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Life in England in the 17th century
London by William Blake literary analysis
Analysis of William Blake's "London
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Recommended: Life in England in the 17th century
Explication of William Blakes Poem London
William Blake’s poem “London” takes a complex look at life in London, England during the late seventeen hundreds into the early eighteen hundreds as he lived and experienced it. Blake’s use of ambiguous and double meaning words makes this poem both complex and interesting. Through the following explication I will unravel these complexities to show how this is an interesting poem.
To better understand this poem some history about London during the time the poem was written is helpful. London was the “. . . undisputed cultural, economic, religious, educational, and political center” of England in the seventeen and eighteen hundreds. It was a city of “warehouses, docks, factories, prisons, palaces and slums, of beggars, laborers, shopkeepers, and bankers” (History). The industrial revolution was in full swing and the streets were filthy, the water and air were polluted, and there were rats everywhere. The famous “London fogs” were created from the burning of coal. The average Londoner lived until age 29, and as many as 1 in 8 drank themselves to death. While there were wealthy merchant and professional classes, the members of the poor grew and were crowded into filthy slums of the city (History). Keeping this history in mind lets take a look at the poem.
Repetition and rhyme are an integral part of Blake’s “London.” The first stanza of the poem shows this repetition and rhyme.
I wander through each chartered street,
Near where the chartered Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe. (1-4)
This repetition is a type of rhythm in the poem. According to John Nims and David Mason rhythm is “something that happens...
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...Chart.” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
“Chartered.” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
“Cry.” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
“Forged” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
“Hapless” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
“Manacle” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
“Mark” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
Nims, John Fredrick and David Mason. Western Wind: An Introduction to Poetry.
Boston: McGraw Hill, 2000
“Syphilis.” National Institute of Allergy & Infectious Disease. 30 March 2000
http://www.naid.nih.gov/factsheets/stdysph.htm
“Weakness.” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
“Woe.” Merriam Webster’s Dictionary: Home and Office Ed. 1998.
This poem had no rhymes or stanzas . But it does have repetition , the repetition is “knock knock”.This saying is repeated because the author and his father had a game , but when he went to jail it was no longer a a game for them.
One of the main usages of repetition was regarding the language about work. Frequently throughout the poem the persona references work. The persona often references their desire to be like the working class and how they praise those who work hard. Repetition is also used in the poem when referencing imagery. Imagery was commonly used in “To be of use”. In each stanza there is at least one line that shows imagery.
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
angered him and inspired him to convey his ideas and feelings through the poem 'London'. In the poem, Blake travels through London and describes what he sees. And as a result, he sees a severely oppressed society that is caused by the authority, such as royalty, and the church. This is as Blake sees. that even the streets and the thames are 'chartered' and governed.
The poem opens with an introduction of the speaker: “When my mother died I was very young, / And my father sold me while yet my tongue / Could scarcely cry ’weep! ‘weep! ‘weep! ‘weep!” (ll. 1-3). The speaker’s pathetic circumstance is stressed here, and he quickly wins the sympathy of the reader; Blake makes this possible by quickly relating some but doubtfully all the previous sorrow that the speaker has endured. First, his mother died when he, and perhaps she, too, was quite young, a common occurrence in Industrial Age England, given the dismal shape of the inner city, which was host to such problems as over-crowding, poor hygienic practices and sub-par means of sanitation—all of which ultimately led to the deaths of thousands. Second, his father apparently sold him, or, more likely, forced him to work to supplement the family’s income. Child Labor laws had yet to be enacted in England in 1789, s...
Natoli, Joseph. "William Blake." Critical Survey Of Poetry, Second Revised Edition (2002): 1-12. Literary Reference Center. Web. 17 Jan. 2014.
Repetition is repeating a word or idea over and over again. An example of repetiton in the poem is “And the name died before the man” (20). This quote means that everything that he has worked so hard for is no longer being cared about. Winning the race was now old news as well as his career. No one took any interest in him anymore, so he was already dying in a sense. The athlete’s job was slowly dying and now no one wanted anything to do with him. Another example of repetition is “Will flock to gaze the strengthless dead,” and this quote shows that he is now dead and does not have the strength he once had when he was alive (26). Both of these quotes bring up points about his death and how if he would have died when he was younger, his name still would be recognized by
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
Darr, Shaheen. "Poetry Analysis of "London" a Poem by William Blake (1757 - 1827)." Yahoo Contributor Network, 29 July 2009. Web. 24 Apr. 2014.
living we enjoy in the United States is a result of the fact that we,
The Web. The Web. Blake, William. The. “Songs of Experience: London.”
The repetition of the “s” sound in line 4 and of the “m” sound in line 5 illustrate alliteration, and this occurs throughout the poem, providing to the listener what the rhyme of modern-day poetry provides – an aesthetic sense of rightness or pleasure.
... Blake’s poem differs in this way as it does not contain an iambic pentameter however, it does contain rhyming couplets, which are a very simple way to allow a poem to flow easily and make it enjoyable for the reader such as the lines. In every cry of every man. In every voice, in every ban’. To conclude, I believe that Blake presents a more real viewpoint of London from his perspective, as it is more believable than Wordsworth’s view.
?London? is a poem of serious social satire directed against social institutions. According to Blake author Michael Phillips ?it is a poem whose moral realism is so severe that it is raised to the intensity of apocalyptic vision.? Blake becomes more specific in his descriptions of the prevalent evil and moral decay of society as the poem progresses. Blake?s informative nature is clearly evident in ?London? as he ?points the finger? and exposes powerful institutions.
William Blake uses repetition, rhyming and imagery in his poem to help promote the idea that London, England is not the city that people dream that it is, the city itself can be a