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Fight club themes and analysis
Fight club movie analysis essay
Fight club movie analysis essay
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among others were the sparkling gem this movie has to offer. Watching the movie is very reflective towards the society of audience. Many say the film is about how animals are watching our society. The animals are confused at how complicated and inefficient our society is. The organization and the pacing of The Phantom of Liberty lend a lot the story. The film follows one group of people and their story until it gets interesting. Once that happens, they changed and begin to follow a group with a much less interesting scenario. Once their scenario gets interesting we drop that group and continue to a new scenario. Doing this makes the viewer never confident where the story is going. Bunuel always surprises with the new scenarios. This lets …show more content…
I am an aspiring cinematographer that truly believes I can stand on the shoulders of giants when watching these films. I am a person that loves to see where the norms of today come from, everything from the inception of compositing from Méliès, to the frame of the penis in Persona that was emulated in Fight Club. When I see how it was done in the past, how they used it to tell the story and how people in the recent past have used, and how they used it to tell the story I learn a lot more about how I can tell my own stories. I felt that I was strong at dissecting films before. I had knowledge of how certain lighting was used to make certain moods, how different camera angles changed emotions, how the sound was developed to create a better picture. But, this class opened me up to a whole part of cinema I haven’t delved into nearly enough. It really helped analyze directors more. Giving me examples from films I’ve seen and how those directors shaped them. The class also opened me up to a massive list of great directors I never knew before. These directors are some of the best storytellers that have told a story with a camera. I used to believe that older movies were good, but I shouldn’t spend as much time on them as I should the movies of the recent past (The Graduate being the one of the oldest that I considered a masterpiece). This class entirely blew that out of the water. Since this class has …show more content…
My film pallet has opened up so much there isn’t a movie that I can’t appreciate for some reason. I may not appreciate some films as much as other, but most films there’s something to be appreciated in it. When I look at the hollywood films of today I am going to remember that they are large committee films that can’t have the concise vision of most led by a single person. When looking at them this way I’m going to expect a committee film and look toward the non-committee film market to get my films that are going to be truly great. I will also most likely search to films of hold before searching for new releases until I have enough of a depth of knowledge under me. When I approach making films I am going to approach them questioning how everything I do help tell the best story possible. I am also going to take the techniques and practices from the greats and combine them other greats I know to make the best film I
...t have an ultimate goal to express something they care about on film. They must not only express this in their script, but carry through on it by directing, producing and pulling together many other aspects of the film by themselves. Three filmmakers that fit this description to a “t” are Kevin Smith, Spike Lee and Alfred Hitchcock. These three men all went out with the same goal: To express their views of life in extraordinary films. They all went above and beyond their call of duty and are now ranked among the top filmmakers of history, the rank of film auteurs.
With the loss of its centralized structure, the film industry produced filmmakers with radical new ideas. The unique nature of these films was a product of the loss of unified identity.
In 1954 François Truffaut, in ‘Cahiers du Cinéma’, elaborated on this idea further with his essay ‘Les Politique des Auteurs’. He argued that ownership in a film, or the creative voice that drives a movie, is always inextricably linked to the director. As such, when looking at any director’s body of work there will be recurring themes, stylistic trends, and preoccupations that define these movies as belonging solely to the director. Accordingly, there are never “good or bad movies, only good and bad directors”. Greatness in a movie is a measure of originality and vision. Village Voice’s Andrew Sarris, in his Notes on Auteur Theory (1962), refined this concept by applying a visual aid of three concentric circles to help identify an auteur - the outer circle being technique, the middle circle, personal style, and the inner circle, interior
Analyze a film shot or scene to explain how filmmakers use cinematic techniques to tell a story, develop characters, create atmosphere, and evoke emotions.
The movie teaches us to look beyond the cover and into who someone is as a person. We also learn that sometimes contact with people makes us reconsider our judgement towards them, to find out the real person underneath.
‘12 years a Slave, award winning film director Steve McQueen associates making a film to, "writing a novel – you're telling a story. " This message is powerful and defines the true purpose of filmmaking that is, ‘to tell a story.’(Victorino) Hollywood has capitalized on the aspect of visual storytelling first introduced in 1985 by the Lumiere brothers with their first movie ever made for projection -- Workers Leaving the Lumiere Factory. They (Hollywood), then designed a Studio System called Classic Hollywood Cinema to Finance, Organize, Produce, Market, Distribute, and Exhibit movies for financial gain while entertaining movie goers. This term was coined by David Bordwell, Janet Staiger and Kristin Thompson to define Hollywood’s film making during the period of 1913 to 1960. From the D.W. Griffith successful 1913 first movie ever shot in Hollywood, ‘In Old California’, to the James Cameron’s 2009 movie Avatar grossing over 760 million in the box office, this process continues to be effective and lives on today.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
Throughout the entire film, there are lessons that are being taught. Whether is the central theme of not judging someone by their skin color but by their character or showing the essence of what the meaning of family really is. Through the setting, acting, and relationships shown it all comes together to make the perfect film. I recommend this film be seen by everyone at least once in their lifespan, because the lessons that are depicted in there are valuable. It is the perfect movie to go see with your family and makes you grateful and thankful for everyone that you have in your life. The film brings joy, happiness, tears, laughter and much more. I can truly say that the movie is worth purchasing and viewing.
As a child, I liked to watch the “behind the scenes” of a movie. My sisters and I always tried to recreate the movies I watched behind the scenes footage for – I was always the director and editor, and they were the actresses. It was around my freshmen year in school when one day I was editing a video me and my sisters had made I realized that I decided that I wanted to become a movie director. So, if I could have a ticket to go anywhere, it would be to a studio in Hollywood to direct a Hollywood movie.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
“It’s ok. We aren’t in the same class. Just remember that some of us watch the sunset too.” ‘The Outsiders’ book demonstrated a proper sense of being towards others. This book showed people that it’s okay to be different because in the end, we are just people who watch the same sunset every night. The greasers and Socs have always fought, but they eventually realize that they are just people with big dreams and lives to live like the rest of them. Where this book takes place is an important detail because they had to find places to hang out without running into each other. The worst part is, is that death had to come among them for them to realize that the amount of money you have doesn’t matter. How people will remember you, it how you treated them.
I feel that this film used the characters to depict many issues going on in our daily lives. For instance, the fact that the two main characters never did anything creative or fun. The only places they went were to school and work. In today's world many people can relate to this. Secondly when the child was expressing himself through his artwork, the teacher did not give him an acceptable grade. This disappointed his father and you began to see the decline in his happiness. I believe this is a representation of how the younger generation is losing their creative outlet,
Across the globe watching movies started as an asylum for the working class, but slowly the ideas being portrayed onscreen have evolved resulting in movie going to become almost religious. Movies have the ability to leave us in awe as a result of their ability to give us a glimpse of a dream, however unrealistic. I myself am a huge fan of the film industry. I started to feel a certain reverence for it because of the way it inspired me to dream and gave birth to my ambitions. This ultimately led to me to go into an in depth investigation of whether I was the only one who felt this way and what affects had been created because of this feeling.
First of all, I would like to go over my expectations of movies in the future:
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.