The film American Beauty is a 1999 drama about an office worker named Lester Burnham, who is going through a middle life crisis. During this time he becomes obsessed with his teenage daughter's best friend, Angela. Lester lives with his wife, Carolyn Burnham and their only daughter Jane. In the film, Lester Burnham worked as a magazine journalist who in fact, hates his job. His wife, Carolyn was a real estate agent and seemed a bit uptight. Their daughter Jane hates both Lester and Carolyn and suffers from low self-esteem. The new neighbors move in next door which included a homophobic ex-marine for the U.S, Frank Fitts, his wife, and his teenage son Ricky who attends the same high school as Jane and Angela. Jane and Ricky happen to cross paths because Ricky loves to record his surroundings which included Jane as his primary subject. Frank is a strict disciplinarian to Ricky. The boy was often beat by his father through out the film.
American Beauty presents a progressive and darkly cynical view of American Suburban culture, suggesting that the cultural norms present within the american society encourage loneliness, depression, and fanatical materialism. In essence the title of this essay, "The Suburban Prison". Looking at this film from an Existentialist perspective, one must first refer to Jean-Paul Sartre's essay "Existentialism is Humanism". Sartre wrote the essay to address those critiques and to clarify the main ideas of the philosophy. In the essay Sartre mentioned the phrase "existence comes before essence". What does this mean? For human beings there is no predefined pattern that one must fit into. Living life and that is what truly defines one, not any idealized set of characteristics. This concept applies to the Ameri...
... middle of paper ...
... what was really going on with Ricky and Lester's friendship. He asked Ricky about it and when he heard the answer he wasn't looking for, although it was a lie, he kicked Ricky out and said he never wanted to see him again. Frank went over to the Burnham's to confront Lester. Frank attempted to kiss Lester but he refused, and Fitts left.
In his discussion of abandonment Jean-Paul Sartre insists that "man is free" or "man is condemned to be free" which simply means, you have the right to get away from all problems. Big or small. You had the will to be free. One can see Sartre's meaning of these two quotes at the end of American Beauty film when Frank Fitts killed Lester Burnham buy shooting him in the head. Lester's voice at the end let viewers know that although his loved ones were grieving he was free from his misery. He was happy to be free from all his problems.
“But what is freedom? Freedom from what? There is nothing to take a man's freedom away from him, save other men. To be free, a man must be free of his brothers. That is freedom. That and nothing else.”
According to the Collins Dictionary, “freedom” is defined as “the state of being allowed to do what you want to do”(“freedom”). The definition of freedom is simple, but make yourself free is not easy. Concerning about some common cases which will take away your freedom, such as a time-cost high education attainment. In this essay, I shall persuade that everyone should try his or her best to insist on pursuing freedom. For the individual, it appears that only if you have your personal freedom, can you have a dream; for a country, it seems that only if the country is free, can the country develop; for mankind, it looks like that only if people has their own pursuit of freedom, can their thoughts evolve.
Durkheim's concepts of the sacred and the profane has dominated religious and social commentary for decades. While these two, inexorably linked, concepts are most often related with respect to religion, we can apply them to the almost-religion of the “American Dream” for the purpose of analyzing the lives of Lester and Carolyn Burnham, Buddy Kane, and Angela Hayes in the film “American Beauty.” In “American Beauty” the experiences of the characters illustrates the dichotomy between the sacred and profane, the morality associated with the sacred and profane, and the influences the sacred and profane have on the characters.
In this essay, I have chose to talk about the movies, American Beauty and Thirteen from group #1. The two topics discussed in this essay from group #2 are identity and difference along with sexuality. The cinematic elements from group #3 that will be discussed are cinematography and costume use. In many ways, both these films portray similar content in terms of characters fighting battles with themselves and society in order to fit in. In American Beauty, Lester Burnham tries to free himself from his boring life and depression. On the other hand, Thirteen shows the struggles of Tracy Freeland, who tries to fit in at school. This results in her to go on a self-inflicting rampage with her supposedly best friend Evie. Identity and differences are displayed through sexuality with Lester and Evie in different types of way. Lester lusts over his daughters best friend Angela, while Tracy tries to experience sexuality in different types of ways following Evie’s footsteps.
Freedom from what? There is nothing to take a man's freedom away from him, save other men. To be free, a man must be free of his brothers. That is freedom. That and nothing else.” He and liberty have finally escaped the community and achieved freedom. This ties in to the original quote, “To be free a man must be free of his brothers.” They have finally escaped their brothers and sisters, they are free from them, they are free to do as they please and be
Human beings, even when they are trapped or imprisoned, tend to assert their individuality or personal freedom. For decades now, the true meaning of freedom has been a very controversial topic. According to the American Heritage College Dictionary the word freedom means. The Condition of being free of constraints. Freedom can be felt, not physically but mentally through emotions. When human beings are trapped or imprisoned, most would have to achieve their own personal freedom in order to survi...
+The existential position toward Susan Orlean’s essay “Saturday Night” is one that rejects the dehumanizing state of “Saturdayness” and man being defined solely as the hedonistic Being-for-St. Elsewhere (Man as Future-State Man). Her guidelines for Saturday night directly contrast the existentialist ideals of freedom, the individual, and living in the present, and the philosopher Jean-Paul Satre surely would agree. *Even Orlean herself admits “chronological time is a sort of an anachronism these days”: the “Fun Imperative” has been replaced by the “Fear Imperative” (AIDS); and the living-for-the-future syndrome is a Satrian act of “bad faith” and must be acknowledged as such.
American Psycho is a savage account of a wealthy investment banker in the late 80s that commits heinous acts of murder, rape, and torture. Although on the surface, American Psycho seems as though it is just another horror story, it actually has a much deeper message. This story is a harsh critique of a superficial Wall Street society in the late 80s that was rampant with materialism and greed. This is the society in which the main character Patrick Bateman lives–where appearance, material possessions, and status define a person. This superficial existence leaves him hollow and dead inside and turns him into a psychopathic killer. A society such as this, devoid of any morality, inevitably creates psychopaths such as Bateman. The film shows an excellent portrayal of a vacant, nihilistic killer with no feelings or emotions. However, there is something more to the story that the film did not quite capture. The book seems to not only be a satirical take on this society, but a tragedy as well. Recreating the dinner scene with his secretary Jean shows that underneath the surface Patrick Bateman is, indeed, a human being with real feelings and emotions, and that it is a great tragedy that this superficial society has turned him into a monster.
Directed in 1999 the movie “America Beauty” by Sam Mendes takes the viewer to an average suburb community. Here, we meet the protagonist Lester Burnham. Lester is married to his wife Carolyn, and he has a fifteen-year-old daughter named Jane. Lester is portrayed as ordinary and unmemorable especially at his job. Thr...
“Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of everyday but one – the day you die.” – Lester Burnham
The dysfunctional American family of Carolyn, Lester and Jane Burnham a the key characters within American Beauty, and allows viewers to distinguish the idea of how not everything within is how it appears to be without. The Burnham’s appear to have the ‘ideal’ American lifestyle
Jean-Paul Sartre wrote, “Man is condemned to be free.” Beauvoir takes this statement and expands on it to explain her ideas of freedom and how one attains or attempts to dismiss it. The philosopher Dostoievsky stated, “If God does not exist everything is permitted,” (15) however Beauvoir disagrees. If God does not exist man has a greater responsibility to do what is deemed right and moral “He bears the responsibility
When Sartre says, “We are left alone, without excuse. That is what I mean to say that man is condemned to be free” (Sartre 32), he is speaking of man’s autonomous life; which is human independence and freedom to will one’s actions. Because God, according to Sartre, did not create man we are self-creating. Through human intelligence comes essence, the intrinsic nature or indispensible quality of something, but essence only comes after human existence. Creating ones own essence allows man to be free because we create what we are, rather then our identities being given to us. The only guidance man gets is from themselves because man is left alone in the universe, which in-turn makes man responsible. Man has no one telling him what to do, there may be laws but they are man made and because they man made no one has true control over man.
video camera, of a young teenage girl. The narration reveals that she wants her father dead. The image portrayed around her is constructed as an evil, unaffectionate youth. The next scene is of a high angle shot, with a voice-over narration. The voice-over goes to explain that this is Lester Burnham’s speaking and he is already dead and the following is a construction of the relevant events. This scene holds relevance for two reasons. First it constructs an image that the young teenager in the previous scene is the killer. And as we will learn by the end of the film this image is not all that it appeared to be. This is a reoccurring theme throughout the film, that these are constructed images, and to notice that there is more to the story then what appears on the surface. The high angle spanning shot of Lester’s street also holds significance for the spectator. This opening shot is quite similar to that of Alfred Hitchcock’s opening scene in Psycho. The similar themes is the spectators being the voyeurs. In each we are looking into the private sphere of the character. However, in American Beauty our voyeuristic nature is not shameful.
The definition of beauty is varying among different people in the world. Even though almost everyone knows the term beauty, many people are struggling in defining it and persuading others to agree with their opinions. Beauty is defined by a combination of qualities existent in a person or thing that fulfills the aesthetic feels or brings about profound gratification. Many people define beauty as a term to describe a person’s physical appearance; they often think that beauty comes from magazines, video girls, or even models. Although the term beauty can define a person’s physical appearance, true beauty lies in the way one acts and thinks rather than the way one look.