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Character sketch of santiago in novel the old man and the sea
Theme of the old man and the sea literary analysis
Character sketch of santiago in novel the old man and the sea
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The Old Man and the Sea by Ernest Hemingway
Ernest Hemingway's classic novella The Old Man and the Sea is centered around an old
man, a Cuban fisherman named Santiago, who endures the menacing sea to catch a fish; a fish that
plagued his mind and undoubtedly became his heart's focus. Throughout his encounter with the
marlin, the old man faced various difficulties, difficulties of the mind that wrestled with his aged
body. As in the old man's struggle, Kid Rock explains in the lyrics to Only God Knows Why, of
the battles that evolve in the mind and heart that find the strength to go on. His song paralleled
Hemingway's novel by harnessing the listener and reader to understand that a man can be
destroyed but not defeated.
The novel begins with Santiago and a boy; a boy that becomes a son figure who brings
him strength. This young boy helps keep Santiago's spirits up when he has nothing, and even the
thought of him makes Santiago smile. Hemingway shows this when he writes that the old man is
out on the water for days, all alone, trying to catch the giant marlin. He continuously thinks of
the boy as the one who gets him through the hardest times, "The boy keeps me alive"
(Hemingway 106). The strength of Santiago through the boy happens to parallel a verse in the
song Only God Knows Why, "I watch my youngest son and it helps to pass the time. . ." (Rock
1). This holds true throughout the novel when Santiago thinks of the boy while he is out on his
skiff, tired and hungry; thoughts of the boy help to give him strength and "pass the time" (Rock
1).
Shortly after Santiago catches the fish, he realizes how far he has gone out, and how much
work it is going to take him to get home. He says, "I shouldn't have gone out so far"
(Hemingway 110). Again, a parallel can be made with another line from Only God Knows Why.
Rock sings, "It's been so long since I've been home, I've been gone, I've been gone for way too
long. ..." (Rock 1). Both of these passages express how far they are from home, admitting that
they both have gone out too far, and been away from home for too long.
At the end of the story, it is clear to the reader that the old man has been defeated, but not
Santiago is a young boy who fits into the flawed hero archetype. His story tells of his journey to find his Personal Legend and the many new people and experiences he encounters. Santiago is flawed in the way that he does not have enough confidence in himself to complete the task set out in front of him. He is constantly putting himself off track and avoiding what he has to do. In the beginning of his journey, he faces a setback and his money gets stolen. While finding a solution and a job, he gets distracted loses sight of his dreams. A couple months into the job, he thinks, “...Egypt was now just as distant a dream as was Mecca for the merchant…” (Coelho 58) and he glorifies his new plan to “disembark at Tarifa as a winner” (Coelho 58) with his improved flock of sheep. However, he continues his journey two years later, despite his break in confidence. When Santiago reaches the Oasis during his journey across the desert, he gets sidetracked once more by a woman. This woman’s name is Fatima. The second time they meet Santiago speaks without thinking and says, “‘I came to tell you just one thing...I want you to be my wife. I love you.’” (Coelho 98). This alone demonstrates his rash actions of an inexperienced hero who causes his dreams to be postponed. However, Santiago is also a successful hero despite his flaws. He still continues his journey, no matter what, and eventually reaches his goal. Even through
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
This may be true in all cases, but it is clearly predominant in Ernest Hemingway's Old Man and the Sea. It is evident that Hemingway modeled the main character, Santiago after his own person, and that the desires, the mentality, and the lifestyle of the old man are identical to Hemingway's.
The lament experienced by Hemingway's characters in his later works corresponds to an older perspective by both author and characters. In most cases of desperation, the later characters re...
In this quote Santiago is showing that he is confident and that he knows that there will be one day where he will catch a fish which will give him pride and joy. Hemingway's novella describes Santiago as a very confident man, he describes Santiago as being a very tough and manly person and this quote is proving he has a lot of confidence.
Santiago’s psychological processes in Ernest Hemingway’s Old Man and the Sea are exceptionally eloquent and cultivated and reach deep levels of pride and self respect that he refuses to abandon. For example, the old man advocates not catching the fish by claiming that the fish has not been in the correct position to be caught. Santiago is overwhelmingly prideful which can ultimately affect his means of survival. The old man’s sense of deep self preservation just about crosses the line between having too much pride and coming off to others as arrogance. The old man refuses to accept help from anyone but the boy that he had taught how to fish years before, which even then he is hesitant to accept help. The million dollar question to ask is why
Santiago can be compared to a Christ figure on the basis of his relationships with other characters in the novel. People look up to Santiago, as would a follower to Christ, hereby setting up a comparison between the two. (transition) Since the age of five, Manolin has aided the old man by working alongside him as an apprentice. Manolin is loyal to Santiago and looks up to him as if Santiago was his real father. According to Delbert Wylder, "Santiago has, in a sense been the boy’s spiritual father" ( 219). Manolin is in awe of the old man, who the town recognizes as an honorable fisherman. The boy states, "There are many good fishermen and some great ones. But there is only you." Like Santiago, Christ was also a spiritual father to his town; the town of Bethlehem. He performed miracles to heal the sick, and fed thousands of starving people. As Jim Auer says, "This demonstrates Santiago’s relation to Christ. They are both extremely unique, and were father figures in their communities" (15). ?The people of Bethlehem looked up to Christ as a father figure, and they had love and admiration towards him.? Likewise, "The love of Manolin for Santiago is that of a discipline for a master in the arts of fishing, it is also the love of a son for an adopted father" (Wagner-Martin 307). Through Manolin’s caring of the old man, he shows his love for Santiago. Even though Santiago is not Manolin’s biological father, he cares for him as though he was. "The old man was asleep in the chair and the sun was down. The boy took the old army blanket off the bed and spread it over the back of the chair and over the old man’s shoulders… and when he woke up he fed him supper" (...
The constant struggle makes Santiago realize that he is no longer as young as he thinks he is and
Ernest Hemingway developed his own style of writing and follows it in “A Clean, Well-Lighted Place”. Hemingway’s elegance in writing is such that he indirectly gives all of the information to the reader without making any judgment; thus allowing one to create an opinion about every minute detail of the story. Hemingway illustrates his foundations of writing in “A Clean, Well-Lighted Place” by providing small clues that provide an indirect view of the larger meaning.
Individuals may look deep within to summon courage that is necessary to move past triumphs and tragedies. In Ernest Hemingway’s The Old Man and the Sea, Santiago struggles greatly to search for hope in seemingly hopeless situations. The idea that people look deep within to summon courage is portrayed through the actions of Santiago, Manolin, and Manolin’s parents.
Santiago, a strange old man, has gone 84 days without catching a fish and wants to catch one last big fish. People in his village have began to view him as Salao, or unlucky, and his best friend, a young boy named Manolin, has even began to stop fishing with him because his parents say he won't catch a fish with him. Santiago wants to break this long streak so he goes fishing very far out in his skiff and sees a large man of war bird and goes to it because he knows that it is catching fish and wants to go see what its getting. He then catches a Tuna. Then he continues to go out and hooks a huge fish. He then gets ready to pull it in and it does not budge, this is when he realizes he in for a long journey. The fish, or the Marlin, begin to
In the story, Santiago’s bravery is unsurpassed, but it is not until he hooks the “great fish” that we truly see his valor and perseverance. Through Santiago’s actions, Hemingway teaches the reader about bravery and perseverance in the face of adversity. He demonstrates that even when all is lost and seems hopeless, a willful heart and faith will overcome anything. Santiago had lost his “luckiness” and therefore the respect of his village. Through the description of his cabin, we also suspect that Santiago is a widower.
Fighting for his power and for a better future, Santiago held strong using what he had to win his battles. “I wish I had a stone for the knife,” the old man said after he had checked the lashing on the oar butt. “I should have brought a stone.” You should have brought many things, he thought. But you did not bring them, old man. Now is no time to think of what you do not have. Think of what you can do with what there is.” (Hemingway 31) If Santiago had given up, letting the fish and everything else, which fought against him, win, he would have been defeated. However, he did not return defeated, despite what he had gone through, Santiago used what he had endured to make him stronger. Learning a valuable lesson, through his time alone out in the boat, Santiago went back to his home knowing just how much he needed Manolin. Santiago proved his strength while opening up his eyes to his own weaknesses. Coming back after the fight of his life, with his fish eaten away by sharks, and all his strength gone, Santiago was clearly destroyed, yet he had gained more than he could have ever imagined. “They beat me, Manolin,” he said. “They truly beat me.” “He didn’t beat you. Not the fish.”… “Now we fish together again.”… “I’ll bring the food and the papers,” the boy said. “Rest well, old man. I will bring stuff from the drugstore for your hands.” (Hemingway 35) Instead of becoming defeated, Santiago demonstrated his resilient character and gained a hope for his future with Manolin by his side.
“He is too weak, however, and the fish begins to pull the boat farther out to sea. He straps the line to his body to prevent the fish from getting away, but the fish’s strength causes him injury every time it pulls the boat. Despite his pain, Santiago doggedly holds the line for two days as his boat is dragged by the marlin" (Old). This quote is important and truly shows how desperate Santiago is to catching a fish. This is the biggest fish that Santiago has ever hooked, and with this catch, he would be able to regain his title.
The Old Man and the Sea, was written by Ernest Hemingway. In the novella, the old man, Santigo and the young boy Manolin has a relationship that goes dar beyond friendship. They have a soul bonding relationship. The boy needs the old man as a teacher and the old man needs the boy was family. Hemingway creates a very powerful, poignant relationship between the old man and the young boy throughout his novella using dialogues.