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Freud and Erikson theories
Freud and Erikson theories
Freud and Erikson theories
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Theories of Psychology in Fairy Tales
Many parents read fairy tales to their children. Young people are able to use their imaginations while listening to these fantastical stories. Filled with dragons, witches, damsels in distress, and heroes, these tales stay in the mind children for years to come. However, these young listeners are getting much more than a happy ending. Fairy tales such as "The Goose Girl", "The Three Little Pigs", "Cinderella", and "Snow White" one can find theories of psychology. Erik Erikson's theories of social development as well as Sigmund Freud's theory of the map of the mind and his controversial Oedipal complex can be found in many fairy tales. Within every fairy tale there lies a hidden lesson in psychology.
In 1963, psychoanalyst Erik Erikson developed one of the most comprehensive theories of social development. The theory centers around eight stages of psychological development. One of the stages, autonomy versus shame and doubt, occurs between the ages of one and a half and three years old. In this stage toddlers develop independence if freedom and exploration are encouraged. Autonomy itself means having control over oneself. "At any given moment, our behavior, including this sense [autonomy], is influenced by the outer environment and our inner psychological state" (Restak 268). If they are overly restricted and protected they develop shame. "Shame is the estrangement of being exposed and conscious of being looked at disapprovingly, of wishing to 'bury one's face' or 'sink into the ground.'" (Blake 115). The key to developing autonomy over shame and doubt lies in the amount of control. If parents control their children too much the children will not be able to develop their o...
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...use every tale presents a theory. In the end everything boils down to the fact that, fairy tales were written to be enjoyed.
Bibliography:
Bibliography
Bettelhem, Bruno. The Uses of Enchantment. New York: Vintage, 1976.
Blake, Toni. Enduring Issues in Psychology. San Diego: Greenhaven, 1995.
Feldman, Robert. Understanding Psychology. New York: McGraw Hill, 1990.
Heuscher, Julius. A Psychiatric Study of Myths and Fairy Tales. Springfield: Thomas,
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Lang, Andrew. Fifty Favorite Fairy Tales. New York: Nonesuch Press, 1964.
Lüthe, Max. Once Upon a Time on the Nature of Fairy Tales. New York: Ungar, 1970.
Miller, Geroge. Psychology: The Science of Mental Life. New York: Bann, 1962.
Restak, Richard. The Mind. New York: Holt Company, 1988.
Velikovsky, Immanuel. Oedipus and Akhnation. Garden City: Buccaneer, 1960.
A fairytale is a fictional fantasy fable that passes through generations of children as source of interest to them. Though used for the intent of entertainment, fairytales often indirectly advocate a moral or message to readers (whom are usually children), in hopes that they will grow up to apply these ethics and lead a righteous life. This criteria, however, often originates from the occurrence of a magical transformation; it is this paranormality that introduces the characters of the story to a side of life far from what they have grown to know and learn to adapt to the dramatic amend in their life. This is evident in the characters in world-renowned tales such as The Little Mermaid, Aladdin and Beauty and the Beast.
Autonomy vs. shame and doubt is Erikson's second stage of development occurs between the first and third years in life. During this stage children learn to be independent by mastering tasks such as feeding a dressing themselves. If children do not develop autonomy during this stage they will doubt their ability and develop a sense of shame. I lived in one foster home from the time I was one and a half to the time my parents adopted me at age three. I believe that I developed during this stage just as well if not better than children who are biological or who are adopte...
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
The reasons why fairy tales embed into the social psyche is the simplistic and plot driven nature of the story. Even the smallest child instantly understands the characteristics and motifs of the story. It is set with simple characters with one characteristic for example the wicked stepmother is only every wicked. There are no further details as to how or why she became wicked. The actions of the character further enhance this singular characteristic. The primary drive of the story is the plot with repeated refrains in text and in character’s discourse but with a non-specific setting and period. Few fairy tales include fairies in them but are abound with fantastical creatures and events. The fantastical is still believable as it merely bends the laws of physics.
Utley, Francis Lee. Introduction. Once Upon a Time: On the Nature of Fairy Tales. By Max Luthi. New York: Frederick Ungar Publishing Co., 1970. 14-15.
read through the article I had to pick out ten important facts about the fairy tale genre and its origins. Collecting my facts was difficult because there were many writers that changed the audience for fairy tales. I didn’t want to just write down 10 authors and their works t...
Throughout history it is known that fairy tales were written to teach children lessons about life in a way they could understand and that is fun and unique. Authors of fairy tales put simple lessons into the stories so the children could understand them easily while reading. Whether this be a lesson to be nice to all people, like in Cinderella, or to not judge someone by their appearance, like in Donkey Skin, both by Charles Perrault. Each fairytale has a moral that can be found throughout reading the stories that teach children right from wrong while letting them use their imaginations to discover that moral. The good and the bad lets them express their thoughts openly, rather it be their negative thoughts through the villian or their
In "The Uses of Enchantment" writer Bruno Bettelheim states that fairy tales allow children to "find themselves" and "[...] find the other with whom they will be able to live happily ever after" (162); I agree with this because fairy tales present lessons in simple forms to help the child grasp the concepts, present daily life issues and anxieties, and allows children to understand the difference between good and bad. Fairy tales expose life in a fundamental way in which children are able to see that life is not always rainbows and unicorns. Bettelheim argues that these stories address "basic human predicaments" such as aging, death, and the pursuit of love and happiness unlike modern stories that tend to avoid them. He also states that the lessons are straightforward so that the child may understand, but are also presented in a way so that the child may think about what is correct and what isn't. In addition to Bettelheim’s argument, I believe that fairy tales are essential for a child's mind to grow and so that they may become the hero in their own story.
Fairy tales are one of the longest lasting forms of literature. Though now they bring to mind classic movies engendered by Disney, many of these stories were first passed on in an oral manner, meant to convey a message, moral, or lesson. Alison Lurie’s “What Fairy Tales Tell Us” covers a broad range of classic tales, discussing how under the guise of an entertaining story comes life lessons we would all do well to follow. To begin this paper, some of the tales Lurie examines in her article will be looked at and critically examined beyond what she discusses. This will then move the text towards its remaining sections, which will take Lurie’s ideas and have them applied to folk and fairy tales that have not yet been contemplated; for the purpose
Hansjorg, Hohr, (2000). Dynamic Aspects of Fairy Tales: social and emotional competence through fairy tales. Scandinavian Journal of Educational Research, Vol 44, No 1, Department of Education, Norwegian University of Science and Technology
Fairy-legends in particular often reflected the people’s fears and became a way for them to explain things they just could not understand. These fairy legends were told very long ago before people had an understanding of science so when an unexpected death or a child went missing fairy legends were created to explain this. People’s anxieties were greatly reflected in fairy legends such as giving birth to a child and what had to be done, children being taken and replaced by changelings, women getting taken away, and children being abducted.
When anyone thinks about a children’s fairy tale the most common ones that can come to mind is “Little Red Riding Hood”. Fairy tales convey a hidden message to children. Like how in “Little Red Riding Hood” the message is to not talk to strangers. Fairy tales have been created to help children understand things in a fun and enjoying way. Not every kid can learn and understand things the same way; it all depends on what they have been taught and exposed to in their life. There is controversy between the way these messages are conveyed to young children, like how in “Little Red Riding Hood” the story ends with Riding Hood and her grandmother being eaten by the wolf which can be frightening to children but it explains to you the bad things
At this point, I think we maybe dealing with the most common objection to this approach: ‘but surely the children won’t see that!’ all of this explanation , which open the hidden significances and meanings is what adults not children. The key questions that we should ask are how children understand the texts? What meanings they make from them? How it differs from the meaning that adults make? How children are affected? We should create pragmatic and logical guesses about what a child can understand or what irrelevant to the child and might thus be ignored. We must learn from the characters in the stories even adults and they help us because we connect to our personal lives and thoughts and help the children to consider and learn how to navigate life.(Bettelheim, B.: The meaning and importance of Fairy Tales.) There are common stories among peoples and different cultures in the world and the wide spread among those peoples it also considered its own popular
I am writing this paper because I was assigned to write it as a class project. Along the way I realized the importance of sharing the real meanings of all these stories. Stories are important because in the society we live in things are constantly changing. Fairytales change but the base of the story always remain the same no matter how many times it has been retold. It’s important to reveal the true meanings of these stories, even with its dark characteristics, because the world is dark .Children need to know that there are people that have told stories relatable to what they are going through. Fairytales help the development of children; it helps their maturity as they confront someone else’s tough situations, instilling hope of a more positive ou...
Bottigheimer Ruth B. Fairytales Folk Narrative Research and History “Social History” JSTOR 14, 3 (1989). 343-357, Taylor & Francis, Ltd.