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Symbolism in modern poetry
Representation of women in poems
Symbolism in modern poetry
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Stuck in Your Mind, Stuck in Your Ways Denise Levertov’s “Eye Mask” describes the mechanisms in which an Eye Mask is used to assist life’s cycles of growth and identity. In this poem, the speaker represents the “dark” as an entity that will assist in her growth, instead of the light (10). This idea contradicts the connotation of darkness, as the word “dark” normally suggests growth being hindered, feelings of being alone, or even going through difficult times. The normal conventions of growth are challenged in this poem, with the use of the Eye Mask as something that both assists and hinders the speaker’s growth and identity. In the poem, the speaker mentions the dark as if it is a progressive entity, meanwhile it actually limits her progression. …show more content…
In lines one and five of the poem, darkness is viewed as a relaxing, comfortable space. In line one, the speaker states, “In this dark I rest,” in which darkness is looked at as a place to unwind (1). The word “rest” not only connotates sleep, but also rest that allows for growth, in which the body is able to regenerate itself through its time of dormancy. This idea of darkness is significant because the speaker begins the poem in a contradictory manner, in which the darkness is a place that allows for growth, when the word “darkness” usually suggests no growth at all due to the absence of light. Line five of the poem also contradicts the idea of darkness. The speaker states, “Black silk, shelter me” to describe the eye mask as a covering that protects (5). The word “black” implies darkness, and a place of comfort for the speaker, implied by the word “shelter.” The eye mask can be seen here as something that is hindering growth because the speaker is in a place of comfort and is not allowed to step out of her comfort zone in order to initiate a traditional growth process. In this instance, the eye mask could be viewed as something that isolates the speaker from becoming the person she wants to be, or even the person that she wants the world to see her as. The eye mask can also be seen here as something that is buying the speaker enough time to improve herself, thus, assisting in her growth. The speaker’s contradictory view of growth as a process that occurs in the dark sets limits to her awareness and potential. This limitation is similar to the way an eye mask functions, in that it deters eyesight and what a person can see. The eye mask can be viewed, then, as something that not only physically obstructs the speaker’s sight, but also as something that blocks her advancement in life socially and mentally. Looking at the poem in this aspect matters because in being a recluse, the speaker uses the darkness to improve what she sees as her growth, when in reality she is simply remaining in her comfort zone, not allowing herself to reach her full potential. In the final lines of the poem, the speaker once again looks at darkness as something that will assist in her growth. She states, “I must still grow in the dark like a root / not ready, not ready at all”, in which the darkness will lead to growth that she is comfortable with (10-11). Growth is compared to a root in these lines, and normally, a root sprouts due to the sunlight that is present. The paradox in these lines that darkness eventually leads to growth is flawed. There is a misconception of how the growth process actually works as the speaker repeatedly states that by remaining in the dark, she will grow. This problem could be b/c she has on an eye mask and may be unaware of the fact that it is the light that brings about growth. The speaker also mentions the word “light” and words synonymous to light in the poem, that juxtapose the idea of the dark.
Line two mentions “unready for the light which dawns”, revealing that she is not yet ready for the progressive stage that is to come with exposure to light (2). The word “light” suggests growth, brightness, enlightenment, and revealing one’s true self. Light allows for transformative growth, and the speaker is not yet ready for this change. The speaker has an inkling that the light will bring about change because she states that she is “unready for the light”, showing that she understands what is to happen once she steps into the light. The eye mask counters the light through its covering. In doing so, the speaker uses the eye mask to enable what she believes to be her growth. The darkness that comes from this eye mask, though, actually hinders the speaker’s growth in which she is unware of because of the eye mask’s literal and figurative covering. Viewing light as an entity that evokes newness, the eye mask can be seen as something that prevents the speaker from revealing her true self to the world. In this case of not revealing her true self, the darkness is actually hindering her growth and the light is the process by which her true growth will be
initiated. Lines three and four deal with time that has passed, and the speaker states, “day after day, / eager to be shared”, showing the passing of time. The speaker implies that she is ready to improve herself and to possibly consider the growth process that occurs in light. The speaker states, “I need / more of the night before I open / eyes and heart / to illumination” (6-9). Light is given a synonym with use of the word “illumination” (9). Using the word “illumination” suggests an even brighter light than previously mentioned, almost as if this is a type of light that cannot be ignored for long. The speaker is dependent on the presence of the darkness; in line six, she states that she needs more of the darkness before coming into the light. Line six can be looked at as the speaker’s need for more time in her comfort zone, before she is to reveal her true self to the world. These lines are significant in showing the opposition of both darkness and light. The speaker never reaches the climax of change that the light allows for by remaining in her state of darkness. The Eye Mask is synonymous to both a figurative and literal covering that does not allow the speaker to grow. The idea of removing the mask to step into the light is a window of opportunity for the speaker to not only reveal her true self to the world, but to become enlightened with knowledge to achieve the potential she would not have otherwise received while in the dark. The themes of light, dark, and growth show the different ways in which people struggle to improve themselves, whether it be by stepping out and showing others who they really are or simply getting the motivation to begin improvements. This poem shows what the daily battle of self – improvement can be like. Some will often want to revert to their familiar ways of doing things and remain stagnant, until they feel ready. By remaining behind an eye mask of sorts, the light is not allowed to bring about the growth for which they are yet prepared. Levertov, Denise. “Eye Mask.” Evening Train. New Directions, 1992.
Imagery uses five senses such as visual, sound, olfactory, taste and tactile to create a sense of picture in the readers’ mind. In this poem, the speaker uses visual imagination when he wrote, “I took my time in old darkness,” making the reader visualize the past memory of the speaker in “old darkness.” The speaker tries to show the time period he chose to write the poem. The speaker is trying to illustrate one of the imagery tools, which can be used to write a poem and tries to suggest one time period which can be used to write a poem. Imagery becomes important for the reader to imagine the same picture the speaker is trying to convey. Imagery should be speculated too when writing a poem to express the big
Yet as we journey from the dark to the light in Aeschylus, we cannot leave the dark behind – the darkness breeds the light.
...ould become unnecessary and meaningless "if only the darkness", like nothingness, "could be perfect and permanent" (116). Nothingness does preclude individual identity of any sort, however. Surrendering completely to nothingness would negate any possibility of authentic intimate human relations: the one source of meaning and happiness to Sylvie.
“Her face was fair and pretty, with eyes like two bits of night-sky, each with a star dissolved in the blue.” This elaborate simile creates a mental image of the natural beauty of the young princess, Irene, by comparing her eyes to the night sky. The simile also parallels the depth of Irene’s soul to the dark, endless night sky.
In literature, darkness is often symbolically associated with fear and the unknown. The speaker establishes her fear of the tattoos in the beginning of the poem, as she comments that “I like to touch your tattoos in complete darkness, when I can’t see them.” She approaches the tattoos with a sense of cautiousness as she acknowledges the existence of the tattoos “in complete darkness” without actually seeing the tattoos. In doing so, the speaker attempts to come to terms with the permanence of the tattoos without having any visual contact. Her fear of the tattoos’ permanent nature is reinforced at the end of the poem, where she comments that “Such permanence is terrifying. So I touch them in the dark; but touch them, trying.” The speaker explicitly states her perspective on the permanent quality of tattoos, as she explains that “such permanence is terrifying. Her fear of the permanence of tattoos has an underlying a tone of wonder, as she spends a majority of the poem admiring the tattoos, claiming that she “love[s] to kiss the pictures in your skin”. By commenting at the end of the poem that she is terrified after reminiscing about the tattoos with fondness, it is suggested that there her fear has an underlying sense of wonder, and that she aspires that her relationship will persist much like the
These lines may seem confusing if not read properly. At first look, these might not make sense because the night is acquainted with darkness, but when the lines are read together as intended, one can see that the night is “cloudless” and filled with “starry skies” (1, 1-2). The remaining lines of the first stanza tell the reader that the woman's face and eyes combine all the greatness of dark and light:
"The Minister's Black Veil" is an allegorical narrative in which the agents of setting, symbols, characters, and actions come in a coherent way to represent non-literal and metaphorical meanings about the human character. The black veil is without doubt the most important symbol used in the story. It comes to represent the darkness and duality of human nature, adding thereby a certain undeniable psychoanalytical angle to the short story. The black veil represents the sin that all men carry secretively within their heart as M...
Lightness and darkness have very different meanings in the human psyche in that lightness is synonymous with innocence and naïvety while darkness coincides with all things daunting and evil. Throughout the memoir, many situations are repeated but to different degrees of severity. For example, on pages 113 and 145, Marjane is arguing with her mother. However, the first instance is simply a minor act of preteen rebellion while the second alludes to the possibility of state-sanctioned rape and execution. At first glance, these pages are very similar; Marjane’s mother is obviously angry and invades upon her daughter’s personal space as she lectures and ...
In this story, the key character is named Mr. Head, which immediately signals to the reader that this character is suggestive of rationality and perhaps especially pride (as in the expression “having a big head”). This is appropriate given that Mr. Head’s change throughout the story will emphatically revolve around his spiritual and Christian-oriented awareness of the plight of man and the problem of pridefulness. Mr. Head “awakens” (indeed, the whole story regards his awakening) in the night to a room “full of moonlight.” From the very beginning, elements of light and dark are vying in the story’s background, and in this case, it is a light that shines through the darkness.
Within the poem Poe divides the characters and imagery into two conflicting aspects of light and dark. Almost everything in the poem reflects one world or the other. For example, Lenore, who is repeatedly described as ?radiant? epitomizes the world of light along with the angels she has joined. Another image of light would be the lamplight the character uses to light his chamber, his refuge from the darkness of the outside. However, The Raven, as well as the dreary December night shows signs of darkness. These images of light and darkness go even further to represent life and death, the man?s hope of an afterlife with Lenore and his fear of everlasting loneliness.
The youth that society nurtures for the advancement of the future are the impression of innocence, and are unknowing the issues that affect society. Randall utilizes symbolism throughout the poem to outline the girl as part of this collective youth model. The reader sees many examples of symbolism in the fifth stanza. An example of this device is “Her dark night hair” (line 17). The effect of this line is to depict the girl as being young and full of life, as the reader envisions the “dark night” colour of the young girl’s hair as being the colour of a long tunnel which signifies the girl’s long future ahead of her. This shows how young these activists are, and communicates to the main idea of youth being involved in the present for their society’s future. Another instance is seen in the same stanza, describing the girl as “rose petal sweet, and drawn white gloves” (lines 18-19). The effect o...
In the Sunset Limited, Black’s life was full of darkness because when White asks Black about how Black gets into jail. Black says that “ Murder.” and when White asks him about “ you were always in a lot of trouble?” Black answers that “Yeah. I was I like it. and I liked it. Maybe I still do. I done seven years hard time and I was lucky not to of done a lot more. I hurt a lot of people. I’d smack em around a little and then they would get up again”(McCarthy,18). It show that Black was aggressive and his life used to fulfill with darkness before he change and believe God. He was loss once and he now he become resilience. This which is similar to the freed prisoner in “the Allegory of Cave”. At the beginning of the story, Socrates describes the cave and says that: “People live under the earth in a cavelike dwelling. stretching a long way up toward the daylight is its entrance, toward which the entire cave is gathered. The people have been in this dwelling since childhood, shackled by the legs and neck”(Plato). The freed prisoner used to live in this situation: People who live in the cave have been totally fulfilled with darkness. Plato creates this setting is trying to show that the prisoner used to live in the cave have been totally fulfilled with darkness. In order to
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream otherwise” (13). The unreal character of the mask has played a significant role over the life of African Americans, whom pretend to put on a smile when they feel sad internally. This ocassion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10).
In Toni Morrison’s “The Bluest Eye” the young African American protagonist, Pecola Breedlove, has an
The manipulation of light and dark is portrayed throughout the novella. “Yes but is like a flash of lightning in the clouds. We live in a flicker- may it last as long as the old hearth keeps rolling! But darkness was here yesterday,”(Conrad, 9) This displays the juxtaposition between light and dark and humans and their surrounding. So often humans see life in black and white but never the shaded gray. However, the might of the ego is miniscule compared to the forces that they have no control love, such as lightning. It looks beautiful however can be deadly due to the amount of light and heat it withholds. It exemplifies that beauty is only skin deep and even the most precious phenomenon’s are lethal. The darkness is within the soul, it is our ego and our ignorance. Plans are set out for