban Burbank, Burton found the