Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender roles and relationships in classical mythology
Gender roles and relationships in classical mythology
Reading on antigone the character
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Zeus fears Athena because he sees himself in her. Zeus overthrown his father and rules all mortals and immortals. Zeus is afraid that history will repeat itself with his future son overthrowing him. “For Metis was destined to bear exceptional children: first, the keen-eyed maiden Athena, Tritogeneia, the equal of her father in might and good counsel, and then she was to give birth to a son of indomitable spirit who would become the king of both gods and mortals”. Athena is almost as strong and wise as her father. Even in the world of immortals a patriarchy is kept intact. It is essential for Athena to remain as a virgin because the expectations for a woman even a goddess is different than from men. Women should be pure like a virgin.
I am a little confused with the birth of Athena. Another version of her birth is that she came out Zeus’ head and already wearing armors. This reminds me of budding, a form of asexual reproduction. Is this way of reproduction common in Greek/Roman myths? Since Athena came out from Zeus’ head I guess it explains her wisdom and strength because the brain controls it
…show more content…
Haemon is stubborn like Antigone but he lacks courage that Antigone has within. As a prince he has no power to make a change; as a son he is subordinates to his father; as Antigone’s fiancé he could not save her. Haemon could only threaten his father Creon with his life to save Antigone. When Haemon finds out that Antigone has killed herself, he plunged a sword into his body and ended his life. In a way it shows that Haemon even lacks the courage to live without her. Haemon is not brave enough to live knowing that he could not save her. The deaths in this play are executed in dominos effects; one death that leads to another. Sophocles did a fabulous job in closing this play with deaths because after all he was a
The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously.
...f civil disobedience causes a tragic domino effect. Antigone commits suicide. Haemon, who is Creon's son and Antigone's fiancé, is torn apart by grief and kills himself. Haemon's mother and Creon's wife, Eurydice, learns of her son's death. She becomes despondent and takes her own life: "She drove home to the heart with her own hand, once she learned her son was dead" (Antigone 1440-1441). Her words do end many things. The law is banished. Her brother is allowed to be buried, but now he is accompanied by three others.
Athena, the Greek goddess of both wisdom and war, is often considered the craftiest of all Olympian gods. She was born of a headache, and erupted from Zeus’ head fully armed and ready for battle. However, beside all this pomp, she is a rather caring, if war-loving, immortal. Throughout the entirety of The Odyssey she conveys an entirely platonic, almost motherly love for Odysseus. It is this that makes her significant character in Homer’s work. In The Odyssey, Athena is portrayed as a, if not the, major female figure throughout the entire epic poem. With her affection for Odysseus and her frequent appearances she plays a major role throughout the entire poem. Evidence of this integral role will be presented as proof of her importance to the story.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
Athena was a goddess of war who preferred peace to fighting (Lies 47). The deity was depicted in full wartime armor, including a helmet and spear. However, despite her rough accessories, Athena also showed off extreme femininity in her clothing as well as features (Buxton 79). Athena was Zeus’s favorite daughter. Zeus, the king of the gods, allowed her to dress in his Aegis (Lies 47).
He anxiously awaits the day when he can call Antigone his wife, but because she defies King Creon, she deprives him of that opportunity. At first, Haemon tries to be loyal to his father. He tells Creon that he supports his decision to execute Antigone. However, as the conversation continues, he reveals that the community members are starting to renounce Creon’s decision. As the pain of potentially losing his fiancé becomes too much, he also renounces his father’s decision, arguing that the Gods would not condone it. In an act against his father, Haemon hurries to the cave Antigone was exiled to, in hopes to save her, but instead finds her hanging from the veil she was supposed to wear on her wedding day. Instantly overwhelmed with grief, Haemon, “[bewails] the loss of his bride” (Sophocles 152). Similarly, to Ismene’s case, Haemon cannot picture himself living on Earth without Antigone by his side, and commits suicide. In Antigone’s desire to appease the Gods, she abandons her loved ones, and causes them great suffering. This could have been avoided has she not pursued her desire to bury
Throughout Antigone, Electra, and Medea, many double standards between men and women surface. These become obvious when one selects a hero from these plays, for upon choosing, then one must rationalize his or her choice. The question then arises as to what characteristics make up the hero. How does the character win fame? What exactly is excellent about that character? These questions must be answered in order to choose a hero in these Greek tragedies.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Antigone was caught and death was the price to pay as ordered by Creon, not to her surprise. Death to Antigone seemed wanted, it was the only thing left as honor for her. Haemon, the son of Creon and Antigone’s fiancé has enough respect for his father that he does not interfere with Creon's decision to put Antigone to death.
What makes the depiction between Athena and Aphrodite interesting is the different ways they are portrayed even sharing the similarity of being born strictly from male only. Athena from the all-powerful king of the gods Zeus and Aphrodite from Ouronos. Though they were both born from man alone, the content of these births caused Athena to be expressed in a more dignified, respected, and superior way. Hesiod’s recount of the births of Athena and Aphrodite in his Theogony reveals the source of Athena’s superiority. According to the Theogony, Ouranos’ genitals are thrown into the sea where they mix with the sea foam to result in Aphrodite (Hesiod 180-192). Aphrodite is said to be called, by Hesiod, “Philommedes, fond of a man’s genitals” ( Hesiod, 200-201). In contrast, Hesiod writes that Athena is born from Zeus’ head (Hesiod 924) after Zeus consumes her mother Metis, the goddess whose name means wisdom, for fear of her giving birth to someone who was destined to be his match in wisdom (Hesiod 894-900).
The goddess Athena intrigues and fascinates readers, compelling an in depth look at the role which she plays within Homers, Odyssey. Throughout the epic poem Athena is depicted as a strong leading voice who aids in helping the development of maturity within Odysseus’s son Telemachus. From persuading Telemachus to hold an assembly, debate what to do about his mother’s suitors, and consider the matter of his father, Odysseus, Athena begins a slow accession into a guiding or mentoring role of Telemachus.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Athena’s birth had some impact on society, although, nobody is completely knowledgeable on exactly how she was born. The only constant to the story is that Zeus, her father, had a headache. She then burst from his skull full grown and complete with armor. The story is also told with a brother of Athena, Hephaestus, sees Zeus in pain and splits his head open with an axe (Tuccinardi). She is sometimes said to have no mother, which isn’t true according to other sources. Her mother could have also been Metis. Before Zeus married Hera he was involved with Metis. It’s unclear whether they were married or not. Zeus had to swallow Metis according to a prophecy that she’d bear a son who would overthrow him, then head a headache (Atsma). Her birth shows no matter who her parents were, she was still a successful goddess. Athena ...
A woman who rebelled against a distinctively patriarchal, male-dominated Greek society. A woman who defied the orders of the King to follow her heart. A woman who acted in accordance with her sense of right and wrong. A woman with great reverence for relationships and an even greater allegiance towards family values. Such a woman deserves applause. A rebel. A legend. An example. A woman. Antigone.
Athena and ares often get confused with each other. This is mostly because the have two major things in common. They are both children of zeus, They are both gods of war.