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Analysis of John Donne's Holy Sonnet
Themes in john donne poetry
Holy sonnet xiv john donne analysis
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Recommended: Analysis of John Donne's Holy Sonnet
Many philosophers, theologians, and poets have grappled with the question of divine judgment throughout history and continue to this struggle today. However, John Donne offers a fascinating and unique perspective on the Christian view of judgment for the afterlife in Sonnets XIII and XIV of his Holy Sonnets. With vivid imagery that makes his ideas, fears, and hopes almost tangible, Donne addresses the power of pity and the need for divine intervention in his own heart, while being consumed with a desire to know what will happen to him when he dies. Donne expresses a wide range of emotions including devastating despair, but never loses his ability to express his thoughts beautifully and coherently. While Sonnets XIII and XIV may deviate sharply …show more content…
In XIII, the scene of Christ’s crucifixion is deliberately described with gruesome detail: “Tears in His eyes quench the amazing light,/Blood fills His frowns, which from His pierced head fell” (lines 6 and 7). The primary purpose of employing this graphic imagery is to develop the central irony of the poem’s message, namely that the visually horrific death of Christ represents a beauty so powerful it “assures a piteous mind” (line 14). Likewise in Sonnet XIV, Donne uses violent language to frame his poem. However, XIV contains a long series of images instead of focusing on one individual scene like Christ’s crucifixion. Again, violence here is ironically beneficial to Donne. Only through the controlling power of God that overwhelms him, can Donne truly become free. Sonnets XIII and XIV both share a common emphasis on violence being used towards noble …show more content…
He wants “the picture of Christ crucified” to be marked in his heart in Sonnet XIII. Similarly in Sonnet XIV, he asks God to “batter my heart.” However the connotation of heart seems to be different in each poem. The heart of Sonnet XIII is morally neutral or even a pious receptacle for the power of Christ’s pity, while the heart of Sonnet XIV is a weak and corrupt representation of human failing. The former acts as weathervane indicating where the soul “dost dwell” and the latter as the main determiner of Donne’s fate. Thus, Sonnet XIII maintains a feeling of passivity, since Donne wants to appreciate the beauty and receive the pity of Christ, while conversely, Sonnet XIV embodies bold action with Donne’s pleas for forceful divine intervention. It may be an oversimplification to say that the heart of XIII is defined by passivity, and the heart of XIV by action, but this dichotomy reflects a fundamental distinction between the two
John Donne's view of love deviated greatly from the Medieval philosophy of courtly love, which had been expressed in poetry handed down from the sonnets of such poetic giants as Sidney and Petrarch. The general verse until then had focused greatly on the unrivalled importance of love in the context of the life of the poet (or his creation's voice). Until then, "love" had consisted mostly of an obsession with one woman, and an exploration of the feelings and situations that this caused in the narrator.
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
William Penn, an English philosopher and founder of the Province of Pennsylvania, once said that, “For death is no more than a turning of us over from time to eternity.” He is saying that death is not the end of our lives, but just another stage. In the poem “Holy Sonnet 10” by John Donne, the poet talks to death itself and gives his opinion on his view of death and others’ views: it is something that cannot control anything, can be replaced by other things, and is not the end of a person’s life. Through the use of his figurative language, Petrachan form, and tone and language, Mr. Donne expresses the message that death is not to be feared because one lives in heaven. John uses many examples of figurative language in his sonnet.
Dan Moller defends the argument he calls “the bachelor’s argument,” which is an “argument against marriage.” By pointing out how not everyone that gets married isn’t guaranteed a happy and successful out come, such as a happy and loving marriage. If we were follow through with the bachelor’s argument as if it was set standard set in stone, not giving marriage a chance could possibly lead to the lose of one finding true because they never got a chance to marry the person they thought they’d love and could have lasting relationship. Moller argument isn’t enough to reject marriage as a whole because it just emphasizes of the things that could go wrong in a marriage and how hard it’d be to get out of such a commitment.
Holy Sonnet XV deals with the question of reciprocal love that runs throughout Donne’s religious poetry. The Sonnet is an address of the speaker’s mind to the speaker’s soul; it is a meditation on the Trinity and man’s relationship to God. The poem’s form and the multi-layered conflation throughout expound upon the nature of the Trinity. The theme of humility in reciprocal religious love or receiving and understanding God’s glory (as Donne understood it) runs throughout the poem. This allows the speaker’s soul to understand his own need for humility in order to love god fully. Donne uses the Sonnet form cunningly in this poem; the formal divisions of the Sonnet reflect the trinity, with three four-line sections, while the inner workings of the poem expound upon God’s love for mankind and the need for humility. The poem’s rhyme scheme is abba/abba/cddc/ee. This formally divides the poem into three four part sections that move from the spiritual to the physical downward through the Trinity, increasing tangibility with regard to the physical and allowing the speaker to achieve a closer relationship with God through Christ.
In arguing against mourning and emotional confusion, Donne uses a series of bold and unexpected comparisons for the love between himself and his lady. Donne makes his first surprising analogy in the first stanza when he compares the approaching separation of the lovers to death. "he speaker compares his parting from his lover to the parting of the soul from a virtuous man at death. According to the speaker, "virtuous men pass mildly away" (line 1) because the virtue in their lives has assured them of glory and happiness in the afterlife; therefore, they die in peace without fear and emotion. By this he suggests that the separation of the lovers is parrallel to the separation caused by death.
William Shakespeare 's 'Sonnet 73 ' highlights the continuous anxiety; of speaker the due to the inevitability of old age. Through various poetic techniques Shakespeare underlines that the deterioration of time is arbitrary; and it therefore naturally decays beauty and life. However there is a sense that he expresses love as a stronger force which overcomes the constant decline of youth and time. This is strongly represented by the use of seasonal imagery. Similarly, John Donne utilizes formal aspects in 'A Valediction Forbidding Mourning ' to convey the same view of the strong force of love. Unlike, Shakespeare 's constant reflection on deterioration; Donne presents arguments to reassure his lover that their love can overcome all aspects.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
Ribes, P. (2007, July 16). John Donne: Holy Sonnet XIV or the Plenitude of Metaphor. Retrieved October 6, 2011, from Sederi: http://sederi.org/docs/yearbooks/07/7_16_ribes.pdf
Granted that Donne's personification of God reduces the deity from an almighty force to a human archetype, divinity is not undermined. The metaphoric figures of inventor, ruler, and lover, each retain specific skills and purpose, but can not compare to the Christian suggestion of God's role and strength. However, the presentation of striking, violent imagery charges the poem with a sense of power and complete domination, and allows the image of God to transcend his designated human forms. Through the projection of life's frailty, powerlessness in captivity, and sexual
In the poem, Donne structures each stanza individually as a different personification of love. In the first stanza, Donne compares love to a plague when he says, “Yet not that love so soon decays…that I have had the plague…” (3/6) It is the latter line that Donne implements his use of imagery and conceit. Love is not often compared with “the plague” and this is a very strong interpretation. However while these two images seem different, they do interconnect through the pain and anguish that love can foster. This first comparison of Donne’s is very ef...
John Donne's use of deep religious themes, unique poetic devices, and vivid imagery create a stunning and convicting poem. Donne's talents are on full display as he moves through each line with such beauty and simplicity. One can easily imagine his sorrow and pain as he penned the words of this poem and poured his heart into it. Donne's work reminds readers of the sorrow of sin, the necessity of forgiveness, and the hope of restoration. Although he focuses on anguish and sorrow, his message is truly one of joy and hope. All who take his words to heart find internal peace and rejoice in the mercy of their
In John Donne’s sonnet “Death, Be Not Proud” death is closely examined and Donne writes about his views on death and his belief that people should not live in fear of death, but embrace it. “Death, Be Not Proud” is a Shakespearean sonnet that consists of three quatrains and one concluding couplet, of which I individually analyzed each quatrain and the couplet to elucidate Donne’s arguments with death. Donne converses with death, and argues that death is not the universal destroyer of life. He elaborates on the conflict with death in each quatrain through the use of imagery, figurative language, and structure. These elements not only increase the power of Donne’s message, but also symbolize the meaning of hope of eternal life as the ultimate escape to death.
By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.