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Feminist literature essay
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Introduction
Gloria Steinem said, “A feminist is anyone who recognizes the equality and full humanity of women and men”. Feminists empower women but look for equality between both genders. Unfortunately there is a stigma and fear that comes with this word; when hearing the word feminist people quickly think of ‘man hatter’. In this paper I will be arguing that Antigone and Wicked both challenge and reinforce the conventional ideas of gender. This is an important topic because it will help us understand both sides of the pro-feminist and the anti-feminist. It will also help us see how women were viewed in the past and how they are viewed today.
Wicked
In the story of Wicked the topic of gender plays a significant role in how the readers perceive things. This book not only challenges but also reinforces conventional views and ideas about gender. Galinda is a perfect example of reinforcing those conventional views. When Galinda is first introduced it is quickly grasped that she cares strongly about social hierarchy and is against social justice (Kelly). This is seen when Galinda talks about travel with Professor Dillamond. “If the Wizard’s Banns went through the Hall of Approval, as they are likely to do, the goat himself would be required by law to give up the privileges he had earned through years of study, training, and saving. ‘Is that right for a creature with a spirit?’ he said. ‘From here to there, there to here, in a pen?’ ‘I quite agree, travel is so broadening,” said Galinda.” (Maguire 67). Galinda holds her and many people to an imaginary social rank and has the mentality of the female condition past and present. She believes she will never make it to the top (Fehrenbacher). Galinda does not only represent the homema...
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...n her a strong-will that makes her intimidating to the men. Creon himself says that the need to control and defeat her is greater because she is a woman. Antigone rebels against gender roles and social structure (Jacobs).
Conclusion
Women and men fear the thought of an empowered woman and the thought of feminism. Women fear that will be punished by men if they stand against them and fear that being a feminist will make them cruel and lonely. Men fear that women will one day rise and surpass them. But it is with these women that great change can come. Being a feminist does not require a person to hate men nor does it isolate a person from the rest of the world. In both texts we witnessed that there are people who reinforce conventional views of gender roles and those who challenge them. The life is a feminist is challenging but much more rewarding at the same time.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Antigone is almost hailed to a god like status, as Oedipus was before her. She is extremely strong and unbelievably willing to sacrifice everything in the name of honor and pride. She so easily makes her decisions and chooses to die willingly without a second thought. The minute Creon questions her on breaking the law, she states: “Die I must, -I knew that well (how should I not?)-even without thy edicts.” What is even more is that Antigone was a woman, a woman in a time of extreme male domination. This makes her even stronger of a person in the play and shows the growing strength of the gender that we know of today.
Antigone was a selfless person with pride as a strong characteristic of her personality. She possibly had feelings of loneliness and anger from the way society has looked upon her family from their past. It took a strong willed person who has no fear of the repercussions to stand up to a king as she did. To make everything all the worst she stood up to a king who was her Uncle and she being a female back in those time, standing up and speaking out for herself was not heard of.
Antigone, the main character in the film Antigone, has been caged due to her gender inferiority
In Feminism and Fairy Tales, Karen E. Rowe asserts that “popular folktales” have “shaped our romantic expectations” and “illuminate psychic ambiguities which often confound contemporary women.” She believes that “portrayals of adolescent waiting and dreaming, patterns of double enchantment, and romanticizations of marriage contribute to the potency of fairy tales” makes “many readers discount obvious fantasy elements and fall prey to more subtle paradigms through identification with the heroine.” As a result, Karen Rowe contends “subconsciously women may transfer from fairy tales into real life cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues suggest that culture’s very survival depends upon a woman’s acceptance of roles which relegate her to motherhood and domesticity.” It is undeniable that numerous folk tales implant male chauvinism into women’s minds and thus convey an idea that woman should obey and depend on men. However, Rowe neglects the aspect that many other folk tales, on the contrary, disclose the evil and vulnerable sides of man and marriage and thus encourage women to rely on their own intelligence and courage other than subordinating to man. The Fairy tales “Beauty and Beast” and “Fowler’s Fowl” challenge Rowe’s thesis to some extent and exemplify that some fairy tales motivate women to be intelligent and courageous and to challenge patriarchy.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
Eleanor Roosevelt once said, “A woman is like a tea bag. It's only when she's in hot water that you realize how strong she is.” This is very evident in both Antigone and a Doll’s House. Antigone is a Greek play by Sophocles about a young girl who decides to take on the task of burying her traitorous brother to honor the gods even though her tyrannical uncle Creon has outlawed the burial. A Doll’s House by Ibsen follows Nora Helmer, a housewife who has borrowed money without her husband’s knowledge or consent for the purpose of taking him to Italy for medical reasons. It outlines the internal and external conflicts she experiences in the final days of her secret. It is important to understand the roles of women in both plays because during the time periods they were written, women were held to very different standards and were far more oppressed than men. There are many examples of nonconformity of women in Antigone and A Doll’s House in the ways that the main characters rebel against what is expected of women. Nora and Antigone are headstrong, sharp-witted, and willing to break the law for love, three character traits that were uncommon and almost frowned upon by society for women in history.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
“The emotional, sexual, and psychological stereotyping of females begins when the doctor says, ‘It's a girl.’” (Chisholm). Where do women fit in the social order of society today? Many women today fit in the same role as they would have been expected to long ago. Though generally speaking, women have a lot more options today. The male hierarchy still governs most aspects of society, but with many more limitations because women are discovering that they can stand on their own, and have no need for constant regulating from their male counterparts. Patriarchal influences are the base of society. In Antigone Sophocles tells a tale about Greek values and women’s status. Antigone has just witnessed her two brothers kill each other; one brother died defending Thebes and the other died betraying it. Creon’s law keeps anyone from burying the traitor and Antigone is set on contravening this. Conversely, Ibsen’s playwright, A Doll’s House, is a story about an intelligent woman, Nora, who is misunderstood by her husband, Torvald. She takes desperate measures to keep her family intact but in the end wines up going out on her own. As the stories progress the both Nora’s and Antigone’s characteristics become very similar in that they are both rebellious, are subservient to male jurisdiction, and are resolute and strong-willed in their decision.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
Zeus fears Athena because he sees himself in her. Zeus overthrown his father and rules all mortals and immortals. Zeus is afraid that history will repeat itself with his future son overthrowing him. “For Metis was destined to bear exceptional children: first, the keen-eyed maiden Athena, Tritogeneia, the equal of her father in might and good counsel, and then she was to give birth to a son of indomitable spirit who would become the king of both gods and mortals”. Athena is almost as strong and wise as her father. Even in the world of immortals a patriarchy is kept intact. It is essential for Athena to remain as a virgin because the expectations for a woman even a goddess is different than from men. Women should be pure like a virgin.
Throughout the texts we have read in English thus far have been feminist issues. Such issues range from how the author published the book to direct, open statements concerning feminist matters. The different ways to present feminist issues is even directly spoken of in one of the essays we read and discussed. The less obvious of these feminist critiques is found buried within the texts, however, and must be read carefully to understand their full meaning- or to even see them.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
Her dad killed his dad and then her mom killed herself. Her father fled in sadness. She was left parentless and to be raised by her uncle Creon of Thebes. She has two younger brothers and one sister named Ismene. By reading the play you can tell how bold and determined she is. This shows that she is strong-willed. Most people portray her as a strong built women. The play happens in Thebes and is set after the war of Thebes ended. Antigone sees herself as her only person left. She lost her parents and brothers, now all she has left is she and her sister. She has to be strong, there is no other option! Creon and his friends see her as weak-willed and too frail to actually pose a threat. But the reality is even the prophet knows there is something about her that seems powerful. Antigone warned them that the Gods will not be happy with what’s happening, and the prophet agrees with her. I believe the reality is that she is indeed powerful and strong, but she is also underestimated by her enemies. She is the one that stirs up the pot for our plot by trying to plan a secret burial for her brother so she is the reason we have a moving