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123 essays on character analysis
Into the wild character analysis
Into the wild character analysis
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Alone, Together La Famille Du Saltimbanque L’Enfant Blesse, by Gustave Doré, is at first a dark and complicated painting to examine. However, it is ultimately a meaningful, and perhaps uplifting, work to explore, containing both clear and subtle themes. This painting not only presents a family stricken by tragedy and exposes the harsh reality of their mode of life and work, but also manages, through this darkness, to speak deeply of the compassion and kinship that friends, no matter how different, bestow upon each other in times of suffering. The family of the child acrobat has been dealt one of the most devastating blows that can occur within a family, the loss of a child. Blood streams heavily from the wound on the child’s young head, and …show more content…
The child acrobat was likely forced into his work in order to help sustain his family. But these harsh realities are not often seen or even considered by the masses who come to watch the dangerous performances. As performers, it is the job of the family to create a fun and appealing atmosphere for the circus’s patrons, and their appearance fully reflects this. For example, the mother, most likely a dancer, as suggested by the slipper that peaks out from under her clothes, is donned in a gaudy blue robe with gold trim, wears gold earrings and a gold armlet, and even has a crown on her head. The father looks like he could be a strange mythical creature. He is dressed in a flashy bronze tunic and tights, wears a pointed headdress on his head that resembles a set of horns, and his face is painted bizarrely. One might even think, upon first glance, that the subjects of this painting are indeed whimsical creatures of the artist’s imagination. But this work is most certainly one of realism, and it is one that portrays the genuine—though often overlooked—bereavement of a different, but very human,
Subject: Our docent, Mary, shared with us that this artist loved to paint the human body and was well known for his painting of the human body and skin. This piece certainly highlights those skills. The colors of the hair and skin are incredibly life like.
At a birds eye glance into the film Au Revoir Les Enfants, it is seen to be within the world war 2 ridden time period of 1944. Further more, the film follows Louis Malle's recounts of his childhood memories, while staying at a Roman Catholic boarding school. The memories explicated though the directors lens, are rather somber and lethargic. For instance, the scene shown between the main characters, Julien Quentin and Jean Bonnet in the eery and desolate woods of Fontainebleau show the harsh cold and foggy elements that cloud sunlight and liberation, and place a perpetual dreary and dark winter. Thus effecting the actions and moods of the children and teachers of the school. Specifically, the war and winter vastly
The work depicts a family in plain clothing enclosed in a simple solitary room with a fading fire amidst the dark shadows of the background and another light source that extends from beyond the scope of the canvas. At first glance the influences of Caravaggio and Rembrandt are apparent. Their faces are neither, sad, sullen, angry, or joyful, but rather their emotional expression is plain and uncomplicated, adding a sense of timelessness to the painting. As in the description (20-34) of the piece which states; “It reflects 17th Century social theory, which celebrated the natural virtue of those that worked the soil”, (p. 609). The idea of portraying a classic simple lifestyle is a refreshing one and a concept which will reoccur in other works of the Baroque period.
The painting depicts a mother and her four children, who are all leaning on her as she looks down solemnly, her tired, despondent expression suggests she felt trapped in her roles as being a mother and a wife. The woman and her children are clearly the focal point of the artwork as the bright colours used to paint them stand out impeccably against the dull, lifeless colours of the background. This painting appears to be centred around the ideology that women are home-keepers, whose main role is to satisfy and assist her husband while simultaneously minding the children and keeping the home tidy and ready for his return. The social consequences of this artwork could have been that the woman could have been berated for not taking pleasure out of being a mother and raising her children, as a woman should. She could have been made redundant as her husband may have felt as though she is no longer useful if she couldn’t adequately adhere to her roles as a mother and a
I chose to analyze the The Family, 1941 portray and The Family, 1975 portray, both from Romare Bearden, for this essay because they are very similar paintings but at the same time very different. To write a critical analyzes it was necessary to choose two different paintings that had similar characteristics. The text about critical comparison said that to compare things they have to be similar, yet different, and that’s what these paintings look to me. As I had already written an analysis of The Family, 1941 portray I chose to analyze and compare The Family, 1975 this time. Both works have a lot of color in it and through the people’s faces in the pictures we can feel the different emotions that the paintings are conveying.
The ,Adoption of the Human Race, induce an intense feeling of sadness ,despair and possibly a glimmer of optimism. The pain of a nation radiates from the painting but the belief that a supreme spirit continues to keep his nation safe from the perils of the world. The great spirit chief desperately tries to keep his great nation from suffering ,but the people are becoming disconnected. The disconnection can be interred because the chief fingers aren't interlaced .
Art and literature work independently of each other, however, they can be linked together to help a reader or observer understand in new ways and create new possibilities. Within this context, the perspective of Jacob Lawrence and the authors address that it takes work to build the ideal society and family. However, the authors give the stark reality of both society and family demonstrating that our reality is nothing like the ideal.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
The painting, in its simplest form, consists of a naked woman lying elegantly upon stately and rich cloths, while a young, also nude boy, is holding a mirror which contains her reflection. Upon first glance of this work, I was quickly able to make out the identity of the two subjects. ...
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
In Brueghel’s “The Fall of Icarus”, the artist uses brush strokes and oils to express and illustrate the tragic failure of man. Through the use of imagery, the viewer is allowed to fully comprehend the meaning and theme of the oil-tempera. In the painting the viewers see, what is believed to be Icarus’s legs drowning in the water below, while everyone continued to go on with their daily activities. The image depicted in the painting establishes the central idea of man’s failure by displaying the course of Icarus catastrophic death and the fall he undergoes. However, the painting differs
When I saw Vermeer's Girl with a Pearl Earring about five years ago at the National Gallery in Washington, D.C., I felt something about the painting that I had never felt before when looking at artwork. I felt as if this girl, this young woman in the painting was real, hiding in the museum behind this canvas. She was in the flesh. Her skin was still dewy from three hundred-something years ago, the light across her face still glowing. She was in the round, her eyes followed mine, she was real. She was about to speak, she was in a moment of thought, she was in reflection. This girl was not crimson red or titanium white, she was flesh. Vermeer caught her, a butterfly in his hand. She was not just recorded on canvas, she was created on canvas. She was caught in a moment of stillness. Vermeer creates moments in his paintings. When viewing them, we step into a private, intimate setting, a story. Always, everything is quiet and calm. I realize now it is no wonder I had such a strong reaction to Vermeer the first time I saw him: he is a stillness seeker.
Everyone seems to define family differently, however, the significance of family is the same. For you, family means everything. You can always count on your parents and siblings for help and love. Family is very valuable and important to you and should never be taken for granted. No one can deny that family is the foundation of our generation. A family is where we all start our life journey and helps us grow to be successful throughout our lives.