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The red badge of courage stephen crane irony
Theme of the red badge of courage
Character essay red badge of courage
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Fight or flight? Which do we choose in the heat of the moment? In the novel The Red Badge of Courage, by Stephen Crane, a young boy is thrown into the depths of war and must come face to face with the same question. Though out the novel Crane writes of the conflict of being able to have the courage to stay and fight rather than taking off running. The theme of courage is written through the character’s traits, actions, and the topic of naturalism. Stephen Crane however, was unable to clearly tell Henry’s growth and how he found his courage in the midst of the war. Through the story our main Character Henry, also known as the youth, was battling with having bravery and making the choice to stay and fight. For example, the youth had asked his fellow men, “How do you know you won’t run when the time comes?” (Page 21 Chapter 2) From the start Henry had been asking himself “will I run?” He had yet to see battle and his mind was already fighting with himself. He asked others the same question to help him think that it was reasonable that he felt there was a chance he
During his first battle, “He ran like a blind man. Two or three times he fell down.” (Page 47 Chapter 6) His main question of his courage was proven to be weak when he had run away from his first battle. In an instant his body told him flight. Through many battles he did the same thing constantly running or avoiding the main fight. Finally, though he took fight in one battle, “He had no time for dissections, but he knew that he thought of the bullets only as things that could prevent him from reaching the place of his endeavor.” (Page 142 Chapter 23) Once again Crane had simply flicked a switch and the youth was ready to throw himself into battle. Where had this sudden burst of courage come from? What were his thoughts that made him so easily give himself into
An example of courage, as the judgment that something else is more important than fear, is through the character of Kak in B for Buster by Iain Lawrence. In this novel, Kak is characterized as a young, determined boy, desiring to turn himself from a comic book reading boy into a World War II hero. Planning to escape his drunken, abusive father, Kak enlists himself in the Canadian Air Force although he is underage and only sixteen years old. During his first mission, he is becomes frightened of the risk of not coming home alive, but doesn?t show his emotions because of his austere, intrepid crewmen. During this mission, Kak did not have an absence of fear, but he felt that becoming a hero like the ones in his comic book, and accomplishing his dream of fly, was more important than his fear of dying.
Henry is worried about how he will do in this first battle. He isn't. sure if he will run or not, and he is scared that he might. He doesn't. want to look like a fool and run, but he is also scared of getting killed.
The main character of this book is Henry Fleming, mostly referred to as The Youth or Youth. The Youth has dark, curly brown hair also; he is a young teenager and is average height when compared to the Tall Soldier. Henry is insecure because he is going through a difficult stage between being a "man" and being a "boy". Henry can't wait to get to war when he signs up but during the book Henry learns that war has a lot of affects on people emotionally and physically. Henry's flaw is that he is afraid of making himself look bad and he is worried that he is going to be a coward and run away from battle. Henry really wants to be a "man" and be courageous. I once heard a swim coach give an extremely good definition of courage. He said "To me courage is not to be unafraid but it is to be afraid but one does it anyways and doesn't worry about being afraid. I think Henry thought of courageous as fearless and that is also part of his flaw.
In the Red Badge of Courage, the protagonist Henry, is a young boy who yearns to be a Great War hero, even though he has never experienced war himself. Anxious for battle, Henry wonders if he truly is courageous, and stories of soldiers running make him uncomfortable. He struggles with his fantasies of courage and glory, and the truth that he is about to experience. He ends up running away in his second battle. Henry is somewhat nave, he dreams of glory, but doesn't think much of the duty that follows.
For example, Henry’s actions in the second battle convey his initial cowardice. In response to the enemy coming back to fight, Henry “ran like blind man” (Crane 57). Henry’s actions illustrate his cowardice since he is afraid to stay and fight and flees instead. However, as Henry matures throughout the novel, he learns to control his fears and show courage through his fighting. For instance, in the battle after Henry rejoins the regiment, Henry “had not deemed it possible that his army could that day succeed, and from this he felt the ability to fight harder” (Crane 133). Henry portrays bravery in this battle, since he still fights with all of his strength, when he believes the enemy would win. Henry’s change from cowardice to bravery is conveyed through his act of running away from battle, to fighting courageously in
At the beginning of the novel Henry is disappointed with war; he had far greater expectations of war. He wants one thing out of this experience, Glory, and he would go to any extreme to fulfill it. In battle Henry acts impulsively and is easily manipulated, he flees from battle at the sight of others running. When he realizes his cowardice, he rationalizes without end why he ran. He justifies that nature also flees at the sight of fear when he scares a squirrel to runoff.
In the first part of the novel, Henry is a youth that is very inexperienced. His motives were impure. He was a very selfish and self-serving character. He enters the war not for the basis of serving his country, but for the attainment of glory and prestige. Henry wants to be a hero. This represents the natural human characteristic of selfishness. Humans have a want and a need to satisfy themselves. This was Henry's main motive throughout the first part of the novel. On more than one occasion Henry is resolved to that natural selfishness of human beings. After Henry realizes that the attainment of glory and heroism has a price on it. That price is by wounds or worse yet, death. Henry then becomes self-serving in the fact that he wants to survive for himself, not the Union army. There is many a time when Henry wants to justify his natural fear of death. He is at a point where he is questioning deserting the battle; in order to justify this, he asks Jim, the tall soldier, if he would run. Jim declared that he'd thought about it. Surely, thought Henry, if his companion ran, it would be alright if he himself ran. During the battle, when Henry actually did take flight, he justified this selfish deed—selfish in the fact that it did not help his regiment hold the Rebs—by natural instinct. He proclaimed to himself that if a squirrel took flight when a rock was thrown at it, it was alright that he ran when his life was on the line.
In the Historical fiction, “The Red Badge of Courage”, written by Stephen Crane; a young man try’s to find courage in himself in the time of war. After watching your commander die in war, would you stay and fight or return home and be a coward? Enlisting Himself into war Henry, to be more than the common man to prove worthyness and bravery. With the sergeant dead will Henry lead his men to victory, or withdraw his men in war. Not being the only are faced with the decision Jim and Wilson Henry’s platoons will have the same decision.
In the early portion of the book, Crane offers his readers several chances to examine the protagonist’s personality. Henry seems to be largely narcissistic and self-centered, and appears deeply unconcerned with the concept of duty. Henry’s only concern is glory, and he has seemingly no drive to do what it takes to earn this glory. A good example of this is when he fears that he may be outed as a coward, but not because his lack of bravery is indicative of being a bad soldier, but because such exposure would ultimately deny him of the renown he longs for.
The descriptions of war that he read in magazines were usually dry and too matter-of-fact. He also believed that they lacked connection to the real emotions that are brought about by warfare; “dates and locations of battles cannot even begin to reproduce the essence of combat” (“Naturalism”). Due to his yearning to learn more and provide a realistic representation of war, Crane researched many aspects of the battlefield and often referred to scenes he wrote about as “skirmishes on the football field” (“Biography of Stephen Crane”). Ultimately, Crane “saw the opportunity to craft the first novel that explored warfare from the point of view of the psyche” and he “attempt[ed] to show that humans were not designed to commit such atrocities on each other”
*Courage in the context of combat in this story was not real courage; it was merely going through the motions of being in war.
Having read of marches, sieges, conflicts, and the exploits of Greek warriors, and, as well, longing to see such, Henry enlisted into the Union army, against the wishes of his mother. Before his departure, Mrs. Fleming warned Henry, "...you must never do no shirking, child, on my account. If so be a time comes when yeh have to be kilt or do a mean thing, why, Henry, don't think of anything `cept what's right..." Henry carried with himself this counsel throughout his enlistment, resulting in his questioning himself on his bravery. As a sign of Henry's maturation, he began to analyze his character whilst marching, while receiving comments from his brethren of courage in the face of all adversity, as well as their fears ...
During the Civil War, injuries caused lots of damage on soldiers and their bodies. Usually, when a soldier gets severely injured, amputation was the best option. A common phrase, “Bite the Bullet”, became very prevalent upon the Civil War culture. The phrase literally meant during the amputation process, the surgeon gave an actual bullet to the soldier to bite on while his limb was being removed (Phrases). In the beginning of the novel, Henry constantly contemplated running when the battle started, or staying to fight for victory. Henry did not show any signs of courage until he steeped on the battlefield for the second time and began to fight. Injuries inflicted on Henry and his comrades drew out a lot of courage on themselves along with the rest army division. “At times he regarded the wounded soldiers in an envious way. He conceived persons with torn bodies to be peculiarly happy. He wished that he, too, ...
The world of Stephen Crane's fiction is a cruel, lonely place. Man's environment shows no sympathy or concern for man; in the midst of a battle in The Red Badge of Courage "Nature had gone tranquilly on with her golden process in the midst of so much devilment" (89). Crane frequently anthropomorphizes the natural world and turns it into an agent actively working against the survival of man. From the beginning of "The Open Boat" the waves are seen as "wrongfully and barbarously abrupt and tall" (225) as if the waves themselves had murderous intent. During battle in The Red Badge of Courage the trees of the forest stretched out before Henry and "forbade him to pass. After its previous hostility this new resistance of the forest filled him with a fine bitterness" (104). More omnipresent than the mortal sense of opposition to nature, however, is the mortal sense of opposition to other men. Crane portrays the Darwinian struggle of men as forcing one man against another, not only for the preservation of one's life, but also the preservation of one's sense of self-worth. Henry finds hope for escape from this condition in the traditional notion that "man becomes another thing in a battle"‹more selfless and connected to his comrades (73). But the few moments in Crane's stories where individuals rise above self-preservation are not the typically heroicized moments of battle. Crane revises the sense of the heroic by allowing selfishness to persist through battle. Only when his characters are faced with the absolute helplessness of another human do they rise above themselves. In these grim situations the characters are reminded of their more fundamental opp...
113-117. Modern Critical Interpretations: Stephan Crane's The Red Badge of Courage. New York: Chelsea House Publishers, 1987. Cody, Edwin H. Stephen Crane. Revised Edition.