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Critical reviews of sonnet 29
Critical reviews of sonnet 29
Stylistic analysis of Shakespeare sonnets
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In this explication I will explore the meaning of “Sonnet 23” by Mary Wroth. I will focus my examination on this sonnet’s use of language, form, and rhetorical devices – especially puns.
The first four lines of “Sonnet 23” dramatizes the sonneteer’s preference for pursuits of the mind and soul. The sonneteer muses about activities others enjoy in their “pleasing pastime” (Wroth Line 1) and how the sonneteer’s “thoughts do far above these [pastimes] prize” (Wroth 4). In other words, the primary conflict explored in this sonnet involves pursuits of the mind and soul contrasted against pursuits of the body. In this regard, the sonneteer deems both intellectual and spiritual pursuits as “higher” or more significant than pursuits of the body. Specifically,
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Furthermore, both lines thirteen and fourteen are rhetorical questions: they are both answered in the previous three stanzas. To explain, the fond pleasures of the body have already been shown to not “move” (Wroth 13) the sonneteer; and the music “in dear thoughts of love” (Wroth 14) contrasts the sonneteer’s love of Christ with the love others have for music. Thus, the sonneteer is declaring, rather than questioning, that the source of love is within his or her “dear thoughts,” (Wroth 14) of the spirit and cannot be found in music or any other pursuit of the body.
In conclusion, “Sonnet 23” utilizes the form of a Petrarchan sonnet and follows the meter and rhyming scheme laid out in this form with few deviations. This sonnet employs various puns to contrast the purity of pursuits of the mind and soul against the un-Christian or impure nature of bodily pursuits. Rather than a typical question - response type sonnet, this sonnet is an exploration of the sonneteer’s personal feelings for the people around him or her and is not addressed to anyone, thus acting as more of a journal entry than a shared work of
“From forth the fatal loins of these two foes a pair of star crossed lovers take their life” (I prologue 5-6). Romeo and Juliet is known by many as a love story, but what if it’s not a love story but a story of obsession and desperation. Romeo is from the Montague family, and Juliet is from the Capulet family. The two families have been feuding for many, many years. In this story, Romeo and Juliet become obsessed with the feeling of being in love. They will go to extremes to be together, such extremes as death.
While perusing through the aggregate of the ballad, the storyteller gives the onlooker clear indications of misery by means of perplexity, unobtrusive triggers, affection, memories, and the perspective of a mother. The speaker affirms for us the affection she has for her dead youngsters and the frightful memories, which uncover themselves throughout the methodology of anguish. Perusing the sonnet likewise uncovers the truth this by all account not the only abortion the speaker is composing of, ended up being a real supporter to the lamenting in the ballad. The ballad is an extraordinary read for any novice or anybody encountered with verse. With a mixture of subjects all around the sonnet, one may find that there is more than simply despondency, which shows itself in the work.
In “Sonnet,” Billy Collins satirizes the classical sonnet’s volume to illustrate love in only “.fourteen lines.” (1). Collins’s poem subsists as a “Sonnet,” though there exists many differences in it, countering the customarily conventional structure of a sonnet. Like Collins’s “Sonnet,” Shakespeare’s “Sonnet 130” also faces incongruities with the classic sonnet form as he satirizes the concept of ideal beauty that was largely a convention of writings and art during the Elizabethan era. Although these poems venture through different techniques to appear individually different from the classic sonnet, the theme of love makes the poems analogous.
This one-sided nature of sonnets doesn’t change in later years, but loses it singular focus on these reluctant or absent characters. In contrast to his poem of growing older and unwanted in the extremely personal sonnet “Farewell, Love” the poem “Whoso so is to hunt” is a statement to another individual rather than a lamentation for youth. The Petrarchan influence becomes much less potent and more experimentation is produced. While a specific influence may fade, tested and true devices in literature are still used in modern day works. Throughout the medieval times into the Renaissance to present day the blazon is notable, even if used in various ways. The continuous use of devices or themes shows the fluidity of the human condition and the purpose of literature, the objective is the changing
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Shakespeare’s Sonnet #23 is addressed to the lovely young man, called WH. The speaker is trying to convey his complex feeling towards his lover. He is tongue-tied in the young man’s company and he is trying to explain this awkwardness and express his complex emotions in this sonnet. It is, the speaker says, due to the hugeness of his love, that makes it too heavy to carry. For the author this sonnet is a silent representation of his inner voice. To show the complexity of the situation, he compares poet’s role as a lover to an actor’s timidity onstage. He asks WH to read these silent lines and explains that love will give him the insight to read between lines. The sonnet consists of 14 lines, which are splitted into octave and a sestet, and has typical for Shakespeare’s sonnets rhyme scheme: a-b-a-b, c-d-c-d, e-f-e-f, g-g. He uses first two quatrains to establish a problem and then resolves it in a third quatrain, summarizing solution in the following couplet.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
Spencer, Edmund. “Amoretti: Sonnet 54”. The Norton Anthology of English Literature. Gen. ed. David Simpson. 8th ed. Vol. 1. New York: Norton, 2006. 904. Print.
---. "Sonnet 130." The Norton Anthology of English Literature, Vol. 1. M. H. Abrams, ed. W. W. Norton (New York): 1993.
Thus, Sonnet XIII maintains a feeling of passivity, since Donne wants to appreciate the beauty and receive the pity of Christ, while conversely, Sonnet XIV embodies bold action with Donne’s pleas for forceful divine intervention. It may be an oversimplification to say that the heart of XIII is defined by passivity, and the heart of XIV by action, but this dichotomy reflects a fundamental distinction between the two
In addition, the sonnet is a statement of respect about the beauty of his beloved; summ...
Sir Philip Sidney’s “Sonnet 31” might, at first glance, appear to be a man asking a series of questions to no real end. Closer examination, however, reveals that this is a work that delves deeply into its speaker’s—and perhaps the author’s—psyche, offering its readers as much insight into human nature today as it did when it was written in 1582. Astrophel, failing at effectively communicating to or winning the affection of his desired, seeks to better understand the circumstances of his existence. Perhaps too afraid to gaze into his own reflection and seek those answers from himself, Astrophel instead consults the moon, which promptly comes to embody the plight of the speaker and perhaps anyone who has gazed at the moon longingly searching for answers but finding none.