Creating a questionnaire to measure fantasy orientation in children is rather an interesting task. We all have heard stories, believed in fairy god mothers, feared monsters and waited eagerly for the Santa. Have you ever wondered when we started distinguishing the reality from the fantasy and how stopping being a child influenced our growth. The purpose of the fantasy orientation questionnaire is to explore the same with the help of relevant literature and various scholarly researches. This essay starts with a critical discussion of what Fantasy orientation is, drawing significant points from various studies conducted on the matter. It continues to conduct an elaborate research with a group of 50 pre-school and kinder garden children aged 2 to 5. It presents arguments on how this questionnaire is relevant in measuring the fantasy orientation among children effectively than other methods.
Introduction
The ability to distinguish between what is fantasy and what is reality is one of the most basic human cognitive functions; it signifies an understanding of what is ‘real’ and ‘not real’. However there are certain individuals who are geared more towards a greater affinity for the imaginative and the creative. This affinity or gearing towards getting lost in fantasy or towards a high level of imagination is what is known as fantasy orientation, it is often seen as a measure of how much an individual sees themselves as discerning between reality and fantasy. Children have often observed the confusing boundary between reality and perception (Piaget 1930). Dawkins (1995) held that children don’t only confuse fantasy and perception but the tangible and intangible, drams and reality since a very young age. This influence of children’s perc...
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...Research Digest. Retrieved 17th April from the Research Digest Website: http://bps-research-digest.blogspot.in/2011/08/fantasy-prone-children-struggle-to.html
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Imagination and reality are often viewed as opposites. People are told to stop playing pretend and to face reality like an adult. However, in Alison Gopnik’s short story, “Possible Worlds: Why Do Children Pretend,” she discusses counterfactuals and how humans of all ages experience these counterfactuals. Gopnik’s definition of a counterfactual is the product of hope and imagination, also known as the woulda-coulda-shouldas of life. These counterfactuals include all the possible scenarios that could have happened in the past and all that could happen in the future. Scientists have proven that knowledge and imagination go hand in hand and without imagination, pretend, and fantasy there would be no science or opportunity for change. In the text, Gopnik explains how even babies are capable of
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More specifically, imaginative play is very important during this stage of development because it serves as a means of understanding the world. For example, imaginative play allows the child to comment and try to understand reality via an imaginary world that the child can control and manipulate. This in turn, allows the child to express their feelings in a pretend scenario without receiving the same responses if expressed in reality. As a result, this assists the child in the understanding of emotions and perspective thinking because during imaginative play, the child expresses strong emotions and must empathize with each other’s ideas and feeling (Davies,
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We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
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Many parents read fairy tales to their children. Young people are able to use their imaginations while listening to these fantastical stories. Filled with dragons, witches, damsels in distress, and heroes, these tales stay in the mind children for years to come. However, these young listeners are getting much more than a happy ending. Fairy tales such as "The Goose Girl", "The Three Little Pigs", "Cinderella", and "Snow White" one can find theories of psychology. Erik Erikson's theories of social development as well as Sigmund Freud's theory of the map of the mind and his controversial Oedipal complex can be found in many fairy tales. Within every fairy tale there lies a hidden lesson in psychology.
Children are fascinated by magic, and are innocent enough to believe that it might actually exist. Because of this, they delight in any fantastical or supernatural tale. Adults, on the other hand, have the life experience to know that there is no such thing as magic, and to believe in magic is immature and foolish. Because of this, most adults find it patronizing to be expected to suspend their disbelief and accept the possibility of magical lands and wizards and fairy godmothers. It is for this reason that most fantasy stories are traditionally regarded as being for children, such as fairy tales, Alice in Wonderland, and the original text
The child has a hard time realizing that though there are many other people and things in their world, none of them are more important than the child himself. The child believes that his point of view is the only point of view of the world. This is caused by his inability to put himself in someone’s else’s shoes (Smith). The concrete operational period, spanning between the ages of 7 and 11, is marked by the onset of logic in the young mind. The child is able to mentally manipulate objects and events.
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