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Elements of good writing style
Elements of good writing style
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In The Princess and the Goblin, the author uses many literary devices to bring his writing to life and to illustrate specific moments in the story. “Her face was fair and pretty, with eyes like two bits of night-sky, each with a star dissolved in the blue.” This elaborate simile creates a mental image of the natural beauty of the young princess, Irene, by comparing her eyes to the night sky. The simile also parallels the depth of Irene’s soul to the dark, endless night sky. Dramatic irony is used when Irene is led by her grandmother’s string to a pile of stones in the heart of the mountain. “But neither did she know who was on the other side of the slab.” Irene fees hopelessly misled by her great-grandmother’s string, but the reader is …show more content…
Princess Irene stayed true to herself, while Curdie underwent a change for the better. He learned the most important lesson found in the story: believing and seeing do not always have to go hand in hand. Curdie’s mother influenced his change of heart when she enlightened him by saying, “Perhaps some people can see things that other people can’t see.” Irene also influenced Curdie by showing him what believing wholeheartedly in something physically looks like. Curdie’s mother, a minor character, played a major role in the essential theme of The Princess and the Goblin. She impacted Curdie tremendously by questioning his doubt. Without her, the plot would not have unfolded the way it did. It took Curdie a very long time to finally believe the princess about her great-grandmother’s magic, and had his mother played no part in his reasoning, he would have never believed. The major theme of belief would not be fully demonstrated to the reader without Curdie’s mother. The major theme from The Princess and the Goblin is having faith in the unseen. In the story, Curdie couldn’t physically see Irene’s great-grandmother, but he saw the impact that she had in Irene’s life. He witnessed firsthand the guiding role that she played in the princess’ overall well-being. This analogy is similar to the way that God Himself is not visible to us, but His blessings and His guiding hand
Race is a prevalent concept in Edgar Rice Burroughs’ novel, A Princess of Mars. The two principal Martian races—Green and Red—are characterized by drastically different beliefs, abilities, and social organizations. Although differences in their ways of life can be misconstrued to suggest the presence of a racial hierarchy, Burroughs makes no specific delineations about one race being superior over another, thereby reinforcing the idea that the equally created races are simply divided by their respective cultures.
...e if she attends the ball, and the burdens that will be overpowered if she is chosen to live her life with the Prince; a life that only beauty could bring, something Iris doesn’t hold, and although a person may only have beauty as a strength, there is always a darker weakness preventing them from exploring the disfigured world that surrounds them.
As the formula for the tale of Cinderella goes, the story’s exposition establishes that the mother of Cinderella will remain absent for the whole of the story. Death or other mysterious reasons causes this absence and, as a result, Cinderella, the name often given to the main character of this story, experiences mistreatment following the removal of her mother. The introduction of a new mother serves as the cause of the misfortune, with the children of this new mother aiding in cause of misery. Cinderella hears about the royal ball hosted by the king for the purpose of finding a princess for the king’s son. This event acts as the means of escape from her wretched circumstances. However, Cinderella can’t find success or confidence to go without the aid of a guardian or helper. The mother’s spirit takes the form of several helpers, in particular a cow or bull. The cow and the bull guardians can have different means as a result of the change in gender and serve different purposes.
As a novel recounted in the fairy tale tradition, The Princess and the Goblin succeeds beautifully. It employs the element of the Old Man archetype to aid and advise the princess, woven into an intriguing character with peculiar supernatural aspects drawn from the wider folk tradition. As such, the grandmother becomes a witch who is more than folklore would have one believe, an old woman not quite of this world, and exactly as she would have Princess Irene see her - as a grandmother.
One of the most interesting things about fairytales is how the author has borrowed ideas from ancient myths and legends and kept them alive in their writings. The Princess and the Goblin is one of these fairytales. In writing this novel, George MacDonald has incorporated much of the folk tradition in his characters and plot. Specifically, his concept of goblins seem to be drawn from the tradition of dwarfs, gnomes, and kobolds of Germanic myth and the fairies, or elves, of Celtic myth.
The Editors of Encyclopædia Britannica. "dramatic irony (literature)." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 20 Mar. 2014. .
The King's daughter, obviously releasing the unnatural and cynical intentions of her father, refused to let him have his way. The princess makes a decision based on her moral values and determines on her own that her father is wrong. Interestingly here, the Brothers Grimm play on a common theme that Perrault used in the development of his heroes and heroines. All Fur gives her father three tasks that must be accomplished in order for her hand in marriage. The princess, not yet at her highest level of development, which is necessary to become a heroine, tries to out smart her father by giving him seemingly impossible tasks. The King somehow manages to come up with her gifts, but in her development into a heroine she realizes that the gifts actually will help her achieve her journey to the highest level of development (Jewett 20).
The perception of religion is different for everyone and for the grandmother in the story, “A Good Man is Hard to Find”, being a lady with good Christian values was how she defined herself. The grandmother’s innocence of the evil existing in the world cost her and her family their lives. The story “Cathedral” however, has a more positive outlook on faith. The narrator, “Bub”guided by a blind man named Robert was able to visualize and draw a picture of a cathedral, without really knowing what one was. This essay will examine how the outcomes of both stories were affected by the beliefs of those involved.
Amazingly enough, even back in the 1880s you could look at a sequel and say "Dude, the original was better." "The Princess and Curdie" is the sequel to "The Princess and the Goblin" [link]. It comes across as more moralistic and heavy-handed than the original, and lacks some of its charm. Continuing on to MacDonald's final piece of adult fantasy, "Lilith" (1895) I have come to the conclusion that his genre work took a downhill turn after "The Princess and the Goblin" and never really recovered.
Susan Gable’s Trifles is focused on discovering the killer of a local farmer in the twentieth century. In this play the amount of irony is abundant and the irony always relates to solving the murder. The two types of irony that are most easily discerned in Trifles are verbal and situational irony. Irony is when an author uses words or a situation to convey the opposite of what they truly mean. Verbal irony is when a character says one thing but they mean the other. This can be seen in the way the men dismiss the women. Situational irony is when the setting is the opposite of what one would think it would be for what the play is. This is seen through the setting being in a kitchen and various other aspects of the
Irony is the most significant technique that the author uses in this story. It shows the contrast between Louise's expectation and her limited reality. It also gives the story more twists and turns. The reader knows Louise's desire. However, her sister and her friend do not know.
Over centuries, fairy tales were passed down by word of mouth to portray a story with a hidden meaning. As these fairy tales were passed on they traveled to different destinations and were modified to conform to other cultures. One example of this is the story of Grapnel. Most people are familiar with the Brothers Grimm version of Rapunzel; however, an earlier variant that comes from Italy was the forerunner to the Grimm version. The Italian version, Petrosinella, written by Giambattista Basile, is an example of how culture has an influence on literature. Although this is the case, both fairy tale versions portray jungian archetypes that are often misinterpreted by mainstream portrayals of these fairy tales.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
In the story of Beauty and The Beast, it’s set in a far-off country where a rich merchant lived with his six sons and six daughters. One day the merchant picks a rose from a garden for his daughter Beauty, and gets confronted by the Beast. He demanded that the merchant send him a daughter as payment for his theft. Beauty volunteers knowing that her father had plucked the rose to be a gift for her. In the Beast’s castle Beauty had recurrent dreams of a handsome prince, she wondered in her thoughts the connection between the beast, and the prince. Beauty started to question herself about the beast, and realized not to trust appearances. Despite living in a fortunate lifestyle of wealth, you should not judge the book by its cover.