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The departed essays
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Mac McCullar
Nick Le
Introduction to Film
Professor Danniel Linton
The Departed
The Departed, a movie worth seeing, or is it just another star – packed action flick with a bunch of special effects? After taking a look deep inside movie, decide for yourself. In this dissection of the movie, the adaption, business, genre, auteur, and semiotics of The Departed will be discussed and explained in detail. Usually when people think of Action, Crime, Thriller, or Drama movies; there’s a basic and kind of unspoken line that the movie usually follows. There is usually a back story or history between two of the main characters, one of them usually either gets hurt, or gets killed, and it usually ends with a slight twist and the good guy coming
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It is classified as a thriller, action, and drama genre. There are four different genre cycles such as primitive, classical, revisionist, and parodic cycles. Each cycle represents different concept of the movie. What cycle is The Departed film belonging to? The Departed should be in classical cycle, which follows the rules and set on the audiences’ expectations. The plot is clearly a linear chronology. The film starts a story of a boy, who wants to make a change in his life. And then, it continues talking about him becoming a wicked cop. On the other hand, a good cop named Billy is trying to go undercover and help solve a crime. Throughout the movie, the audiences can get ideas of who the good guys are and who the bad guys are. At the end of the film, the bad guys are killed and the good guy is honored. Billy, a heroic guy, is given a heroic funeral with flags, gunshot, and a memorial speech, while the bad guys are killed throughout the movie. The cliché in this film is shown that the characters are easily categorized into stereotypes. The viewers immediately recognize what will happen throughout the film. And the results are exactly what the viewers expected to
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
Citizen Kane, Orson Welles’ cinematic classic, is a film that centers on a group of reporter’s investigation into the meaning of Charles Foster Kane’s last uttered word, “Rosebud.” Citizen Kane ' brings into light many social problems between countries, relationships, and also between competing newspaper companies. It brings into light how a newspaper should react and also brings the corruption of politics. War was breaking out in Europe and throughout the entire film Kane states there will be no war. He ignores the fact people are being killed, tortured, and rounded up like livestock.
In one particular scene, director was truly a great one, featuring special focus on his dad life and the Colorado River. It was so cool to highlights of the movie by one of his favorite poem written by his dad when he was born, the Important Place. Also, this film was a good length, not excessively long but long enough to tell the story. This is really important today there were no such unwanted scene in the film, which literary the most closely and accurately delivered. In my opinion, this film is forced to possess the characters of a great aspect, and turns to make for quite the adventurous. There was no special character encounter rather than his dad, learned something from the secret Colorado River. Another great aspect of the film was the special footage that were introduce in this film was an enjoyable aspect to be a good documentary film, and that’s how this film is different from the rest.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
Final thoughts, I really liked this film and really can't think of anything I had an issue with. The musics fitting, the cinematography is good and the ending is great. That said the whole time I was watching Re-Animator I kept thinking of how much this film feels like Return of the Living Dead and that made me just want to watch that instead. But that's just me and I still heavily recommend you watch this film should you find yourself with time to watch a true cult classic.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
With the help of superb editing, sound, mise en scene, and cinematography, this film cannot be topped. The fist scene of the movie creates an atmosphere that helps the viewer know that he/she will enjoy this wonderful classic. Throughout the movie there are surprises and fun that makes this a movie that people will want to watch again and again. Gene Kelly said it best when he said, "Dignity, always dignity. " That is what this movie has from beginning to end, dignity.
The movie on the whole was really great. It was filled with some pretty gory scenes and extreme violent content, Tarantinos' trademark. The way he portrays the real life aspects of crime and violence are unbelievable. I wonder if he experienced some of these things himself and that's why he has a realistic view of them. Then again, I can't really gauge how realistic any of these themes are because after watching this kind of movie it makes me feel like I lead a really sheltered lifestyle.
Like Jordan Belfort who follows his own code, Scorsese often makes movies with protagonists who live outside mainstream norms (Connelly). Howard Hughes (the aviator) is another example of Scorsese’s work in which he demonstrates the eccentric protagonist character of Hughes and his contribution in the aviation history. Other Scorsese films, such as The Departed— about an undercover cop and his battle with the Irish American mafia— is also about the exceptional way that the cop character, also played by DiCaprio, acts outside conventional police work in order to perform...
An Analysis of How Narrative and Genre Features Create Meaning and Generate Response in the Opening of Martin Scorsese’s Goodfellas
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Ebert effectively points out the highs and lows of Schumacher’s The Phantom of the Opera. Though the film is visually stunning, much is left to be said for the storyline, acting, and length. Few redeeming qualities make Schumacher’s version of The Phantom of the Opera worth watching. By glorifying the Phantom, Schumacher detracts from the demon that he was and the torment that he inflicted on those around him.