The poem “Fern Hill” by Dylan Thomas retells a story of a joyous child on a paradise described farm. Its title suggests a connection with nature to the text as the diction meaning for a fern hill, is a plant. The piece is written in six stanzas, nine lines each, is filled with strong messages and meaning throughout. The use of religious allusions can further propose a spiritual background for the speaker. As well, the poem is written with many poetic devices that reveals a strong idea of time within the poem. These fragments together create the concept of “time waiting on no one” as the main impression.
To start with, “Fern Hill” consists of many themes with the use of diction and connation throughout each stanza in the poem. A happy childhood was one of the obvious themes as the speaker describes his youth like a prize. For example, he begins with, “[…]I was young and easy under the apple boughs[...]” (Thomas 1). The diction of the words clearly shows he is describing his experiences as a young child. Likewise, in the first stanza he says, “About the lilting house and happy as the grass was green” (2). This clearly suggests the speaker spent time in a lilting house as a child, but as well the diction of the word “lilting” means to be cheerful and buoyant. Basically meaning the speaker is explaining his wonderful childhood.
The poem overall was positive and uplifting; the speaker even uses the scenery of the farm around him to help express his joy as a youth when he explains “… I was green and carefree, famous among the barns/ about the happy yard and singing as the farm was home,” (10-11). The use of “happy yard” shows one of the many times the speaker combines nature with the emotion of happiness together to pr...
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...ixth stanza that the speaker’s view changes dramatically. He explains, “Oh I was young and easy in the mercy of [time] means” (52). The use of the word “oh” shows the upset of the speaker when realizing his days as a youth would come to an end and he has grown up. The entire quote shows how time went from being his friend to something that took advantage of him by taking away his infancy. This poem essentially screams the overall message of time waiting on no one.
As a final point, the poem “Fern Hill” clearly shows the main message of “time not lasting forever.” The use of devices such as, allusions to religions to create a heaven like atmosphere easily portrayed themes which allowed for a better understanding of the speaker’s perception and how concept of time played a key role.
Works Cited
Thomas, Dylan. Fern Hill. London: Phoenix, 1996. Print.
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
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The poem can be very touching to those who understand its true meaning. Dana Gioia was able to take this poem that was about a death of a young boy and turn it into something beautiful allowing him to live forever. This story is not only about the mourning of a lost soul, but about the beauty of life itself. Dana also allowed to reader to understand the compassion she had for the speaker. Without verbally saying it she used symbolic images to interpret the hurt and pain the man experienced from the loss of this unborn child. Instead of the common Sicily tradition for planting a tree for the first born child, the speaker does what he feels will honor his son. The sequoia is planted to compensate for the time he has lost and to outlive the child’s family. T
The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
The story opens by embracing the reader with a relaxed setting, giving the anticipation for an optimistic story. “…with the fresh warmth of a full summer day; the flowers were blossoming profusely and the grass was richly green (p.445).”
Nature, that washed her hands in milk” can be divided structurally into two halves; the first three stanzas constitute the first half, and the last three stanzas make up the second half. Each stanza in the first half corresponds to a stanza in the second half. The first stanza describes the temperament of Nature, who is, above all, creative. This first stanza of the first half corresponds to stanza four, the first stanza in the second half of the poem. Stanza four divulges the nature of Time, who, unlike Nature, is ultimately a destroyer. Time is introduced as the enemy of Nature, and Ralegh points out that not only does Nature “despise” Time, she has good reason for it (l. 19). Time humiliates her: he “rudely gives her love the lie,/Makes Hope a fool, and Sorrow wise” (20-21). The parallel between the temperaments of Nature and Time is continued in stanzas two and five. Stanza two describes the mistress that Nature makes for Love. This mistress, who is made of “snow and silk” instead of earth, has features that are easily broken (3). Each external feature is individually fragile: her eyes are made of light, which cannot even be touched, her breath is as delicate as a violet, and she has “lips of jelly” (7-8). Her demeanor is unreliable, as well; it is made “Only of wantonness and wit” (12). It is no surprise that all of the delicate beauty Nature creates in stanza two is destroyed by Time in stanza five. Time “dims, discolors, and destroys” the creation of Nature, feature by feature (25-26). Stanzas three and six complete the parallel. In the third stanza, the mistress is made, but in her is “a heart of stone” (15). Ralegh points out that her charm o...
The poem, “Field of Autumn”, by Laurie Lee exposes the languorous passage of time along with the unavoidability of closure, more precisely; death, by describing a shift of seasons. In six stanzas, with four sentences each, the author also contrasts two different branches of time; past and future. Death and slowness are the main motifs of this literary work, and are efficiently portrayed through the overall assonance of the letter “o”, which helps the reader understand the tranquility of the poem by creating an equally calmed atmosphere. This poem is to be analyzed by stanzas, one per paragraph, with the exception of the third and fourth stanzas, which will be analyzed as one for a better understanding of Lee’s poem.
Jorge Luis Borges (1899-1986) was an Argentine short-story writer and essayist best known for his fiction that focused on the interconnected themes of labyrinths, dreams, religion, and time. Specifically, the idea that time can bifurcate, and that all time is occurring simultaneously are pivotal to a large portion of his writing. This essay will focus on this ideas, along with other temporal themes, providing an in-depth analysis of time throughout the body of his works, with a specific focus on The Garden of Forking Paths. Further, this essay will endeavor to answer the question of whether or not Yu Tsen’s and Stephen Albert’s views on time are in accordance with the conclusions pertaining to Borges’ time.
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The work “Leaves of grass” was written by Walt Whitman, an American poet of the 19th century. Whitman titled his work with this suggestive name for the reason that he loved simple people; and as the humble people, leaves of grass are the most simple and healthy among the living things. The poetry book “Song of Myself”, included in the work “Leaves of grass”, is contrary to what its name suggests, a song inspired by humanity, of which each one is part.
Robert Herrick’s poem “Corinna’s going a Maying” at its surface is a love poem from a young man to his lover asking her to come with him to celebrate the festival and activities that surround the famous May Day. But on a deeper examination of the poem’s core is a lesson about exploring and experiencing our days before they fly by “as fast away as do’s the Sunne”(61). Within the last stanza (lines 57-70) the apprehension towards time is used to persuade Corinna to experience life before it begins “decaying” like time always does (69).
The author foreshadows an ironic ending at the very beginning by establishing a cheerful setting. The story occurs “around ten o’clock” on June twenty-seventh, a time of day that is very bright and joyous and a time of year that is warm and makes people feel happy. The town’s physical setting also contributes to the overall “normal” feeling of the story. The grass is described as “richly green,” and the flowers are “blossoming profusely.”
In “The Echoing Green” the speaker chooses to use words such as “our” and “they” which gives a warm and thoughtful impression of people being together (9 and 14). Unlike “The echoing Green,” “The Garden of Love” uses the singular pronoun “I” (2 and 9). The use of the singular pronoun conveys that the speaker no longer has the close companionship that he felt he had as a child. Though the experience of growing up the speaker now seems to feel alone in the world.
Andrew Marvell in his poem describes a young man convincing his fair mistress to release herself to living in the here and now. He does this by splitting the poem up into three radically different stanzas. The first takes ample time to describe great feelings of love for a young lady, and how he wishes he could show it. The idea of time is developed early but not fully. The second stanza is then used to show how time is rapidly progressing in ways such as the fading of beauty and death. The third stanza presses the question to the young mistress; will she give herself to the young man and to life? Although each stanza uses different images, they all convey the same theme of living life to the fullest and not letting time pass is seen throughout. Marvell uses imagery, symbolism, and wonderful descriptions throughout the poem. Each stanza is effective and flows easily. Rhyming couplets are seen at the ends of every line, which helps the poem read smoothly.