Sometimes, life grows too hard to love oneself, and instead, it is easier to place self-worth in other people, and to make them the reason to live. In the book, Extremely Loud and Incredibly Close, Jonathon Safran Foer uses a little boy named Oskar and his Grandma to convey the pain of falling out of love with oneself to readers. After the tragic loss of a son and father, Thomas Jr. Schell in 9-11, both Oskar and Grandma lose a piece of their hearts. Because of the losses that they both suffer throughout their lives, Oskar and Grandma lose the sense of love for themselves and, as a result, place their self-worth in other people. ( 4 sentences) In the absence and neglect of Thomas Sr., Grandma has little value for herself and dedicates her
Neglect is the failure or refusal of a parent or care giver to provide the basic needs: food, safety, hygiene, and clothing. With famished children, Jeannette’s mother remarks: “Why spend the afternoon making a meal that will be gone in an hour…when in the same amount of time, I can do a painting that will last forever” (56). What we perceive here, the characteristic conduct of Mrs. Walls, is an unwillingness to set aside her own interests in order to care for others (specifically, her own children). Rudely, her mother along with many other deteriorated parents are pre-occupied ...
The grandmother; is not godly, prayerful, or trustworthy but she is a troublesome character. She raised her children without spirutuality, because she is not a believer, she is Godless.
All in all, Chris McCandless is a contradictory idealist. He was motivated by his charity but so cruel to his parents and friends. He redefined the implication of life, but ended his life in a lonely bus because of starvation, which he was always fighting against. Nevertheless, Chris and the readers all understand that “happiness only real when shared.” (129; chap.18) Maybe it’s paramount to the people who are now alive.
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
She explains how feeling vulnerable is exactly what people seek when going through hardships. How being recognized and desired after going through grief is homologous to what it means to be human. Butler points out that majority of society has troubles locking emotions up in their heads, and explains how hard it is for them to unlock their emotions in the fear of being unrecognized. That to be vulnerable, means to let others into our emotions while obtaining the ability to communicate in order to understand their emotions as well. Butler clarifies this by confessing that grief itself, and vulnerability, are the underlying examples of how we are substantially affected by other’s recognition. Though, with the capacity of vulnerability, we also create dimensions of negative connectedness as well, Butler
...ho have run away and left their burdens behind.... I can give them something that neither a husband, a father, nor a grandfather ever did, so they want to hold on as long as they can. Not realizing that their holding on will break me too." [pp. 166-67]
One’s selfish actions can lead to the destruction of important relationships and regret for one’s past desires. During Richard’s younger years, he had always felt close to his family, speaking the same language, and sharing commonalities. As he grew older he distanced himself from his family because he wanted to feel like an outsider. Richard states, “Intimacy is not trapped within words. It passes through words. It passes. The truth is that intimates leave the room. Doors close. Faces move away from the window. Time passes. Voices recede into the dark. Death finally quiets the voice. And there is no way to deny it” (40). In this passage Richard states that ...
During the Great Depression, there was a massive migration from rural areas to more populated areas. During this era the Joad family decided to migrate from Oklahoma to California in search of work. As the Joad family traveled to California, the Grandfather dies. During this rough time, Ma helps comfort Grandma over her husband’s death. Ma knew that if Grandma was understanding and accepting of Grandpa’s death, the family would use that courage and her example to get through the mourning period faster. “She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she has practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials” ( Steinbeck 48). The mourning period went by quickly because Ma showed strength in herself and in the family.
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
She only cares for herself and uses her manipulative skills to trick the other characters into doing what she wants. However, she views herself to be of higher moral standings than the other characters. If the grandmother has any lesson for the reader, the lesson is that no matter how tricky one is or how high one holds their standards to be, not everyone gets their way all the
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
Beads of sweat ran down the back of your neck, with every failure you dig yourself deeper into a hole farther away from their affection that you so ever yearned. If one, just one, person would share some affection towards you once in your life...maybe you wouldn't be so messed up. Maybe you wouldn't be seeing the things that you do. “Ungrateful brat--” your guardians spat, as a red pixie-sized demon sat at the edge of the pot of food you just
SRT proposes that shame resilience is affected by recognition and acceptance of personal vulnerability. Harold realizes his own capacity for vulnerability when his uncle attempts to enlist him in the army and he calls on Maude for help. He also touches upon his mother’s lack of attention through emotional conversations with Maude. He develops the ability to engage in a mutually empathic relationship which strengthens his shame resilience. The entire movie is devoted to Harold’s growth in this area. To enhance Harold’s shame resilience, the psychiatrist could have explored this shame and further engaged Harold in dialogue to give meaning to his experiences. Harold not only felt shame about not living up to his mothers and societies standards, but also in not remembering his father. Harold, in keeping with SRT, would benefit from developing skills that identify and discuss experiences of shame.
In the article written by Laurie Penny, she reviews the overall idea of self-love. She raises the question on whether or not all this self-love thinking could actually be harmful. Not only does she examine both the personal benefits, but the disadvantages as well. Penny also discusses how the terms ‘self-care’ and ‘wellbeing’ fit into the lives of young people and affects us as a society.
...have the most robust connections alive. They also have the intimacy, influence, design, impact and carving tools to carve us. The family itself can control and change our views on society, influence how we view the family unit, and yet most of all impact our everyday choices. There is nothing the family couldn’t possibly do. Anne Frank, Kino, Mourad, The Scieszka brothers, and the brother in family are divine exemplar for us to see the way a family can sway. Since the drive of the family is the second influential component of life, love is the first. Yet we fail to see that the family is the love, it doesn’t matter if they’re poor, if they’re trapped, or even throwing up on each other, this is the strongest love in the world. People move on, but they always remember the family. The family is wolf pack, everyone des there own thing, but they always remain together.