Fiction in Magazines
In developing a discussion on magazine fiction, it is first necessary to develop strong reasoning as to why this is a relevant topic at all. If one is to discuss fiction in books, which many people have, why does the subject of magazine fiction even have to be brought up? Aren't the two of them one and the same?
The answer to this is no. It is true that magazine fiction and book fiction have much in common, but they have many differences as well. For instance, the medium itself is cause for much difference. The process of creating a book is minimally a year long. So, a person who picks out a book of short stories from their local bookstore will be reading books that are at least a year old. Magazine fiction, however, is more recent, and thus much more exciting. It is very possible for a writer to have his story published only a couple of months after he has written it. Magazine fiction has a stronger feel for the pulse of literary society, which makes it relevant and interesting when speaking of fiction in general.
There are hundreds and hundreds of literary magazines. Every Tom, Dick and Harry is seemingly starting a journal. However, in the entire scope of literary magazines, there are three basic types.
The first type is the largely circulated, prestigious magazine. These include The New Yorker, Atlantic Monthly, and Playboy, among others. These magazines usually only publish one piece of fiction per issue. It is extremely difficult to get published in this first type of magazine because 1) they don't publish as many pieces of fiction a year, and 2) every writer is trying to get published in this sort of magazine. However, if you do get published in this sort of journal, the paybacks are larger. You normally get paid more for getting published than in the other two types, and the prestige of getting published will likely land you many more published stories and much more publicity.
The second type of literary magazine is the medium journal, which is one scale smaller than the first. These include Story, Paris Review, and others. These magazines publish more pieces per issue, and tend to be easier to get published in. The prestige of getting published, however, is still very good, although not as great as the first type.
Jonathan Gottschall in his article,'' Why fiction is good for you ,'' he begins with question in his article is fiction good for us ? as it's known we spend most of time in our life by read novels , watching films , tv shows and other . Most of these things may affect us in a positive or negative way . Jonathan in his article show us that '' fiction seems to be more effective at changing beliefs than nonfiction, which is designed to persuade through argument and evidence through studies that show us when we read nonfiction, we read with our shields up. We are critical and skeptical. But when we are absorbed in a story, we drop our intellectual guard '' ( Gottschall 3) . He also states in conclusion,'' Reading narrative fiction allows one
Born into slavery and fathered by an unknown white man, “Frederick Augustus Washington Bailey” was born in Maryland around 1818. He was raised by his grandparents and with an Aunt, having seen his mother only a handful of times before she died. It was during this time that he witnessed firsthand the cruelty of the institution of slavery: lashings, exposure to the elements and hunger. When he was eight years old he left for Baltimore, and it was there that his master’s sympathetic wife taught him to read and write. When he recounted the move later in his life he said, “Going to live at Baltimore, laid the foundation, and opened the gateway, to all my subsequent prosperity.” Typically slaveholders would prevent slaves from becoming literate. And Douglass’ master would often punish his wife for teaching the slaves the alphabet because he would make them disobedient. Slavery means you are to remain ignorant but freedom means that you were enlightened. He would struggle, but he knew that knowledge was more than power, it was freedom. After he escaped slavery September 3, 1838 and fled to New York, he joined various abolitionist groups and in 1841 he met the white abolitionist leader William Lloyd Garrison, who went on to become his mentor. Despite many apprehensions that releasing his story would endanger his life as a free man, Douglass published his autobiography, Narrative of the Life of Frederick Douglass, an American Slave, Written By Himself in 1845. After becoming more independent from Garrison, he spoke against his belief that the Constitution was pro-slavery, and argued that it may “be wielded in behalf of emancipation,” where the federal government had exclusive jurisdiction. Douglass d...
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With the novels publication in the 1960s, a new genre called ‘New Journalism’ had begun to surface; it sought to combine the elements of journalism with the elements of fiction and in doing so it sought to challenge the readers mo...
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...ce in society. And the effects of the ideals behind these magazines are all the more powerful because of their subtlety." Women walk away from these magazines with an empty feeling and feelings of many inadequacies and they really don't know exactly why. The subtle undermining of women's intelligence and cause strips away their sense of worth ever so slowly and leaves them feeling depressed and in search of something that really can't exist together. Growing old while staying young takes many years of complete and internal happiness not many years of collagen injections and the added stress of having to stay unattainably perfect. While some consider these journalists for women's magazines talented writers, I consider them horrendous displays of talent in which they sell out the naturally beautiful women of the world for a quick buck and a popular magazine.
Firminger examines the ways these magazines represent young males and females. She reveals that these magazines talks about the physical appearance of young girls but also their sexuality, emotions, and love life. The author informs how the advice given by the magazines is negative. The author also argues that these magazines focus more on their social life than how their academic performance
Marshall, M.H., McManus, W.W., Viele, V.F. (2003). Accounting: What the Numbers Mean. 6th ed. New York: McGraw-Hill Companies.
90) describes people in collectivist cultures rely heavily on “in-groups which look after them in exchange for loyalty.” China and Japan are high power distance cultures. They have a hierarchical structure where societal movement is minimal. Hao (2015) describes collectivist cultures to place emphasis on “what is best for the social institutions that [an individual] belongs to over personal ambitions and goals.” Both Chinese and Japanese cultures are motivated and driven by success as seen by evidence on each countries emphasis on the importance of education (Country Comparison. n.d.). Long-term orientation allows both countries to prepare for the future and achieve long-term goals. While practical in their efforts they are “working to serve [future] generations” (Country Comparison. n.d.). Leisure time is not an emphasis in either culture and leads to “self-restraint and the emphasis on hard work and achievement” defining both China and Japan as restrained cultures (Hao,
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Budgeting is a multi-phased process. For the overall budgeting procedure to be successful, each phase of the process must be executed in the proper manner. Therefore, stringent administrative controls are imperative in the process. If a budget is prepared but no follow-up assessments and evaluations are carried out to establish effectiveness of its implementation, the whole process may go awry and negate the entire purpose of putting the budget in place (Cogan, Timothy, & Allen, 1994). Various types of controls are necessary for a budget to achieve its objectives; these include preventive controls, variance analyses, feedback controls, and internal controls. All these controls must be factored in for the administration and execution of the budget to be effective. Proficient personnel who can identify and mitigate sources of variances in the budget execution process are needed to oversee the process. Allowing the formulated budget to run itself would plunge an organization into a budget crisis. To prevent any such crisis from arising, this paper will look into the features of budget administration/execution that make an organizational budget successful (Lee & Ronald, 1998).