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Boy film analysis
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Boy, written and directed by Taika Waititi, is a beautiful New Zealand film about an 11 year old Māori child’s search for his “potential”. His name is Boy and he loves Michael Jackson. The film is set in 1984 and takes place in the scenic community of Waihau Bay on the eastern coast of New Zealand. Boy lives with his grandmother, younger brother Rocky and cousins and takes care of them when she is away. The two siblings grew up without their father Alamein’s presence because he was imprisoned for his involvement in criminal activity. Boy’s father is his hero and is the subject of his many valiant fantasies as a deep sea diver, star football player and military legend and so on. Alamein suddenly returns after a seven year absence heavily disrupting Boy’s life.
Themes and Context
Boy explores themes of childhood, innocence, influence, duty and integrity and is at times, humorous, playful, serious and heavy. The film is a fiction and uses a chronological narrative employing the classical filmmaking model of Continuity editing defined by Berliner and Cohen as “a system of editing devices that establish a continuous presentation of space and time” .
Waititi’s film makes use of the gorgeous landscape with a multitude of shots and camera angles and successfully gives the viewer an immersive experience. It premiered at the Sundance Film Festival and competed in the “World Cinema Narrative” category. This film is a representation of Māori reality as it would have been in the 1980s within a globalized and colonial context and Boy’s obsession with Michael Jackson demonstrates a portrayal of the spread of Western culture within that time period.
Critical Analysis
Despite the Māori context and location of Waititi’s film, Boy appears to be s...
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... any part of world and they we can all learn from his story.
Works Cited
Todd Berliner and Dale J. Cohen, "The Illusion of Continuity: Active Perception and the Classical Editing System," Journal Of Film & Video 63, no. 1 (2011): 45.
RT Staff, "2010 Sundance Film Festival Lineup Announced", Rotten Tomatoes (Flixster), December 2, 2009, http://www.rottentomatoes.com/news/1858193/2010_sundance_film_festival_lineup_announced (accessed April 16, 2014).
Peter Debruge, “Review of Boy”, Variety, January 23, 2010, http://variety.com/2010/film/reviews/boy-1117941952 (accessed April 16, 2014).
Ann Hardy, "Hidden gods - Religion, spirituality and recent New Zealand cinema." Studies In Australasian Cinema 6, no. 1 (2012): 19.
Marita Sturken and Lisa Cartwright, Practices of looking: an introduction to visual culture (New York: Oxford University Press, 2009), 259-260.
Film Thrasher compares and contrasts the difficulty of two men, and one young boy. Boyhood
The film The Whale Rider, directed by Niki Caro, follows the story of a young Maori girl called Pai, to fulfil her destiny of one day becoming the leader of her tribe. One of the most important characters to the story, is the main character, Paikea ‘Pai’ Apirana, She helps the audience appreciate and better understand the themes of leadership, and sexism. Caro uses many techniques to convey these themes, such as symbolism, different camera shots and angles, dialogue and lighting.
A cinematic experience offers a false projection of the world that people have the desire to indulge in. In Guy Vanderhaeghe’s novel, The Englishman’s Boy, the portrayal of the film as a whole is consistent with Chance’s vision to rewrite the story of the Cypress Hills Massacre of 1873 as a mythic history of the settling of the American west. Film has the power to access an aspect of reality somehow absent in other media. One could argue that film brainwashes people and alters reality when it is both projected and screened. Vanderhaeghe’s narrative oscillation and use of common literary techniques often foreshadow his film (Besieged) in many ways.
Arnheim’s body of theory suggests that the necessity of human intervention to implement plot, tropes, and culturally legible symbols raises a film to a higher level than a mere copy of reality, and that this interpretation and expression of meaning is “a question of feeling” or intuition on the part of the filmmaker. (“Film Theory and Criticism” 283) One consequence of effective directorial intervention is that differences in speed, stops and starts, and what would otherwise be jarring gaps in continuity can be accepted by viewers, because if the essentials of reality are present, th...
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The idea for the film is based on every parent’s worst nightmare. The concept based-plot is filled with twists and turns, captivating the audience. This film succeeds in creating the desired feeling of suspense with its sound score and creates heightened emotions by filming on location and often in the dead of night. Filmed in realistic color, the storyline takes place on Thanksgiving and the days after. The scenes are often filmed outside, in the cold ...
“Vivid characterizations, nonstop action, and an entirely plausible plot combine for a thrilling story,” ALA booklist claims. A rollercoaster of events this book is. Memory Boy is a book every student should read. It not only changes the perspective of our everyday lives but also teaches you amazing survival skills that you could use in real life scenarios. Since this book has a sequel our class is predicting what will happen next.
Gallagher, T. 2002. Senses of Cinema – Max Ophuls: A New Art – But Who Notices?. [online] Available at: http://sensesofcinema.com/2002/feature-articles/ophuls/ [Accessed: 8 Apr 2014].
Lost boy is a follow up to Dave Pelzer’s book A Child Called It. This Novel Is a Auto-biography by Dave Pelzer. It follows his experiences in the foster care system. After being taken from his mother Dave goes from one foster home to another and he describes his life there.
Berliner, Todd and Cohen, Dale J. "The Illusion of Continuity: Active Perception and the Classical Editing System." Journal of Film and Video 63.1 (2011): 44-63. Project MUSE. Web. 14 Feb. 2011. .
But, as the boy begins to specify a detailed episode of which he knew too much about to be a
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New Boy is a short film that envelops the viewer into a third person character and leads viewers to experience how it feels to be an outsider “The New Boy”, the audience experiences this feeling through the Protagonist 's mind in this case “Joseph.” This short film not only focuses on the idea of bullying but also the idea of being an outsider.The positioning of the title “New Boy” on the left-hand side of the frame indicates that the new boy will be powerless.
and Roger Hillman. Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Los Angeles: University of California Press, 1995.
Roald Dahl’s book “Boy” is a story that is actually written about his own life from early years to days until he departed from school. This was his first autobiographical novel. It is about his experience at school and the system that they had in place. He wrote about some really nasty and cruel characters as well as some characters that we can absolutely love. All of his characters and stories are extremely exaggerated.