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Relationships in a midsummer night's dream
Presentation of relationships in a midsummer nights dream
A midsummer night's dream literary analysis
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Many people think that it is easy to control a person, but in reality you won’t be able to predict what the person is going to do after you have controlled him or her. A Midsummer Night’s Dream is a play with a concept about control. Shakespeare shows us that it is not possible to control a person’s actions, because the results may be misleading and most likely tragic. In the play there is many characters who have misleading ideas of one another. Shakespeare is idolizing the idea of not being able to control another because the results are most likely unknown, and could be dismissed. The idea of control starts in the very beginning of the play, where Egeus is trying to control Hermia, which by he says in (1.1 40-46) “As she is mine, I may dispose of her which shall be either to this gentlemen or to her death.” Hermia then plans of, and exceeds by running away with Lysander into the forest. In (1.2 81) Bottom is trying to control everyone by expressing that he is a better actor than everyone, and that he shall play all parts, but he then gets rejected.”You can play no …show more content…
part but Pyramus...” which is told to Bottom from Quince. In concluding statement you can’t control one another because it is very unseeable and tragic. In the play, Shakespeare shows a lot about consequences once a person has began to control one another, and the effects of controlling one another is most likely going to be unexpected and terrible.
An example of having bad consequences is when Robin anoints Lysander’s eyelids with the nectar, when he should have poured the nectar on Demetrius's eyes, “churl upon thy eyes I throw all the power this charm doth owe.”(2.2 84-85). Later when Lysander wakes up he wanders away, and stumbles upon Helena and falls in love with her, due to the nectar that was poured onto his eyes. Lysander is supposed to be in love with Hermia, but after his eyes got poured with nectar, he fell in love Helena, “Content with Hermia? No, I do repent The tedious minutes with her have spent. Not Hermia, but Helena I love.”(2.2 118-120). These quotes show the results of trying to control one another, which then has a bad
outcome. Others might say that the outcome of each action of controlling is most likely to come out the way you would want it. Most of these Actions of controlling in this play have really bad outcomes. A claim that others might says is that the play consist of bad outcomes to controlling one another, but later on the in the play, the controller would accomplish the the goals of controlling one another. An example of having a controlling action that comes out unforeseeable later in the play is when,
A second example is after Oberon realized Puck’s mistake, and he didn’t reverse the potion’s effect on Lysander; he just anointed Demetrius also! This caused him to “suddenly” love Helena. She then became angry, and came to believe that both Lysander and Demetrius were toying with her in a cruel way. “Ospite... I see you all are bent/To set against me for your merriment./If you were civil and knew courtesy,/You would not do me thus much injury” (3.2.148-151).
Many people believe that control is possible until it comes into play and it doesn’t work out. Control is a big deal in A Midsummer Night’s Dream by William Shakespeare. Oberon tries to control Demetrius and Lysander tries to control Helena. Control is not possible because it’s unpredictable and you can’t control love.
Exerting the type of power that is influenced by malicious intentions can cause one to make decisions that are not beneficial to others. A Midsummer Night’s Dream is written within a time period and setting that favors men instead of woman. In other words, men have all the authority to control the events that occur in their own lives as well as the lives of others whom are considered insignificant. The plot displays the catalysts that ignite many characters’ desire for control that is misused by higher status people. Shakespeare’s use of characterization demonstrates how the wanting of control causes the characters to act irrationally through the misuse of power. Shakespeare’s use of setting, plot and characterization causes the ordeals that the characters ultimately face. In turn, the deceitful choices of a few individuals with status impacts whether the lives of lower status people are enhanced.
Every action made in A Midsummer Night’s Dream revolves around the idea of love. It is a concept which few people can understand because of the extremity a person can go through to go after their love. “Lovers and madmen have such seething brains, such shaping fantasies that apprehend more than cool reason ever comprehends.” Lovers see the world in a way which everyday people cannot comprehend. The idea of love leads to them making irrational choices which may seem
The nature of both control and fate are explored in Macbeth, one of Shakespeare’s most horrific tragedies, in which the titular king is driven to murder in a quest to gain power. Under Macbeth’s kingship, more and more people die as both Macbeth and his kingdom are driven to chaos. Despite Macbeth’s apparent control over his own fate, other characters have an integral role in determining how the plot unfolds. The weïrd sisters give Macbeth the initial desire to murder King Duncan, while Lady Macbeth gives him the final push he needs to commit this act. Throughout this play, control appears as a fluid entity—constantly changing hands and shared unequally between the characters mentioned previously. Although all three appear to have influence
Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.
Throughout A Midsummer Night’s Dream the theme of conflict with authority is apparent and is the cause of the problems that befall the characters. It also is used to set the mood of the play. The passage below spoken by Theseus in the opening of the play clearly states this theme.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
A Midsummer Night’s Dream, by William Shakespeare, is a play that illustrates a good picture of woman’s lack of freedom. It is a story of several couples, among which there is a fairy king, Oberon, who proves his sovereignty over the queen of the fairies, Titania. The two have an ongoing conflict about who should keep the Indian boy, whose mother had recently died. Titania doesn’t want to give him up because she and the boy’s mother knew each other very good; whereas Oberon has no relations to the boy, but really wants him as a servant. Ultimately, Oberon wins the boy by using a trick of his on Titania, revealing her weakness. Shakespeare uses Oberon to show this power of man over woman and to expose woman’s unheard, meaningless, and feeble opinions through Titania. In several scenes throughout the play, the female character, Titania, struggles to do as she desires; however, Oberon takes things under his control and helps to portray the female as weaker than the male.
Throughout time, in fiction and in reality, authority figures have used their power to undermine their subjects and anyone caught in the wake of it. In Shakespeare’s plays A Midsummer Night’s Dream and The Winter’s Tale, this abuse of power is the main source for the tension found throughout both plays. It is present when entitled men with titles decide to get what they want, regardless of who it can harm or how. While some of the men are safe from any of the repercussions of their tyranny, others have to suffer the consequences of it. These power trips are taken liberally and from various positions, that clearly serve only the interests of the men who take them.
Control can be seen in a family bond like the one between Egues who’s trying to force his daughter, Hermia, to follow his will. The relationship between the married rulers of the fairies, Titania and Oberon; Oberon who decides to play a nasty trick on his wife to get her to give him an indian boy who he wants as his servant. Also, the relationship between Puck, the loyal servant of Oberon, and the four teenagers is entirely based on control as Puck is controlling their love lives. All the character in A Midsummer Night’s Dream are intertwined with each other because of control; therefore, the entire story line depends on
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
A Midsummer’s Night’s Dream shows that the results of people trying to control someone else’s actions are short lasting.In act 3 scene 2 Demetrius gets a love spell put on him to love Helena, after they run into the woods
In the relationships of an authority and individual, the authority has the rights or power to make significant and logical choices, and enforce obedience while the individual reasons strictly for themselves. That affiliation is demonstrated within William Shakespeare’s romantic comedy play titled, “A Midsummer Night’s Dream.” Shakespeare’s play involves three different groups of people that undergo the struggles with both the authority and individual. The complications of that relationship within the three groups are demonstrated between a father and daughter, a husband and wife, and a director and an actor.
A Midsummer Night’s Dream portrays magic through many places in the text. Magic is a key component to the plot of the story. Magic can make a problem disappear, or it can intensify the problem. There are many reasons magic is powerful, but one of the main ones is because not everyone understands it. Magic in one way or another affects everyone in A Midsummer Night’s Dream, but the perspective with which each character views magic is different. The power of magic is something that is hard to understand, even those who use magic often cannot fully understand magic because in many ways it is irrational and inexplicable.