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Gender roles shaped in literature
Gender role in literature
Gender roles shaped in literature
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Explore Hardy’s representation of women in his collection of short
stories The Wessex Tales
Most of Hardy’s short stories, in his book ‘The Wessex Tales’, contain
references to females or contain female characters. This essay will
explore the author’s representation of females in, two of his short
stories, ‘The Distracted Preacher’ and ‘The Sons Veto’. These stories
were chosen because they contain two contrasting but similar female
characters. Hardy presents two women who show great loyalty and no
loyalty to their families, women of different social classes and women
of adventure and passion. The author presents these women differently
from the way women were perceived in that day of age.
In Hardy’s time, 1840 – 1928, women were treated differently from
those today. In the Victorian year’s women were the sex who suffered.
Women were stripped of opportunities. Women’s opportunities depended
on their social status. Women who were of the working class or the
lower class would be looked down upon by the upper class societies.
Women did not have the opportunity to make choices of their own,
instead it was the males choice. The males oppressed women in those
days. Women did not have the opportunity to vote in government
elections, work to earn a living and any earnings their husband’s made
could not be inherited when he died. Women did not have the
opportunity to attend school unless their family could afford it. This
only changed in 1890 when elementary education became free. Women in
these ages were the inferior sex. Although this is how women were
typically treated in the Victorian days, Hardy portrays women in a
different light. For example the women he portrays are not ‘‘normal’’,
they are more in con...
... middle of paper ...
...revious statement that Lizzy
is very loyal to her family if she will take a bullet for one of her
cousins.
Thomas Hardy’s collection of short stories ‘The Wessex Tales’
represents women in different ways. He represents an incapacitated
lady as a worse person than a woman who smuggles tubs of liquor. Hardy
surprises the reader by the way he represents his females because the
stereotype of a disabled woman does not fit what we read about Sophy.
Hardy also surprises the reader by making them grow close to a
criminal which is not expected either. Hardy represents females as the
oppressed sexes, who are constantly picked on whether it is about
their social class or the decisions they have made in life. Finally, I
think the author represented women who were different from other
females, females who have stories, but he did not represent them
unrealistically.
In the nineteenth century domestic, maternal women were considered the ideal. Several authors challenged this ideal while others glorified it and showed it as completely pragmatic. After all, who better to raise and feed the family than the one who is responsible for giving life to them? Louisa May Alcott shows her primary female figure in Transcendental Wild Oats, Hope Lamb, in a strong traditional female role. Hope is arguably the strongest character in the story and serves as an alternative to the typical modern feminist society promotes today. In Nathaniel Hawthorne's The Blithedale Romance, Zenobia is the heroine who to a great extend runs the commune. She is bold physically, spiritually and intellectually. She is very much different from Hope Lamb, but in many crucial ways, they are all too similar.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
There was a time (not so long ago) when a man's superiority and authority wasn't a question, but an accepted truth. In the two short stories, "Desiree's Baby", and "The Yellow Wallpaper", women are portrayed as weak creatures of vanity with shallow or absent personalities, who are dependent on men for their livelihood, and even their sanity. Without men, these women were absolutely helpless and useless. Their very existence hinged on absolute and unquestioning submission…alone, a woman is nothing.
Yellow Woman and the story of an hour by Kate Choplin have some feminist themes in common. Silko and Mrs. Mallard exhibited Characteristics that conflicted with their natural roles in life. They seemed to be confined by their marriage. With prospects of not being married again, they exhibited feelings of freedom and exhilaration instead of unhappiness.
In his stories the women were not portrayed as nice. Women were usually nagging and would fight with their husbands. Some critics felt that Irving took an anti-feminism approach to his writing. However some critic feel that The Legend of Sleepy Hollow shows importance of marriage. Some critics also argue the quality of his work. Some pieces of his work are considered remarkable. While other pieces of his work are considered not to be that good.
In the literary, Woman Hollering Creek by Sandra Cisneros we are able to analyze the short story through a feminist perspective, due to the feminist critical critical theory. A literary criticism has at least three primary purposes in developing critical thinking skills, enabling us to understand, analyze, and judgement works of literature, of any type of literature. It resolves any questions or problem within a literary work that we do not understand from merely reading the literature. Look into multiple alternative outcomes to the literature and decide which the better outcome in the end is. Form our own judgements, our thoughts about what we feel from the literature. By analyzing in depth Sandra Cisneros as an author, we can see her as
The aim of this essay is analyse women´s images in The Yellow Wallpaper and in The Awakening, since the two readings have become the focus of feminist controversy.
Comparing the Ways in Which Susan Hill and Thomas Hardy Present the Woman in Black and the Withered Arm
Shakespeare, Browning and Duffy all create four very similar characters female characters which are considered to be disturbed. This is due to the fact that they all went against the expectations of society in their respected eras. The speaker in ‘The Laboratory’ as well as Havisham and Medusa in Duffy’s monologues are all considered to be “disturbed” because of their common motives: jealousy and revenge. Despite these similarities, Lady Macbeth’s main motive is her hunger for power. This subverted expectations of females as they were supposed to be loyal to their male partners and shouldn’t want to take their power. In this essay I will talk about their desire for power and revenge, and why this has lead them to be portrayed in such a disturbed manner and how this goes against people’s expectations.
The author Henry James called Nathaniel Hawthorne “the most valuable example of American genius”, expressing the widely held belief that he was the most significant fiction writer of the antebellum period. (The Norton Anthology of American Literature) Will we recognize an example, a certain expository shape, to Hawthorne 's representation of the puritan woman, and to his depiction of relationships to a great extent? I think the answer is, decidedly, yes it is clearly distinguished, a few years prior, by Nina Baym in her hash-settling paper "Impeded Nature: Nathaniel Hawthorne as Feminist." Baym contends that a considerable lot of the stories we most esteem and regularly instruct make a managed examination out of and an effective assault upon-male
Throughout the Victorian era, women were expected to meet the standards set by communities and submit to the power of men. A woman’s duty was to be a partner to man, to comply with their authority and be physically submissive, even if mentally, they were unrestricted. Women who defied society’s normalities and refused to have restraints put upon them were often seen as recalcitrant and difficult by the public. In Charlotte Brontë's, Jane Eyre, Jane defies the expected role of a Victorian era woman, and shows that females do not have to comply to societal norms. This is shown through Jane's rebellion, denial of love, and rejection of St. John.
The Portrayal of Women in American Literature Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different way than a female author would. While F. Scott Fitzgerald may have represented his main female character as a victim in the 1920’s, Zora Neale Hurston portrays her as a strong, free-spirited, and independent woman only a decade later in the 1930’s. In F. Scott Fitzgerald's, The Great Gatsby, the main female character, Daisy Buchanan, is portrayed by, Nick, the narrator, only by her superficial qualities.
In John Mill 's’ essay, “The Subjection of Women”, Mill evaluates and analyses, the social differences between the sexes of the Victorian era. Mills raises some valid points about the subjection of women pertaining to the 19th century. Mills argues that during this time women are treated by their husbands as slaves to a master, not offered an equal opportunity in terms of employment, and their educational achievements aren’t recognized nearly as much as their male counterpart.
is one who has passed or is yet to be born as then she is able to
Fairclough (1992: 88) is of the view that “ideologies reside in texts” (p. 88). But it is noe necessary that the discourse would be interpreted in the same way as desired by the producers. Several interpretations can be made of a single piece of discourse. The ideological import may keep on changing with each new interpretation of discourse (Fairclough, 1992: 89).