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Hamlet emotions in the play
The emotions of hamlet
Hamlet and the theme of death
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The fear of life after death is a major obstacle for Hamlet represented in his soliloquy found in Act 3, Scene 1 of William Shakespeare's Hamlet. Shakespeare uses Hamlet's soliloquy to clue the readers in on Hamlets emotional state by using connotations and painting images to set the tone; thus, helping to further the understanding of Hamlet's rambling thoughts, and how they contribute to his fear of life after death. At the beginning of Hamlet's soliloquy, Hamlet is contemplating suicide rather than suffering through life on earth, "To be, or not to be?" One of the most famous lines written shows Hamlets struggle with the decision of life or death. Hamlet's depressing tone is carried through the whole essay but in certain parts he manages to maintain a bit of optimism, "To die, to sleep – No more – and by a sleep to say we end the heartache and the thousand natural shocks that flesh is to heir to -" Hamlet expresses that dying is just a sleep that ends all heartache that life on earth has to offer. If these assumptions were true then everybody should wish to achieve this, everybody should want to end their suffering by taking action and ending their own life. If dying …show more content…
It exemplifies all the wonders a person may have about the afterlife and how these wonders contribute to one's state of mind causing them to be cowards, always afraid of what will happen next. At the end of the soliloquy Hamlet is able to sum up the point he is trying to get across that people must take actions to see results and not be too afraid of what is to come. The fear of the unknown and what is to come in life after death causes people to avoid carrying out actions. Actions meant to be carried often get misdirected and stop being actions at
...r. Hamlet speaks to Horatio quietly, almost serenely, with the unexultant calm which characterizes the end of the long, inner struggle of grief. He has looked at the face of death in his father’s ghost, he has now endured death and loss in all the human beings he has loved, and he now accepts those losses as an inevitable part of his own condition. “He states, “The readiness is all” suggesting what is perhaps the last and most difficult task of mourning, his own readiness to die” (Bloom 135). Hamlet recognizes and accepts his own death.
From the appearance of the Ghost at the start of the play to its bloody conclusion, Hamlet is pervaded with the notion of death. What better site for a comic interlude than a graveyard? However, this scene is not merely a bit of comic relief. Hamlet's encounter with the gravedigger serves as a forum for Shakespeare to elaborate on the nature of death and as a turning point in Hamlet's character. The structure and changing mood of the encounter serve to move Hamlet and the audience closer to the realization that death is inevitable and universal.
The soliloquy that appears in Act 3 Scene 1 of Shakespeare’s Hamlet is easily one of the most popular speeches in English literature. It has been referenced to in Star Trek, Calvin and Hobbes and A Nightmare on Elm Street. However, this speech was not intended to be a lighthearted reference as indicated by Hamlet’s contemplative, philosophical, and bitter tones he uses while questioning the nature of life and death in this soliloquy.
Hamlet as a Living Death in the Midst of Life in Hamlet by Wlliam Shakespeare
Fear plays an important role in Shakespeare's tragic play, Hamlet. Within the play, the main character, Hamlet, attempts to overcome his fear and fulfill his father's revenge. Hamlet's apprehension toward death prevents him from carrying out the murder of Claudius. Although confrontation with death is avoided for as long as possible, Hamlet comes to recognize his weakness, and faces this anxiety.
In act 3, Hamlet questions the unbearable pain of life and views death through the metaphor of sleep. "To be or not to be: that is the question: / whether 'tis nobler in the mind to suffer / the slings and arrows of outrageous fortune, or to take arms against a sea of troubles / and, by opposing end them. To die, to sleep / no more" (3.1.64-68), details which bring up new thoughts about what happens in the after life. Thus, Hamlet contemplates suicide, but his lacking knowledge about what awaits him in the afterworld causes him to question what death will bring. For example he states, "The undiscovered country, from whose bourn / no traveler returns, puzzles the will / and makes us rather bear those ills we have / than fly to others that we know not of" (3.1.87-90), again revealing his growing concern with "Truth" and his need for certainty. Once again, death appears in act 4 with the suicide of Ophelia, the demand for Hamlet's execution and the gravedigger scene. All of these situations tie back with how death is all around Hamlet and feeds his obsession with it. Finally in act 5, Hamlet meets his own death, as his obsession to know leads to the death of himself.
Hamlet gives us seven soliloquies, all centered on the most important existential themes: the emptiness of existence, suicide, death, suffering, action, a fear of death which puts off the most momentous decisions, the fear of the beyond, the degradation of the flesh, the triumph of vice over virtue, the pride and hypocrisy of human beings, and the difficulty of acting under the weight of a thought 'which makes cowards of us all'. He offers us also, in the last act, some remarks made in conversation with Horatio in the cemetery which it is suitable to place in the same context as the soliloquies because the themes of life and death in general and his attitude when confronted by his own death have been with him constantly. Four of his seven soliloquies deserve our special attention: 'O that this too sullied flesh would melt', 'O what a rogue and peasant slave am I!', 'To be, or not to be, that is the question', and 'How all occasions do inform against me'.
Hamlet’s Concern with Death In Hamlet’s first soliloquy (ll. 1.2.129-159) , Shakespeare uses a biblical lexicon, apostrophes, and depictions of corporeal decay to show Hamlet’s preoccupation with the fate of a person after death.
In Hamlet, Hamlet wants to avenge his father’s death, but wonders whether the struggle of living and carrying through with his plans is worth the hardships, or if death is a better option. Shakespeare writes a soliloquy where Hamlet discusses with himself whether he should live or die. Shakespeare discusses the idea of suicide through metaphors, rhetorical questions, and repetition until Hamlet decides that he is too afraid of death to commit suicide.
After a death, we find ways to overcome grief in this painful world. Some people binge eat their way out while others find the easy way out, which is suicide. In the play Hamlet, Shakespeare portrays mortality in the image of death and suicide. Shakespeare develops Hamlet as a man who is sensitive and uncontrolled by his actions. Hamlet faces challenges that mess with his subconscious, making him feel vulnerable to making decisions that will affect his life.
In this soliloquy, Shakespeare strikes a chord with a fundamental human concern: the validity and worthiness of life. Would it not be easier for us to simply enter a never-ending sleep when we find ourselves facing the daunting problems of life than to "suffer the slings and arrows of outrageous fortune"? However, it is perhaps because we do not know what this endless sleep entails that humans usually opt against suicide. "For in that sleep of death what dreams may come / When we have shuffled off this mortal coil / Must give us pause. " Shakespeare seems to understand this dilemma through his character Hamlet, and thus the phrase "To be, or not to be" has been immortalized; indeed, it has pervaded our culture to such a remarkable extent that it has been referenced countless times in movies, television, and the media.
Even though one of Hamlet’s main traits is viciousness, he appears to ultimately be ruled by fear. His fear bleeds into his thought process, dictating what he does—and does not—do. Frustrated, he contemplates suicide, questioning whether “to be or not to be,” and hopes that “all [his] sins [will be] remembered” (3.1.64-98). Again, Hamlet is paralyzed by fear. In this case, he relinquishes the thought when he considers what may happen to himself after he dies.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
It is futile exercise the option of suicide if it that is going to lead to profound miseries after death. Another situation of dilemma ‘to be or not to be’ sprouts forthwith in the plot. That is relating to the nature of death. Hamlet tries to provide answer to this question relating to death on which philosophers, wise-men and intellectuals must have penned millions of pages without arriving at the conclusive answer. Hamlet articulates, “To sleep: perchance to dream:—ay there’s the rub; / For in that sleep of death what dreams may come” (III.i. p.53).
In his most famous soliloquy, Hamlet ponders whether he should take action against his "sea of troubles" and seek revenge for his father's death or live with the pain of his father's murder. Hamlet's weakness is later illustrated when he passes up the opportunity to kill Claudius by rationalizing that he has made peace with God, therefore sending him to Heaven if he were to be slain. In addition to his proposal of vengeance, he also contemplates whether it is better to stay alive or commit suicide. "To die, to sleep--/No more--and by a sleep to say we end/The heartache and the thousand natural shocks/That flash is heir to--'tis a consummation/Devoutly to be wished" (III,i,68-71). If he were to sleep, he feels that all his troubles would vanish, and this would not be such a bad thing. However, he says that if he were to sleep, he might have disturbing dreams while in slumber which would be wholly undesirable. Hamlet knows that what he wishes to do to his uncle is sinful and wrong, but it is this train of thought that leaves him in a state of anxiety. This soliloquy portrays Hamlet as a sort of coward because he can not act upon his own emotions and desires. In order to escape his heartache, he cowardly thinks about killing himself. Nevertheless, Hamlet's resolve makes a dramatic turn by the time he recites his soliloquy of Act IV, Scene iv.