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Literary impacts of world war 1
Negative effects of World War 2
Literary impacts of world war 1
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Imagine losing all of your friends. Your loved ones gone forever. You do not know what will happen next, but you feel empty and unable to move one. Your family members left a hole in your heart that can never be filled. These were the exact feelings of the Lost Generation. Even though the Lost Generation tends to be forgotten in history classes, these people and their art are very important because it molded the world’s history greatly.
The Lost Generation is not studied intensively, but it had a great effect on the world today. It gave us many artistic values. The lost generation not only gave the world newfound views of humanity’s future, as seen in literary works from Ernest Hemingway and Gertrude Stein, but found ways to express the pain and suffering that the Lost Generation experienced. The Lost Generation was the young people after World War I. These people had just witnessed the deaths of their family and friends. They were ‘lost’ and were trying to find their way. Gertrude Stein coined the term ‘The Lost Generation’ when she told Hemingway: “"That is what you are. That's what you all are ... all of you young people who served in the war. You are a lost generation”’ (Gertrude Stein). These people needed a way to vent their grief; this is where the art came in to play. Surrealism and Dadaism were inspired by the Lost Generation and Existentialism; existentialism being the idea that one gives himself his own life meaning and there is no set plan for one’s future. These two factors made surrealism and Dadaism some of the most unique movements of all time. Surrealism artists wished to be in a world of their own, one where their imagination could truly go wild and where dreams and reality meet; Dada artists cre...
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...pread peace; this effect was none other than World War II. In their efforts to better the world and clean their wounds, artists accidentally helped create World War II. The Lost Generation had positive and negative effects, however, it did help shape the world today.
Even though the Lost Generation is typically dismissed as a useless art time period, the artists and people of the time are very important because they molded the world’s outlook today. Artists such as Salvador Dali and writers like Gertrude Stein gave a new meaning to one’s future. They linked worlds together and gave the world hope. These people greatly impacted the world, resulting in both positive and negative effects. These effects were major shaping tools for the world as seen today. The Lost Generation was a truly amazing era for the world and one of the most important moments in history.
Modris Eksteins presented a tour-de-force interpretation of the political, social and cultural climate of the early twentieth century. His sources were not merely the more traditional sources of the historian: political, military and economic accounts; rather, he drew from the rich, heady brew of art, music, dance, literature and philosophy as well. Eksteins examined ways in which life influenced, imitated, and even became art. Eksteins argues that life and art, as well as death, became so intermeshed as to be indistinguishable from one another.
Often art is lost or destroyed through out the many dangers of time. Art is sometimes used to convey thoughts or ideas of a time or people. If works are lost or destroyed we may lose important information from this time or the people who created the art. This matter is shown best in the movie titled The Rape of Europa.
The first piece of work i chose for this assignment was a song called Sleeping lessons by The Shins.The Shins are a popular band that is known for their rock sound. Each song has deeps lyrics and leaves the listener with their own interpretation of the song. Many of The Shins songs touch on existential themes.
With all this forgetting, we've also forgotten that God gave Adam and Eve a chance to recreate a world mirroring the beauty and goodness of the lost one. Yet, as their heirs, we've constructed an earth where "we live inside a history that no longer remembers us." Weigl wonders if we reinvent history to give ourselves identity, rendering ourselves powerless because we're unconscious of our present. He examines human suffering, hedonism, and desire, wondering if we can re-learn how to love, be loved, and forgive. As a mature poet working at the height of his craft, Weigl writes that we must weed out "the snare of the devil in our hearts" to pass through the visible end of the twentieth century bravely, with grace.
“Children took the ruins of the 20th century and made art out of it” (Skip Angblom) .
With the end of the first World War in the year 1918, many soldiers, young and old, came home to their families dark and cynical. Many famous authors of this time, like F. Scott Fitzgerald and Ernest Hemingway, wrote short stories not of their times at war, but of how material the world truly is. These were considered the “Lost Generation,” due to their lack of belief in humans in general and their dreary outlook of life in general. F. Scott Fitzgerald is famous for his book, The Great Gatsby which showed how he as an author viewed the Roaring Twenties, as one of the main themes is the idea that the American Dream is dead and humans are fickle and obsessed with material things, like money. On the opposite end of the spectrum, though, was the bright young generation, which “came into power” shortly after the Lost Generation. These young people were full of bright ideas and with the American Economy is a good place, everyone seemed to be happy. Art and fashion changed drastically, w...
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
...e Americans came back from World War I experienced disenchantment with modern America and were unconnected from society, these people were known as The Lost Generation (O). This term was first coined by Ernst Hemingway to describe the atrocities witnessed by the soldiers in World War I, and whom came back to write literature. Among the people of the Lost Generation was Ernst Hemingway, F. Scott Fitzgerald, ad T.S. Eliot. The war was backed by the people who lived in the U.S. and did not go off to fight, only the soldiers know the true reality of the situation, and how horrible the war actually was and how the war changed them when returning to the United States.
In the time after World War One a new way of thinking became prominent. This new idea is what we call Modernism. After the war it was realized that many people had suffered absolute horrors, ones that they never could have imagined, or ever forget. The violence and pain witnessed by so many left them psychologically shell-shocked, and filled with disillusionment. These psychological effects would soon alter the world for years to come, and lead many to a loss in faith and questioning of everything they once believed true.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
Existentialism is the epitome of the unknown. There is no straightforward explanation of what exactly it is, there is only certain characteristics and behaviors that describe existentialist views. Throughout today’s world, there are examples of it everywhere, it’s found in movies, books, songs, and just people in general. Existentialists are known to think and do for themselves only. They believe that to understand what it means to be human requires understanding of themselves first. Some very well known pieces of entertainment existentialism is found in are: Hamlet by William Shakespeare, The Metamorphosis by Franz Kafka, “The Yellow Wallpaper” by Charlotte Perkins Gilman, The Stranger by Albert Camus, and The Breakfast Club by John Hughes. The Stranger is a book written about a young man whose mother dies, which soon leads him to becoming acquainted with the feeling of not caring about what his actions do to others or himself. The main character Meursault starts helping his friend Raymond, carry out ways to torment his mistress. Out of nowhere while at the beach, Meursault shoots Raymond’s mistress’s brother. He is thrown into jail and tried, but he seems to not be affected as much as he should about his actions. He first finds it hard to live without cigarettes, women, and nature, but he soon finds out he doesn’t need any of those. After being sentenced to death, he is suggested to turn away from his atheism but later realizes that human existence has no greater meaning. This realization and acceptance is what truly makes him happy (Camus). Next, The Breakfast Club is a very relatable movie about high school students suffering the consequences of their actions in detention. The kids are all of ...
The lost generation was a group of writers who gained much popularity and grew in their literary expansion post WWI from 1918 through 1930. (Lost Generation) Prior to enlisting in the war, Americans were promised an upbringing of patriotism and honor for serving one’s country. They found returning home that the honor in which they believed to be fighting for was nothing more than witnessing innocent men killed. Upon returning back from WWI the image of patriotism and honor faded when the realism of the after effects of the war and the consequence became apparent in our young men. World War I destroyed the virtuous envision young American men had towards their country when they returned home after witnessing friends dying in battle and many returning home in a state that left them both physically and emotionally impaired. (The Lost Generation: American Writers of the 1920's)
“In a decaying society, art, if it is truthful, must also reflect decay. Moreover, unless it wants to break faith with its social function, art must show the world as changeable. And help to change it.” This quote by Ernst Fischer, a German composer, means that truth in art exposes the parts of society, and of life, that no one wants to see. In order for art to change society, it must first reflect the fears and failures of its people. The artist can change how people think of themselves and the world by using less conventional methods of creating art. The artist, in doing this, introduces new ideas of human placement in time and space, new frontiers of thought, that are furthered by the disciplines of science and philosophy. The artist works to introduces unique- and sometimes offensive- ideas so that society will be exposed to new ways of thinking and understanding the world. The artist does this through experimentation with color, style, and form. Therefore, the purpose of the artist should be to challenge how individuals perceive themselves and the offensive aspects of society reflected in art to bring about innovations in the greater society.
Unlike Dadaism, Surrealism was not about angry young men and women who were disillusioned by the horrors of the 1st world war and a bourgeois society that did not care. Surrealism was a movement dedicated to ‘the exploration of the realm of the unconsciousness and the dream. They were seeking what might be called the language of the soul. For the surrealists, it was not so much a type of work as a spiritual orientation.’ (Waldberg, 1965)
this view and says on the contrary if a pieceof art is lost today its