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Ophelia's character
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Overall Meaning and Significance of the scene:
Ophelia was driven mad by the death of her father Polonius and how Hamlet betrayed her love with his own wave of madness which was just an act. In her madness, Ophelia talks about her father and his death and about the “Tricks in the world” (terrible things that happen to people). Ophelia’s madness was also the extent of her being used by her father so he could spy on Hamlet to see if he was truly crazy and then by Hamlet when he claimed he no longer loved her and that he didn’t send her any letters (remembrances). Ophelia’s speech and her fragments of songs are unsensible. Her song was about her father’s death “He is gone, He is gone” (4.5.220), and a maiden who is tricked into losing her virginity with a false promise of love and the possibility of marriage. “To be your valentine, then up he rose and donned his clothes and duped the chamber door” (4.5.56-58)
Characterization:
Helena Bonham who played as Ophelia in the Zeffirelli version seemed crazy and amped up the act as a mad person. She a played wonderful Ophelia her hair was really wild, crazed and the makeup used made he face look like it was sunken in to create a “sick” outlook. Kate Winslet had a soft tethered look about her that would just make someone sad and feel sorry for her. Branagh vs. Zeffirell version of “Ophelia’s Madness” seemed bright, giving the audience a possible happy ending due to the lighting and how long the director took to get to the point of no return. So a person who’s supposedly mad should be calm in a situation deemed as mad is not better then Helen coming at the Queen Gertrude played by Glen close who was absolutely petrified when Helen said “Where is the beauteous Majesty of Denmark?” (4.5.26...
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...aptured the better version of “Ophelia’s madness” because of the lighting effects when Helena was being hysterical the screen usually darker while Branagh’s version was always bright (seemingly white throughout the whole movie). Having a darker and gloomier feel got me to believe that she was really insane and not just someone we should feel sorry for. Ophelia’s madness is expressed physically again when Carter hands out flowers to the members of the court. Zeffirelli chooses to have Ophelia distribute real flowers. Carter’s Ophelia has a madness that is real and tangible shocking reaction to a truth she cannot entirely handle. Kate Winslets madness is more of someone else’s doing and no one can escape (blaming everyone and if Hamlet was there then maybe she would gave him all the flowers instead of passing them around) when Winslet hands out her imaginary bouquet.
Ophelia’s mental strength quickly dissipates due to multiple happenings in the play. The man that she once thought she was in love with kills her father, driving her into the dark abyss of grief. She begins to fall into madness, “...speaks things in doubt /That carry but half sense /Her speech is nothing” (3.3.7-8). She begins to jabber on about nonsense. She loses her ability to think, “...poor Ophelia /Divided from herself and her fair judgment” (4.5.91-92). Others see her as an emotional wreck, falling farther and farther into insanity. She finally can’t take it anymore, so she ends her own life, “As we have warranty. Her death was doubtful” (5.1.234). Others saw Ophelia in a dark light, saying that she took her own life, and that she did not deserve a nobel burial. Ophelia was driven into mania by a combination of negative things, that in the end, lead to her taking her own
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
1. Plays have foils to help the audience understand important characters in the play. Foils are minor characters that have similarities and differences with a more important character in the play. Sometimes the minor character is just there for the character to talk to; this is the basis for being a foil. In the play "Hamlet," [Titles] by William Shakespeare, the character Ophelia is a foil to Hamlet.
Not all of Showalter's points are relevant to the film, though. It is not possible to trace the historical representation of Ophelia in the movie because there is only one portrayal, but it is entirely possible to use Showalter's references about the association between female insanity and sexuality to interpret the film. If applied to Branagh's movie, this theme, as well as Showalter's ideas about the link between Ophelia's representation in psychiatric theory and popular culture, bring feminist insight to the film.... ... middle of paper ... ...
...sign, lighting, casting, and costumes in the to be or not to be scene and Ophelia’s madness scene. His specific use of having the setting of the to be or not to be scene in the family mortuary made the atmosphere dark, and suspenseful which added intensity to Hamlet’s soliloquy. The lighting used in that scene also allowed the audience to see the blunt contrast between good and evil, making the scene more dramatic. Additionally, casting Helena Bonham Carter as Ophelia made Ophelia’s insanity more believable because of her innocent features in her madness scene. Moreover, the costumes worn by the characters in the movie were more historically accurate for that time period and allowed the audience to see why each character behaved the way they did. All these different components of the film added to create a very effective interpretation of the famous play, Hamlet.
The causes of Ophelia's decent into madness start long before she is raving and signing rude songs. It is a madness brought of mistreatment; a mistreatment that started with her father. Upon first hearing of Hamlet's affection for her Polonius is very dismissive of it. He even tells her not to waste her time with him as a result "I would not, in plain terms, from this time forth Have you so slander any moment leisure As to give words or talk with the Lord Hamlet." (Shakespeare & Bevington, 2009, pp. P1105 L133-135) This is given as an order, which Ophelia says she will obey. The earlier exchange is quite dismissive of the affection between Ophelia and Hamlet, despite her defending it in terms of Hamlet having shown that love both in words and gifts and the defense of him courting her in an honorable fashion. Polonius is again quick to dismiss his daughter's view of the world saying "Affection? Pooh! you speak like a green ...
Melancholy, grief, and madness pervade Shakespeare's great tragedy, Hamlet. The emotional maladies presented within Hamlet, not only allow the audience to sympathize with prince Hamlet, but also with the tragic lady Ophelia as well. It is Ophelia who suffers at her lover's discretion because of decisions she was obligated to make on behalf of her weak societal position.
Ophelia trusts the advise given and her obedience is very evident in this matter as she avoids contact with Hamlet until she is told by her father, with the King and Queens approval, to meet up with him by 'accident' in the lobby. Deceit not being in her nature, believing that her father, the king and queen are right and true; that Hamlet is mad; and probably curious to know if Hamlet is "mad in love" with her the young, obedient, powerless Ophelia does her part to search out the truth. But tragically this one forced step outside of her true character begins her downfall. In a precarious predicament, loyalty to her father compelled Ophelia to lie to Hamlet when he asked about her father?s location at that moment saying he was at home instead of behind a tapestry right the...
In the discussion of Ophelia's character, her madness is almost always at the center of controversy. Showalter recognizes and explains many interpretations of her madness. Ophelia's madness is, by some, attributed to "a predictable outcome of erotomania" (225). This term "erotomania" was what the Elizabethans referred to as "female love-melancholy." Yet another interpretation is that of the "Romantic Ophelia," in which she is referred to as "a young girl passionately and visibly driven to picturesque madness" (228). Later, it is explained what is meant by this definition when Showalter writes about how people viewed Ophelia as a woman who "felt" too much and somehow allowed these feelings to overcome her. This type of action would drive a person to madness, just as Ophelia is driven into her madness. This conclusion would seem to suggest that her madness stemmed from some sort of erotic passion between herself and Hamlet. This is the type of interpretation that is given to the audience in many movie versioesult of erotomania. Elaine Showalter creates an argument that is predominantly based on the idea that Ophelia's madness is one that comes from her "female love-melancholy."
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
In William Shakespeare's Hamlet, a kind of madness ultimately infects everyone, leading to an ending in which almost every major character is dead. Two of these maddened characters are Hamlet and Ophelia, who also share a love for each other. But though their irrational behavior is often similar and their fates alike, one is truly mad while the other is not.
The complicate love lives of Ophelia and Hamlet drive them to the result of insanity. Being that the two are fairly young, the obstacles they go through could drive anyone to insanity. Contrarily, Ophelia and Hamlet’s mental state have the ability to be contracted by Ophelia’s insanity, Hamlet’s insanity and their combined mental states helped with the development of the plot.
Ophelia's insanity is driven by the fact that she has basically been cut out of Hamlet's life. " Like sweet bells jangled, out of time and harsh,/ That unmatched form and feature of blown youth/ Blasted with ecstasy" (III.i. 158-160).Her role as an "innocent lady" is to complete the picture of faithfulness and obedience. Without Hamlet, it is difficult for Ophelia to fulfill her role. Ophelia is completely pushed over the edge whe...