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Ophelia vs hamlet compare and contrast
Characterisation in hamlet
Characterisation in hamlet
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After the deaths of their respective fathers, both Hamlet and Ophelia from Shakespeare’s Hamlet are virtually consumed with grief. Hamlet was engulfed in thoughts of vengeance, while Ophelia’s sense of mental wellbeing dissipated. Though the circumstances around the deaths of their fathers were relatively similar, the contrasting manners in which they handled their grief imply a distinctive difference between Hamlet and Ophelia’s personalities and reveal their departure from traditional gender customs. To begin with, Hamlet’s grief manifested as the ghost of his recently passed father, who proceeds to tell Hamlet a tale of betrayal on the part of Hamlet’s uncle Claudius, which ultimately resulted in Hamlet Sr.’s death. The ghost is already …show more content…
Claudius’ challenge of Hamlet’s manhood enrages him further, bolstering his resolve to kill him. Incidentally, multiple opportunities present themselves, such as when Claudius has his back turned while on his knees praying. Hamlet is poised to take his life, but hesitates, thinking “now might I do it pat, now he is praying...villain send to heaven.” (3.3.77-83). Under the guise of not wanting to kill Claudius while he is repenting— lest he be spared from an eternity in hell—Hamlet falters. Even though one of Hamlet’s main traits is viciousness, he appears to ultimately be ruled by fear. His fear bleeds into his thought process, dictating what he does—and does not—do. Frustrated, he contemplates suicide, questioning whether “to be or not to be,” and hopes that “all [his] sins [will be] remembered” (3.1.64-98). Again, Hamlet is paralyzed by fear. In this case, he relinquishes the thought when he considers what may happen to himself after he dies. Hamlet’s inability to take any course of action at all further disheartens him, and even compels him to question his own manhood. This is also seen later in Ophelia’s grief, where she also disregards the traditional gender roles her dearly departed father ingrained in
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
In the playwright Hamlet by William Shakespeare, there are many characters that change throughout the play. For example, Hamlet is one of the characters who changed a lot throughout the play. Hamlet changes a lot because at first, Hamlet was depressed then became suicidal and in the end, Hamlet wanted revenge. However, Ophelia is also a character that changes throughout the play. In my opinion, I believe that Ophelia’s change throughout the play is the most important because Ophelia was obedient at first, then she became depressed and lastly, she became insane.
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
Ophelia was driven mad by the death of her father Polonius and how Hamlet betrayed her love with his own wave of madness which was just an act. In her madness, Ophelia talks about her father and his death and about the “Tricks in the world” (terrible things that happen to people). Ophelia’s madness was also the extent of her being used by her father so he could spy on Hamlet to see if he was truly crazy and then by Hamlet when he claimed he no longer loved her and that he didn’t send her any letters (remembrances). Ophelia’s speech and her fragments of songs are unsensible. Her song was about her father’s death “He is gone, He is gone” (4.5.220), and a maiden who is tricked into losing her virginity with a false promise of love and the possibility of marriage. “To be your valentine, then up he rose and donned his clothes and duped the chamber door” (4.5.56-58)
to predict how they will treat other women in their life. Hamlet is a good
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
Hamlet is scared because he does not know what happens after you die. He is not afraid to die, but he will not kill himself because he is afraid that he will go to hell. In act 3 scene 3, Hamlet shows his belief in the bible by not killing his father while he is in prayer. He says,
Hamlet provides his own self-torture and does fall victim to melancholia and grief - his madness is feigned. They each share a common connection: the loss of a parental figure. Hamlet loses his father as a result of a horrible murder, as does Ophelia. Her situation is more severe because it is her lover who murders her father and all of her hopes for her future as well. Ultimately, it is also more detrimental to her character and causes her melancholy and grief to quickly turn to irretrievable madness.
In the prayer scene, Hamlet misses his best opportunity to kill Claudius and avenge his father’s death. With no guards around, Claudius is alone and he is unaware that Hamlet is lurking in the shadows. The scene is set for Hamlet to take vengeance for his father’s unsettled spirit. However, Hamlet does not kill him, because Claudius is repenting for his sins, allowing him to go to heaven when he is to die. As one’s religion often dictated the afterlife of one’s soul, King Hamlet is doomed to an eternity in purgatory. Hamlet does not feel it is fair for Claudius to go to heaven, while his father is at unrest, so he decides instead to kill Claudius while he is doing something sinful. This is ironic because Claudius says he is not really praying; he is just going through the ...
Sweet and innocent, faithful and obedient, Ophelia is the truly tragic figure in William Shakespeare's Hamlet. "Her nature invites us to pity her misfortune caused not by any of her own self-initiated deeds or strategies"(Lidz 138). Laertes tells us convincingly how young and vulnerable Ophelia is, (act I. iii.10) likening her budding womanhood's destruction from Hamlet to a process as "the canker galls the infants of the spring,/ Too oft before their buttons be disclosed, /And in the morn and liquid dew of youth / Contagious blastments are most imminent". "He advises her to stay away and she lovingly banters back, typically like a young teen, reminding him to act as he advises" (Campbell 104). We then learn more of how pure and innocent she is as her father counsels her (Act I.iii.90). Telling her that she is a "green girl" and to think of herself as "a baby" in this matter, he insists that she must stop seeing him.
Queen Gertrude, Hamlet's mother, is in some ways the epicentre around which Hamlet's emotions revolve. Her role is difficult to determine; she can be seen, like Desdemona, as the passive victim of male ambition and strife, or she can be placed amongst the likes of Lady Macbeth as privy to her husband's misdeeds, and as sharing his guilt to an equal, if not greater extent. Her attitude to Ophelia seems positive ('Scattering flowers. Sweets to the sweet. Farewell. I hop'd thou shouldst have been my Hamlet's wife'; V.1.236). Her most vital scene is III.4, in which Hamlet attempts to extract a confession from her, and to persuade her to renounce Claudius. Modern productions regularly home in on the Freudian potential by locating this key encounter between mother and son in the former's bedroom. It takes place in her closet.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Hamlet is a true shakespearean tragedy, and characters spiraling into madness is not uncommon. One of the few female characters in the play is Ophelia, and throughout the play she slowly becomes more and more mad. Ophelia first lost her brother, Laertes when he left for France, then she lost her father, Polonius when he was killed by Hamlet. She is then only left with Hamlet to talk to, but Hamlet is acting strangely towards her. She believes that Hamlet is supposed to be with her, but Hamlet thinks otherwise, so she now has lost another person she that she loved.
Many lessons can be taken from Ophelia's fall in William Shakespeare's play, Hamlet. Watching Ophelia go from a perfectly sane character to an absolutely insane, tragic one forces you to make realizations about life that affect the way that you live. Ophelia's transformation taught me couple of lessons. First it taught me that I should not become too attached to something, or put all of my eggs into one basket. Secondly Ophelia's transformation taught me that others people's remarks should be taken with a grain of salt sometimes.
Love is a dish best not to be reheated, as it bubbles and turns crusty on the edges, something no self respecting human being should ever try. Unfortunately, Ophelia did not get that memo. When Hamlet and Ophelia’s relationship came to a dramatic end, due to his development of “psychosis”, Ophelia, did not check out. Instead, she chose to stay, but was it out of love, pity, or maybe a mix of both? Evidence points to the latter.