A movie is usually more entertaining than a book, and engages the public into the thoughts of the film director. In the case of One flew over the Cuckoo's Nest, we should evaluate the effectiveness of the movie to quicken transformations in the psychiatric field. In the first place, we must note that the movie is efficient in giving voice to a concealed environment: The psychiatric hospital is not a place most people know well in the 1970s, and most of the public's knowledge on it has arised from watching movies like One flew over the Cuckoo's Nest. As one Telegraph journalist ill say "It gave voice, gave life, to a basic distrust of the way in which psychiatry was being used for society's purposes, rather than the purposes of the people …show more content…
However, the divsersity of the patient body is clear, and the accentuation is I believe necessary for the public to understand the message of , One flew over the Cuckoo's Nest. Indeed, the colorfulness of the characters in the movie is also a way to charm the public, and focus on the psychological aspect of mental disorders. Forman's work has been criticized for its treatment of race and gender, with the image of Nurse Ratched as castrator for example. I believe that the main point of this was for the movie to illustrate society's destruction of natural impulses. I think that the movie needed to have the public take the patients' side, in order to quicken changes in psychiatric treatment and the popular portrayal of mental …show more content…
The author describes how individuals “perform” a self by manipulating masks appropriate to various social situations. In One Flew over the Cuckoo's Nest, the tyrannical rule of Nurse Ratched is what Goffman describes as “a series of abasements, degradations, humiliations, and profanations of self“. However, the role of patient is twofold for Murphy. He is playing the hospital game at first, but soon starts rebelling. He is not crazy and everyone knows it, but he often looses his calm and becomes violent. Throughout the movie, we notice that he is never wearing an entirely white outfit, as if he was distancing himself from the authority of the hospital: He represents both the disorder and the hope of a better life for the inmates. As long as MacMurphy seeks for comfort, he feels in control, but he then cultivates a feeling of responsibility towards the other patients that makes it difficult to reassert control. His insubordination soon encourages the rest of them into rebellion. McMurphy’s rebellion is overt, which is in direct contrast to Goffman’s concept of a series of masks adopted by the patients. Thus, ir looks like the system is the problem and the patients are not really sick but rather victims of psychiatric abuses. This however raises a controversial question: Does it mean that the only thing patients needed was to have fun ? Can we consider
In my opinion the main theme of One Flew Over the Cuckoo’s Nest is conformity. The patients at this mental institution, or at least the one in the Big Nurse’s ward, find themselves on a rough situation where not following standards costs them many privileges being taken away. The standards that the Combine sets are what makes the patients so afraid of a change and simply conform hopelessly to what they have since anything out of the ordinary would get them in trouble. Such conformity is what Mc Murphy can not stand and makes him bring life back to the ward by fighting Miss Ratched and creating a new environment for the patients. One Flew Over the Cuckoo’s Nest represents a rebellion against the conformity implied in today’s society.
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
The cartoon symbolism demonstrated in One Flew Over The Cuckoo's Nest helps create dynamic features and traits in each character. Bromden indicates early that the ward is "Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys..."( 31). Technicians in the hospital speak with voices that "are forced and too quick on the comeback to be real talk - more like cartoon comedy speech" (33). Kesey chooses to describe some of his characters as symbolic caricatures, and others as stock figures who outgrow their black outlines (Twayne). The Big Nurse remains a cartoon villain, funny in her excessive frustration and hateful in her manipulations towards the patients.
As medical advances are being made, it makes the treating of diseases easier and easier. Mental hospitals have changed the way the treat a patient’s illness considerably compared to the hospital described in One Flew Over the Cuckoo’s Nest.
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, the reader has the experience to understand what it was like to live in an insane asylum during the 1960’s. Kesey shows the reader the world within the asylum of Portland Oregon and all the relationships and social standings that happen within it. The three major characters’ groups, Nurse Ratched, the Black Boys, and McMurphy show how their level of power effects how they are treated in the asylum. Nurse Ratched is the head of the ward and controls everything that goes on in it, as she has the highest authority in the ward and sabotages the patients with her daily rules and rituals. These rituals include her servants, the Black Boys, doing anything she tells them to do with the patients.
Ken Kesey in his novel One Flew Over the Cuckoo 's Nest question a lot of things that you think almost everyday. With this famous portrait of a mental institute its rebellious patients and domineering caretakers counter-culture icon Kesey is doing a whole lot more than just spinning a great yarn. He is asking us to stop and consider how what we call "normal" is forced upon each and every one of us. Stepping out of line, going against the grain, swimming upstream whatever your metaphor, there is a steep price to pay for that kind of behavior. The novel tells McMurphys tale, along with the tales of other inmates who suffer under the yoke of the authoritarian Nurse Ratched it is the story of any person who has felt suffocated and confined by our
One Flew Over the Cuckoo’s Nest by Ken Kesey presents a situation which is a small scale and exaggerated model of modern society and its suppressive qualities. The story deals with the inmates of a psychiatric ward who are all under the control of Nurse Ratched, ‘Big Nurse’, whose name itself signifies the oppressive nature of her authority. She rules with an iron fist so that the ward can function smoothly in order to achieve the rehabilitation of patients with a variety of mental illnesses. Big Nurse is presented to the reader through the eyes of the Chief, the story’s narrator, and much of her control is represented through the Chief’s hallucinations. One of these most recurring elements is the fog, a metaphorical haze keeping the patients befuddled and controlled “The fog: then time doesn’t mean anything. It’s lost in the fog, like everyone else” (Kesey 69). Another element of her control is the wires, though the Chief only brings this u...
When norms of society are unfair and seem set in stone, rebellion is bound to occur, ultimately bringing about change in the community. Ken Kesey's One Flew Over the Cuckoo's Nest demonstrates the conflict of individuals who have to survive in an environment where they are pressured to cooperate. The hospital's atmosphere suppresses the patients' individuality through authority figures that mold the patients into their visions of perfection. The ward staff's ability to overpower the patients' free will is not questioned until a man named Randal McMurphy is committed to the mental institute. He rebels against what he perceives as a rigid, dehumanizing, and uncompassionate environment. His exposure of the flaws in the hospital's perfunctory rituals permits the other patients to form opinions and consequently their personalities surface. The patient's new behavior clashes with the medical personnel's main goal-to turn them into 'perfect' robots, creating havoc on the ward.
The use of theme in One Flew Over the Cuckoo’s Nest by Ken Kesey brings upon the ideas of misogyny, sexual repression and freedom, and salvation from an omnipotent oppressor, through the story of Chief Bromden, who lives in an insanity ward. Even from the beginning pages of the novel, the reader is introduced to such characters as Nurse Ratched, or the “Big Nurse,” who is said to be the dictator of the ward and acts upon the ward with the utmost control. Another branch of the theme of oppressors and salvation that relates to Nurse Ratched, as well as Randle McMurphy, is the idea that they are both representatives of figures based in Catholicism. Sexual repression and freedom is seen with the ultimate punishment in the ward, a lobotomy, being stated as equivalent to castration. Both of the operations are seen as emasculating, removing the men’s personal freedom, individuality, and sexual expression, and reducing them to a child-like state. All of these different pieces of the theme relates to a powerful institution that, because of the advances of the time, such as technology and civil rights for women, is causing men to be common workers without distinctive thoughts that must fit the everyday working mold of the 1950s.
As the narrator of One Flew Over the Cuckoo’s Nest, Chief Bromden, a paranoid half- Native American Indian man, has managed to go unnoticed for ten years by pretending to be deaf and dumb as a patient at an Oregon mental asylum. While he towers at six feet seven inches tall, he has fear and paranoia that stem from what he refers to as The Combine: an assemblage whose goal is to force society into a conformist mold that fits civilization to its benefit. Nurse Ratched, a manipulative and impassive former army nurse, dominates the ward full of men, who are either deemed as Acute (curable), or Chronic (incurable). A new, criminally “insane” patient named Randle McMurphy, who was transferred from the Pendleton Work Farm, eventually despoils the institution’s mechanical and monotonous schedule through his gambling, womanizing, and rollicking behavior. McMurphy’s dereliction of Nurse Ratched’s rules not only provides entertainment for Bromden and the other patients, but also acts as an impetus for their own reb...
Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest” is a story about a band of patients in a mental ward who struggle to find their identity and get away from the wretched Nurse. As audiences read about the tale, many common events and items seen throughout the story actually represent symbols for the bigger themes of the story. Symbols like the fishing trip, Nurse, and electroshock therapy all emphasize the bigger themes of the story. The biggest theme of the story is oppression. Throughout the course of the story, patients are suppressed and fight to find who they really are.
Kappel, Lawrence. Readings on One Flew over the Cuckoo’s Nest. San Diego: Greenhaven Press, 2000. Print.
In the early 1960’s, Ken Kesey worked in the psych ward in a veterans hospital as an aide. During the course of his job, Kesey realized the administrators were giving patients experimental LSD to cope with their mental illnesses. After seeing this being done, he started to wonder, who is mentally stable and what classifies a person as insane (Kesey)? With this in mind Ken Kesey wrote, One Flew Over the Cuckoo’s Nest. This classic novel depicts the image of a psych ward under control by the manipulative, Nurse Ratched. The patients on the ward are lifeless; every waking moment is scheduled and controlled, until one day when a new patient, Patrick McMurphy arrives. Patrick McMurphy brings life back into the patients and helps them push the boundaries. With McMurphy on the ward there becomes a new normal. When answering the question of what normalcy is, Kesey uses character development, symbols, and motifs to give insight of the psychological well-being of others and how it shifts with positive and negative changes.
In the article “How `One Flew Over the Cuckoo’s Nest’ changed psychiatry” written by Jon Swaine, the author discusses the vast impact the famous movie and book had on the understanding of the psychiatry. Furthermore Swaine refers to a psychiatrist that explains that not only did it change the view of the different treatments but also for what reason people were put to mental institutions. So what changes did the reactions lead to?
However, this study reinforces Wahl’s findings by also suggesting a lack of understanding of the real experience of mental illness and instead putting focus the darker side of illness. The communication of primarily scientific information appears to me as a way of alienating the mentally ill from the wider population by making them seem more like patients than humans. Wahl analyses this idea further in chapter three of his book in which he looks at the physical presentation of the mentally ill. He notes that the mentally ill are often portrayed “recognizably different from others in both manner and appearance, that they stand out as deviant and bizarre”. He presents the example of Peter Lorre, a well known actor in the 1930-50s who was typecast as “deranged and obsessed men” in a number of films because of his appearance. After reading this, I was interested to see what others had said about this typecast. Film historian Philip Kemp describes Lorre as “Squat, stocky, round-faced, at once pitiable and terrifying, he seemed a textbook illustration of schizophrenia… Small wonder if he found himself cast as madmen and