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Representation of women in Hardys novels
Representation of women in Hardys novels
Thomas Hardy and the role of women
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Compromising Female Characters in Far From the Madding Crowd, Tess of the d’Urbervilles and Jude the Obscure
The novels of Thomas Hardy are intricate and complicated works whose plots seem to be completely planned before the first word is ever actually formed on paper. Though I have no proof of Hardy’s method of writing, it is clear that he focuses more on plot development than characterization in the novels Far From the Madding Crowd, Tess of the d’Urbervilles and Jude the Obscure. The advantages of this can be easily seen in the clever twists and turns that occur in the novel which hold the reader’s interest. But the main reason Hardy uses this method, especially in the tragedies Tess and Jude, is to present a moral argument to the reader through actions done by and to the main characters of the novels. By mapping out the turning points ahead of time, Hardy is able to control the course of his writings, and they emerge as a social criticism. But in doing this, the characters are condemned to a literary predestination. Hardy concentrates more on forcing the characters to carry out these actions than allowing their personalities to become fully and freely developed. Females perform most of the necessary but unlikely actions, and Hardy blames any erratic behavior on woman’s natural inconsistency. Thus, in reaching for a high literary purpose Hardy inadvertently stunts the development of the main female characters.
Jude the Obscure is designed to show the faults and repercussions of religious and social conventions, with an emphasis on marriage. According to Hardy, short-lived impulses cause people to marry, which binds couples together until their deaths. When these feelings of affection fade, they must live together i...
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...nally draw the attention of a man she has no desire to be with, he turns her character into a tease. She begins to be seen as a comic character and less respect is given to her. She is just another female character used to make the machinery of Hardy's novels function, and takes on a more mechanical and stereotypical countenance as a result.
Hardy's intentions are noble. He tries to show the reasons for giving more social freedom to everyone, females in particular, but compromises their characters in the process. The novels would benefit by far if there was a more spontaneous atmosphere and the characters were allowed free reign to develop unhindered, but the novels could result in the loss of such powerful moral messages. So, changing the characters could endanger the novels' importance in history, but would definitely improve the overall reading experience.
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The women in both Hardy’s Tess of the D’Urbervilles and Conrad’s Heart of Darkness are seemingly presented with traditional feminine qualities of inferiority, weakness and sexual objectification. However, the power that they hold in male-female relationships, and their embodiment of traditional male roles, contests the chauvinistic views of society during Conrad and Hardy’s era. While Conrad presents powerful female characters through their influences over men, the reversal of traditional gender roles is exemplified more by Hardy’s character, Tess, yet both authors present revolutionary ideas of feminism, and enlighten readers to challenge the patriarchal views of society towards women.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
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Tess D’Urberville, the protagonist of Tess of the D’Urbervilles, must ask herself this very important question as she navigates the complexity of her life. Although she must provide for her family by running errands, taking care of her younger siblings, and managing her unruly parents Tess is a product of her culture. She is unintentionally passive in dire situations – such as when she drifted into a reverie and killed the family horse, or when fell asleep and was raped. Tess is also a symbol of purity, innocence and fertility like many other women of the time. Although social stigmas and her immoral social status are hindering, Tess’s burdensome past is the problem that truly prevents her from escaping her fate and developing a sense of freedom even after her voluntary and involuntary attempts to reinvent herself.
Tess, the protagonist and heroine of Hardy's novel, becomes a victim of rape and in turn, her life grows to become degraded, humiliating and depressing; of which none of these things she deserves. Although initially striving to be heroic and providing for her family, (after she was responsible for the death of Prince) the position she takes on at the d'Urbervilles' ultimately leads to her death as she is raped and then pursued by her seducer Alec d'Urberville until she must murder him. This courageous yet dangerous decision to murder Alec epitomises her character as a heroine as she is brave enough to perform such a malicious act in order to kill her suffering at the root rather than being passive and perhaps choosing to take her own life instead.
The Victorian Age was a virtuous era, full of chaste women and hard-working men. As with any seemingly utopian society, there are the misfits: those who always seem to go against the grain. Hidden in the shadows of towns were bastardized babies and public outcasts. The flourishing literature of the era attacks the societal stereotypes and standards that make for such failures and devastating tragedies. In Tess of the d'Urbervilles, by Thomas Hardy, Tess Durbeyfield's initial loss of innocence brings her down to an insurmountable low, and the victorian society, of which she is a part, dooms her to a horrible fate with its "normal" shunning of her innocent misbehaviors. Tess' rapid downward spiral to her death is caused by the chauvinistic actions of the men in the story, solidified by society's loss of acceptance of Tess based on the actions taken against her, and brought to home by Tess' imminent doom to the rigid ways of the Victorian society.
Hardy, Thomas. “The Ruined Maid” Literature and the Writing Process. 9th ed. Eds. Elizabeth McMahan et al. Boston: Longman, 2011. 467 - 468. Print.
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Albert Einstein was one of the greatest geniuses of the twentieth century for many reasons. Mr. Einstein is famous in the world of physics for the theory of relativity. Mr. Einstein was, and still is thought of as a man of great intelligence, but there are many things that we still don’t know about his early life. Albert Einstein also received the Nobel Prize 2 times in his live. Even though he is often unnoted, Albert Einstein is considered a man of great intelligence because of his contribution to physics with e=mc2 and also because he had little to no longitudinal fissure, making it easier for him to think critically.
Hardy originated from a working class family. The son of a master mason, Hardy was slightly above that of his agricultural peers. Hardy’s examination of transition between classes is usually similar to that of D.H. Lawrence, that if you step outside your circle you will die. The ambitious lives of the characters within Hardy’s novels like Jude and Tess usually end fatally; as they attempt to break away from the constraints of their class, thus, depicting Hardy’s view upon the transition between classes. Hardy valued lower class morals and traditions, it is apparent through reading Tess that her struggles are evidently permeated through the social sufferings of the working class. A central theme running throughout Hardy’s novels is the decline of old families. It is said Hardy himself traced the Dorset Hardy’s lineage and found once they were of great i...
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