Tess D’Urberville, the protagonist of Tess of the D’Urbervilles, must ask herself this very important question as she navigates the complexity of her life. Although she must provide for her family by running errands, taking care of her younger siblings, and managing her unruly parents Tess is a product of her culture. She is unintentionally passive in dire situations – such as when she drifted into a reverie and killed the family horse, or when fell asleep and was raped. Tess is also a symbol of purity, innocence and fertility like many other women of the time. Although social stigmas and her immoral social status are hindering, Tess’s burdensome past is the problem that truly prevents her from escaping her fate and developing a sense of freedom even after her voluntary and involuntary attempts to reinvent herself.
Tess was not always accustomed to changing her viewpoints and actions to free herself. After she was horribly raped, Tess confronts her neglectful mother that the rape would not have happened if only Tess “knew what to guard against” (82). At first Tess was unaware that she could control her fate, and she therefore suffers greatly for it. The rape incident took Tess’s purity and sense of self. Society condemns Tess for her rape, and she is consequently ostracized as a fallen woman. Already Tess feels like the “figure of Guilt intruding into the haunts of Innocence” (86).
The first time Tess defies society is when she attempts to restore her reputation and save her baby. It was believed that if a baby was not baptized and it would go to Hell. Wanting to save her child from its unfortunate fate Tess “set about baptizing her child”, an activity reserved for religious leaders (94). When her baby, baptized Sorrow dies, ...
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...and despair have been manifesting in Tess. In a climatic murderous fury, Tess kills Alec, the man who raped her and “tore her life all to pieces” (381). Tess, once a caged bird, appears to be free. But has Tess achieved true freedom? The narrator agrees that Tess has found true happiness in that she does not think of her past anymore because “why should we” (389).
Women who lived in this time period were expected to be pure, chaste, and innocent. When Tess is stripped of all of these attributes she fights to restore what was brazenly taken from her. Regardless of the amount of times she reinvents herself, society, social stigmas and her dark past prevent her from freeing herself of her burdens. However, when Tess realizes that she has the chance to change her fate, she actively changes herself into a strong, resilient woman – which ultimately leads to her demise.
By stoning Tessie, the villagers treat her as a scapegoat onto which they can project and repress their own temptations to rebel. The only person who shows their rebellious attitude is Tessie. She does not appear to ...
herself for Alec's wrongdoing, and how she is willing to kill herself. to save Angel's dignity. All this evidence leads us to the conclusion. that Tess is a natural victim, trodden by society every day. seemed more was expected of Tess and every day seemed to throw upon her young shoulders more and more of the world's burdens' (Chapter VI).
The community and her unsupportive parents’ cold treatment towards Tess following these events emphasize the hegemonic male perspective of society towards women. Furthermore, Hardy shows how women are seen by society through the male gaze as sexual objects, as Tess is blamed for Alec’s lack of self-control. He attempts to justify his cruel actions as he calls Tess a “temptress” and the “dear damned witch of Babylon” (Hardy 316), yet he later says that he has “come to tempt [her]” (340). Tess is also objectified by Alec when he says that if Tess is “any man’s wife [she] is [his]” (325). The narrator’s repeated sexualized descriptions of Tess, such as her “pouted-up deep red mouth” (39), further demonstrate how women are commonly seen through the male gaze in society.
This book shows the struggles that the main character, Precious Jones, has to go through after she was raped by her father twice. Not only is she raped, but her mother does nothing about it and just wants her to live with what ha...
At the beginning of the story, we see her desiring going to the lottery. She was laughing, joking, and encouraging her husband to go up and get a drawing when he didn’t move right away. She never would have suspected her family would be chosen, and furthermore, herself. Jackson creates a great contrast between Tessie’s nonchalance and the crowd’s nervousness (Yarmove). When her family is chosen, her character changes around knowing that there’s the possibility of her own death. Tessie’s character change is shocking, but falls into place with the holocaust. She symbolizes the human instinct of survival, and tries to offer up her own children and their families to lower her chances of death. In Yarmove’s analysis of Jackson’s work, he writes “It is the peevish last complaint of a hypocrite who has been hoisted by her own petard” to drive this thought home. The Nazis involved in the roundup of the ‘lesser’ people, alongside with whoever aided, did so because either they were naïve enough to believe they wouldn’t be killed themselves, or because they believed in the cause. Tessie symbolizes those who did so because they thought they wouldn’t be
Tess, the protagonist and heroine of Hardy's novel, becomes a victim of rape and in turn, her life grows to become degraded, humiliating and depressing; of which none of these things she deserves. Although initially striving to be heroic and providing for her family, (after she was responsible for the death of Prince) the position she takes on at the d'Urbervilles' ultimately leads to her death as she is raped and then pursued by her seducer Alec d'Urberville until she must murder him. This courageous yet dangerous decision to murder Alec epitomises her character as a heroine as she is brave enough to perform such a malicious act in order to kill her suffering at the root rather than being passive and perhaps choosing to take her own life instead.
The most surprising thing is that her members of her family participated in her death. The death of this poor woman shows that women in the society are not allowed to fight for their civil rights, and they do not have equal opportunity as men. Tessie’s death is an evidence of ill treatment that women go through in our societies. In this case, her murder does not just look like a normal murder but the murder of a woman fighting for her civil rights. Her husband, who in a real sense is expected to support fully his wife shouted at her when she raised her voice saying that the lottery was unfair, and this shows; he says, “Shut up, Tessie” (Jackson, 5). This shows how women are desperate, and their position in the society is not recognized. Women have no one on their side and more so someone who they can depend on not even their family members and their fellow women. Women in this society are not allowed to have any opinion on what their husbands had to say or rather have to say anything. The position of women in the society is to be loyal to their men and their
Films allow artists, writers, and actors to combine their talents into a visual narrative that instills essential lessons in the audience. Two such films, Nuestras Madres and La Llorona, tackle the complex subject of the genocide in Guatemala. Nuestras Madres follows a forensic anthropologist named Ernesto on his journey to uncover the truth surrounding his deceased father. In contrast, La Llorona follows the family of General Enrique Monteverde, a fictional representation of real-life dictator Efran Ros Montt, as they become cursed by a ghost from the general’s past. Together, they cover the aftermath of the conflict, exploring the situations of both the survivors and perpetrators.
Though it is well-known that rape is an awful experience for someone, people’s thoughts regarding the actual effects and negative results it produces do not go beyond this broad assumption of rape being a horrible action. Margaret Atwood recognizes this and takes a different approach on informing society about specific effects rape can have on an individual. Through her short story “Stone Mattress,” Atwood covers these topics in a subtle manner where the information better relates to the reader whereas bombarding them with it. Her topics confronting rape and its repercussion that seem to only affect the victim are the focal points of the story, but Atwood includes other elements of fiction to draw the reader in and captivate their attention.
The Victorian Age was a virtuous era, full of chaste women and hard-working men. As with any seemingly utopian society, there are the misfits: those who always seem to go against the grain. Hidden in the shadows of towns were bastardized babies and public outcasts. The flourishing literature of the era attacks the societal stereotypes and standards that make for such failures and devastating tragedies. In Tess of the d'Urbervilles, by Thomas Hardy, Tess Durbeyfield's initial loss of innocence brings her down to an insurmountable low, and the victorian society, of which she is a part, dooms her to a horrible fate with its "normal" shunning of her innocent misbehaviors. Tess' rapid downward spiral to her death is caused by the chauvinistic actions of the men in the story, solidified by society's loss of acceptance of Tess based on the actions taken against her, and brought to home by Tess' imminent doom to the rigid ways of the Victorian society.
Tess is a single mother due to the death of her late husband who still manages to keep her work life intact with her personal life. Although she is getting remarried, she was still the only one to look after her children. As a single parent, Tess learns to handle situations calmly especially when Anna and her brother bicker about minor issues. Freaky Friday portrays Tess breaking the stigma around single mothers as she is independent as well as financially and emotionally stable. However, since Tess had to provide for her family alone, she was unable to spend enough time with her children which made Anna feel as if Tess did not care for her. This lead to a lot of misunderstandings between Tess and Anna, which eventually allowed them to confront their
Injurious behavior reveals the evil in one’s heart. “For where envying and strife is, there is confusion and every evil work” (James 3:16). Jackson expresses Tess’s conduct in this way, “Suddenly, Tessie Hutchinson shouted to Mr. Summers. “You didn’t give him time enough to take any paper he wanted. I saw you. It wasn’t fair.” (Jackson, 1948, para. 45). This reminds us of the Jesus our substitute (scapegoat) who borne our sins and made full payment for the sins of humanity; just like Tess many of our lived a paradigm unruly behavior. The villagers begin to stone to death Tess for her injurious behavior. It’s crucial we are constantly reminded God gives self-control (Galatian 5:22-23). Raymond Westbrook and Theodore Lewis, both a teacher at John Hopkins University in Baltimore, MD and they put it in such a persuasive way, “scapegoat…involves two goats, one to be sacrificed as a sin offering and the other to be led out into the wilderness ”. Jackson and Lawrence express their story in such as way, the readers will understand the scapegoat is the substitute. The pure sin-offering is completely burnt, but the sullied scapegoat is sent to God alive
She has now found a new desire for life. However, without warning, the tone abruptly reverts back to its grief stricken “ horror.” As Mr. Mallard walks in the door, her thoughts, dreams, and aspirations, quickly fade away. Louise’s heart, so weak, simply stops and all bliss transfers into extreme heartache. The drastic changes of tone reveals that freedom can be given and taken from someone in a heartbeat and the heartache will always remain.
However her constant bad luck caused her to make bad judgements which then caused us the readers to believe it is fate. To conclude Tess’s innocent and beauty proved to do her no good and she was also unaware of her sexuality. Her lack of common knowledge and wanting from her also made her susceptible to other men.
Hardy’s novels are ultimately permeated upon his own examination of the contemporary world surrounding him, Tess’s life battles are ultimately foreshadowed by the condemnation of her working class background, which is uniquely explored throughout the text. The class struggles of her time are explored throughout her life in Marlott and the preconception of middle class ideals are challenged throughout Hardy’s exploration of the rural class. Tess of the D’Urbervilles revolves around Hardy’s views of Victorian social taboos and continues to be a greatly influential piece from a novelist who did not conform to the Victorian bourgeois standards of literature.