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Today’s society has changed monumentally within these last centuries. The differences in the way people dress, what people do for work and how nonchalant people are about their way of life. “The Ruined Maid” by Thomas Hardy is a great example of how things used to be in the eighteenth century; it shows how quickly things can change through two friends that happen to bump into each other. They start talking about their lives from when they were together and how things have changed. It is interesting because this woman mentions all the things that have changed with her friend. She is now more beautiful, but she is still considered “ruined.” WN Herbert calls it “a very jagged irony” (Ruined).
“The Ruined Maid” starts off with a fellow greeting between two friends. ““O 'Melia, my dear, this does everything crown! / Who could have supposed I should meet you in Town? / And whence such fair garments, such prosperi-ty?” — / “O didn't you know I'd been ruined?” said she” (Hardy). It was such a surprise and quite the coincidence that they had ran into each other. The friend starts to observe her “fair garments” (Hardy). I possess the tone as she does not like what she sees, as if she is giving off a disgusted vibe. Clare Pollard from BBC Arrows of Desire says, “To be called ruined at that time would be to suggest that morally you were sort of beyond the pale, that you were an outcast of society…she can only see the positives of her situation” (Hardy). To some extent I think we agree with each other. Pollard mentions that she, as in Amelia, can only see the positives of her situation. Amelia’s situation is that she is “ruined” (Hardy) and she can only see the positives while her friend gives off an un-pleasurable attitude. Pollard does not ...
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... If she wants to take a walk on the wild side, let her. Society changes in every moment that passes, whether we see it or not. This one woman that wants to be “ruined” (Hardy) is one change but eventually it becomes much more. That is the underlying analysis of this piece of writing.
Works Cited
11692, Michelle. "The Ruined Maid Analysis." The Word Press. Newtonian19, 26 Sept. 2012. Web. 09 Nov. 2013.
2.1. The Ruined Maid. Perf. WN Herbert, John Kinsella, and Clare Pollard. YouTube. BBC Arrows of Desire, 15 July 2010. Web. 07 Nov. 2013.
"The Ruined Maid Interview." Personal interview. 8 Nov. 2013.
Guz, Savannah S. "Understanding Thomas Hardy's The Ruined Maid." Suite101.com. Suite 101, 4 Nov. 2013. Web. 07 Nov. 2013.
Hardy, Thomas. “The Ruined Maid” Literature and the Writing Process. 9th ed. Eds. Elizabeth McMahan et al. Boston: Longman, 2011. 467 - 468. Print.
Ehrenreich. She discusses the history and origin of domestic workers and the challenges they face. This chapter discusses the roles, responsibilities, and difficulties of being a maid. Throughout the chapter Ehrenreich does extensive research on how to be a maid, witness the treatment they receive and discovers the reason why people go into this business.
Wershoven, Carol. "Insatiable Girls." Child Brides and Intruders. Bowling Green: Bowling Green State University Popular Press, 1993. 92-99. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 157. Detroit: Gale, 2005. Literature Resources from Gale. Web. 14 Jan. 2014.
The character Mrs. Wright is portrayed as a kind and gentle woman. She is also described as her opinion not being of importance in the marriage. It is stated by Mr. Hale that “ I didn’t know as what his wife wanted made much difference to John” .(745) Her neighbor, Mrs. Hale, depicts her as “She─come to think of it, she was kind of like a bird herself─real sweet and pretty, but kind of timid and─fluttery. How─she─did─change”. (752) It appears that Mrs. Wright is a kind and gentle woman, not capable of committing a murder. But, with the evidence provided and the description of Mr. Wright’s personality it can also be said that the audience will play on the sympathy card for Mrs. Wright. She appears to be caught in a domestic violence crime in which she is guilty of, but the audience will overlook the crime due to the nature of the circumstances. By using pathos it will create a feeling that Mrs. Wright was the one who was suffering in the marriage, and that she only did what she felt necessary at the
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Once a slave, Nanny tells of being raped by her master, an act from which Janie’s mother was brought into the world. With a
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In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
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The Bloody Chamber is a remake of the original fairytale Bluebeard; however Angela Carter rewrites the fairy tale using her feminist views to raise issues concerning roles in relationships and marriage, sexuality and corruption. Carter challenges the classic role of the male protagonist and the female victim; she does this by changing the stereotypes of the traditional fairy tale’s males as the saviours and females as the victims. She challenges the fairy tale’s traditional sex roles when she replaces the brother of the bride for the mother as the rescuer, “one hand on the reins of the rearing horse while the other clasped my fathers service revolver” this demonstrates to the reader that women are as strong as men, even stronger and can take on a expected man’s role and make it their own therefore challenging the stereotypical gender roles of Men. In addition to this as a feminist, Carter uses anti-essentialism to present that time, power and position are the details that makes a man act like he does and a woman like she does. This is revealed through the setting, France 1790’s, were men and women were not equal. The Marquis in this story is presented as a wealthy older man who has the ability to seduce and retrieve what he wants, “his world” this emphasizes the power he maintains and it gives him ownership not only of his wealth but the young bride and even possibly the...
The responsibilities held by a housewife had immense importance in her role in society. Women were responsible for preserving the boundaries of social and cultural life. When this process was disrupted, the authority and identity of the housewife were put into question, she could no longer control the processes needed to fulfill her role. Instead of admitting this loss of control, it may have been easier for the housewife to blame a witch, usually someone who had wronged her. (Starkey 24)
Mrs. Marian Forrester strikes readers as an appealing character with the way she shifts as a person from the start of the novel, A Lost Lady, to the end of it. She signifies just more than a women that is married to an old man who has worked in the train business. She innovated a new type of women that has transitioned from the old world to new world. She is sought out to be a caring, vibrant, graceful, and kind young lady but then shifts into a gold-digging, adulterous, deceitful lady from the way she is interpreted throughout the book through the eyes of Niel Herbert. The way that the reader is able to construe the Willa Cather on how Mr. and Mrs. Forrester fell in love is a concept that leads the reader to believe that it is merely psychological based. As Mrs. Forrester goes through her experiences such as the death of her husband, the affairs that she took part in with Frank Ellinger, and so on, the reader witnesses a shift in her mentally and internally. Mrs. Forrester becomes a much more complicated women to the extent in which she struggles to find who really is and that is a women that wants to find love and be fructuous in wealth. A women of a multitude of blemishes, as a leading character it can be argued that Mrs. Forrester signifies a lady that is ultimately lost in her path of personal transitioning. She becomes lost because she cannot withstand herself unless she is treated well by a wealthy male in which causes her to act unalike the person she truly is.
Defining the novel is a challenging prospect because the act of naming means to circumscribe a genre that defies rigid codes. The novel's elasticity and readiness to incorporate other genres makes it slippery and untidy; nevertheless, the novelness of a text allows us to recognize a novel and distinguish it from other genres. As readers, we approach the novel with the expectation that it will possess novelistic attributes and judge the novel on its ability to master these. With this focus in mind, this essay explores how the following features in Jane Austen's Persuasion contribute to (or persuade us as to) the novelness of the text: the extensive treatment of its characters, a sense of cohesion and continuity present in a work of long prose fiction, and a vivid portrayal of the social order on the micro-level of the domestic scenes of everyday.
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
Aubery Tanqueray, a self-made man, is a Widower at the age of Forty two with a beautiful teenage daughter, Ellean whom he seems very protective over. His deceased wife, the first Mrs. Tanqueray was "an iceberg," stiff, and assertive, alive as well as dead (13). She had ironically died of a fever "the only warmth, I believe, that ever came to that woman's body" (14). Now alone because his daughter is away at a nunnery he's found someone that can add a little life to his elite, high class existence; a little someone, we learn, that has a past that doesn't quite fit in with the rest of his friends.