All day yesterday on my social media feed there was talk of Trev Rich’s concert and how people are “jocking” him. I found all this talk intriguing because very few people voiced their opinion on this matter until the day of his concert. My blood boiled as I read the ignorant, backhanded comments plastered all on Facebook from “fans”. I soon felt the need to express my feelings and explain the difference between being a fan and “jocking”, in a live Facebook video. I did what needed to be done and corrected a lot of the uneducated “fans” that were basically haters. All the energy from reading and talking about those comments made me excited to watch some of the top Dj’s and rappers in Colorado perform last night at the Gothic Theater. I can’t
really give you that exact feeling I felt when I looked at the stage and saw KDJ Above move his fingers ever so lightly and rapid at the same time on his mixer and turntables. I can’t show you the way the crowd was mesmerized by the smooth, sultry sounds of POVI and how her brilliant dancers controlled every corner of the stage. No way in hell can I explain to you how accomplished DJ Hollywood Cook was when he was hyping up the crowd and how joyous he was when he hugged his mother on stage. Hearing the cheers and screams for DJ Simone Says as she was introduced to the crowd as the first lady of Squizzy Gang is something you would have to ask her about. Seeing Trayce Chapman’s smile light up as he rapped his lyrics to his fans was a video quality moment. Every artist last night came to produce a well-organized, professional, presentation. Just a little taste of what to expect from Denver’s music scene this year. Some may say that the city is bias and that the same artist are being praised throughout the Denver music scene. Fans are the ones who make these artists lit. The fans see that hard work and dedication that happens within our city from artist and become their fans. Yes, there are artist out there who are good. Those artist are too focused on why the DJ’s won’t play their music or why certain rappers don’t like them. Which is why Trev Rich, DJ Squizzy Taylor and Squizzy gang are the most liked and hated people in Denver. As soon as Trev’s foot hit the stage and Dj Squizzy Taylors fingers flick the track on, the crowd could tell they were going to be entertained. These two young men are the definition of #blackboyjoy. Seeing them rock out to songs they both know the stories behind and enjoying the music they missed sleep over is monumental. Last night was beyond what I expected from Trev. Then again,I didn’t know what to expect since this was my first time seeing him perform. Trev brought out new tracks, old and even videos. . One can genuinely see how thankful he was last night. The joy of having his hometown come out and sell out his concert was written on his face in his thank you. I really tried my best to give you all a review that was detailed and fine-tuned. But I can’t do that in this case. This was a moment you had to see for yourself. To just observe the crowd and the emotions that were flowing through the Gothic Theater is a indescribable experience. Hopefully someone will share their videos of the concert or follow some of the dope photographers that took pictures last night.
I was talking with my aunt about current events, to the extent a thirteen year old can discuss such a thing, and she asked me with a slightly disarming fervor if I was a Kanye West fan. “No” I remarked innocently. “I mean I liked that one song he was on, but I would hardly call myself a fan” I thought. “He’s prejudiced ya know” warned my aunt I found out later that week that the man had apparently made a fool out of himself publicly, jumping on stage and drunkenly trying to disarm Taylor Swift of her newly received VMA Award, declaring “Beyonce had one of the best videos of all time!” At this point the only information I had received about Kanye was that he had made a pretty enjoyable contribution to a song I liked a year ago, and he apparently had acted very rude at some award show.
A warrior is a hero, a role-model, fearless, loyal, persevering, brave - there are few that are able to fulfill these standards. Yet Melba Beals, a fifteen year old girl, not only claims this illusive role, but cannot escape it. Through the journey into integration Melba acts as a dynamic juxtaposition, moving from a scared little girl to a fierce soldier, yet never truly satisfied with her position. This conflict arises from her personal, family, and religious values, the impact of integration in Little Rock, and her experiences during her time at Central High. The title Warriors Don't Cry is employed as a command as well as a way of life and later a regret as this memoir progresses.
“If I was gay / I would think hip-hop hates me / Have you read the YouTube comments lately? / ‘Man that's gay’ / Gets dropped on the daily / We've become so numb to what we're sayin.'” In these few lines, Macklemore brings up the fact that the genre of hip-hop has become one that is “anti-gay.” Hip-hop is a very common genre of music and it reaches a large population of people, mostly young people who will have an effect in the future of America. This is Macklemore’s target audience: the general public who can make a difference. Macklemore has surprised many by coming out with this popular, pro-gay, hip-hop song. It is rational to see that he took a stand against the issue as well as a risk in his career by supporting this idea. The listeners understand that those lines are very truthful; the hip-hop genre and most of society has become anti-gay. Almost all of his audience is familiar with YouTube and can understand where Macklemore is coming from in these lines. Most of his audience has seen comments on YouTube similar to “Man that’s gay.” Macklemore is bringing attention to the fact that his audience has become numb to harsh words like so and the general public has lost a sentimental feeling. Macklemore goes on to give an example of the desensitizing of society by giving the reference to “faggots”, “a word rooted in hate, yet our genre still ignores
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
The show starts at 8pm. The time was 7:30, I was just leaving the house, and it was raining. My wife and I had to hurry because it would take almost all of 30 minutes to get to the “The Boogie Woogie Christmas Show”. Feeling pressured to get to the show on time I started to feel frustrated. When we got there, it was still raining. We go in, get the tickets, and seat ourselves in the middle of the middle row. Looking around and observing the audience, I unintentionally stereotyped the show. I noticed quite a few older people and to make a simple sentence of my thoughts, I undermined the show. The stage décor and characters apparel was of the 1940’s era so I said to myself, “Let’s see what they got.”
Hip hop has become one of the most commercially promoted and financially successful forms of media in recent years. But as its profits have risen it has become a scapegoat for the many of the public criticisms of young black people. These topic have been discussed in Tricia Rose’s novel “The Hip Hop Wars What We Talk About - And Why It Matters”. The state of hip hop has fallen because the trinity of commercial hip hop has become main topic and caused a lot of controversy. This book is appealing to a person who want to know how hip hop has changed in the past decade and it points out many different attitudes toward hip hop in the Unites States.
...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Sport fans, sometimes also called sport devotees, followers, or supporters, are persons who are enthusiastically devoted to a particular athlete, team or sport. They may show their enthusiasm by often attending sporting events or watch on television, being members of a fan club, follow sport news through newspapers, online websites, and creating fanzines. Their disposition is often such that they will experience a game or event by living through their favored players or teams. These behaviors manifest itself in different ways. To enable better understanding of these behavioral patterns, we have to classify these sports fans into groups based on their devotion to teams: fair-weather fans, bandwagon and the super-fans.
Punk rock often attains to individuals who are against the order and corruption of society and especially the music industry. As ticket prices for arena shows skyrocketed, the popularity of small underground venues with low entry prices increased. These venues are very willing to let local punk rock bands play if they can draw in a large crowd. This intimate experience sparks the thrill of playing on stage. As more of these club venues open, more up and coming musicians get a taste of the spotlight drug. When the audience of a punk rock show pick up on the performer’s adrenaline rush, they also receive a taste of it.
Josh Delmar Zimmerman is responding to a problem that has been increasing as social media and technology have evolved; the stereotypes imposed by society depending on the kind music you like. His bold language and extreme sincerity seek to a wake up call towards social judgment. The author claims our culture has enacted us to judge and label depending on the likings of the young community. His article states that “uncreative” people would try to categorize and profile someone’s identity from the way they dress or behave. Throughout his article, Zimmerman defies social judgment towards the punk community by supporting his claims with personal experiences as a young adult who had to overcome society’s stereotyping and judgement.
For the past four decades, African-Americans have been highly visible in the realms of popular culture through the legacy of the hip hop nation. Hip hop culture has vast and complex formations across the country and the globe, but popular representations are most frequently tied to the “culture of poverty” and violence that many social scientists have claimed exists within poor, urban, African-American communities (Ensminger 1). The diseased language of discourse surrounding the “tangle of pathology” that pervades hyper-visible misrepresentations of particular black communities and black expressive cultures are frequently utilized to dehumanize and devalue the black lived experience. This has produced a narrow scope through which blackness is represented and understood, as well as a lingering effect in African-American self-perception that is both disempowering and limiting to self-expression. In 2003, James Spooner disrupted popular representation by examining the marginalized experience of African-Americans in the predominantly white punk scene, while also expanding the category for black cultural expression in his documentary Afro-Punk: The ‘Rock n Roll Nigger’ Experience. Today, Afro-Punk (AP) embodies an online cultural movement that represents what afropunk.com refers to as “the other black experience.” From the general AP website, to Instagram and Twitter accounts, to an active Facebook page with almost a hundred thousand likes, this small but growing community has moved beyond the confines of the punk music genre and become a cultural movement which celebrates “the creativity and freedom of spirit in alternative Black culture” by exhibiting music, art, film, fashion, and more (Afropunk, Facbeook.com). Guided by the punk pr...
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
In the article “Youth Sport: Positive and Negative Impact on Young Athletes” by Donna Merkel suggest that children have to be at least 6 years of age before participating in a sport. She also claims that parents and coaches have to work together to change youth sports to decrease the negative effects and instead be able to get a positive result in children who participate in a sport.
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.