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Fairy tales and traditional gender roles
The effect of fairy tales on human development
Fairy tales and traditional gender roles
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Pu chai
Professor Daniels
English 1001
Fairy tales and Feminism
In Feminism and Fairy Tales, Karen E. Rowe asserts that “popular folktales” have “shaped our romantic expectations” and “illuminate psychic ambiguities which often confound contemporary women.” She believes that “portrayals of adolescent waiting and dreaming, patterns of double enchantment, and romanticizations of marriage contribute to the potency of fairy tales” makes “many readers discount obvious fantasy elements and fall prey to more subtle paradigms through identification with the heroine.” As a result, Karen Rowe contends “subconsciously women may transfer from fairy tales into real life cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues suggest that culture’s very survival depends upon a woman’s acceptance of roles which relegate her to motherhood and domesticity.” It is undeniable that numerous folk tales implant male chauvinism into women’s minds and thus convey an idea that woman should obey and depend on men. However, Rowe neglects the aspect that many other folk tales, on the contrary, disclose the evil and vulnerable sides of man and marriage and thus encourage women to rely on their own intelligence and courage other than subordinating to man. The Fairy tales “Beauty and Beast” and “Fowler’s Fowl” challenge Rowe’s thesis to some extent and exemplify that some fairy tales motivate women to be intelligent and courageous and to challenge patriarchy.
In the fairy tale “Beauty and the Beast”, Beauty rescues the Beast and her family with brilliant morality and arduous efforts. Rowe merely focuses on the oedipal complex between Beauty and her father, so she overlooks Beauty’s persistent character and a...
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...nd great intelligence. Both in “The Beauty and the Beast” and “Fowler’s Fowl”, men do not play the part of redeemer as women expected in fairy tales. On the contrary, the female protagonists who are brilliant and persistent acquire happiness. These similar kinds of fairy tales thus admonish women for relying on men and marriage by taking risks with their future. Women should believe in their own abilities and strive to achieve a wonderful future.
Works Cited
Rowe Karen. “Feminism and Fairy Tales.” Folk & Fairy Tales. Matin Hallett and Barbrar Karasek. Canada: Library and Archives Canada Cataloguing in Publication, 2009. 342-358. Print.
Leprince de Beaumon. “Beauty and the Beast.” Folk & Fairy Tales. Matin Hallett and Barbrar Karasek. Canada: Library and Archives Canada Cataloguing in Publication, 2009.
171-180. Print.
Sperry, Lori B., and Liz Grauerholz. "The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children's Fairy Tales." Gender and Society 17.5 (2003): 711-26. JSTOR. Web. 4 July 2015.
De Beaumont, Jeanne-Marie LePrince. “Beauty and the Beast.” The Classic Fairy Tales. Ed. Maria Tatar. New York: Norton, 1999. 32-42.
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Haase, Donald. “Feminist Fairy-Tale Scholarship: A Critical Survey and Bibliography.” Marvels & Tales, vol. 14, no. 1, 2000, pp. 15–63.
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While some scholars believe traditional fairy and folk tales portray a message of female and male equality, Marcia Lieberman argues against this frame of mind. Lieberman suggests the portrayal of male and female characters in fairy tales result in the prevalent negative sexual stereotypes associated with the role of men and women in society. These sexual stereotypes act as a limit to the extent a certain sex can achieve and succeed. In relation to the process in which “children are socialized or culturally conditioned by movies and television programs” (Paragraph 3), Lieberman explains the similar effect of fairy tales: these fairy tales “have been made the repositories of the dreams, hopes, and fantasies of generations of girls” (Paragraph 4). The author introduces her argument by upbraiding the association of certain character traits with appearances.
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