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Essays on symbolism in literature
Importance of symbolism in literature
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Everyone can relate to control in their life. Control is when you try to get someone or something to do what you want them to do. In the book A Midsummer’s Night’s Dream by William Shakespeare, Demetrius and Oberon both try to control others because of love. Demetrius is a young lover who wants to marry Hermia. Hermia’s Father Egeus allows this and wants his daughter to marry him. However, Hermia loves Lysander, so Hermia and Lysander run away. But, Helena is still trying to get Demetrius to love her again. Oberon is the king of the fairies. He has a servant named Puck who does whatever Oberon wants him to. Oberon’s wife Titania has a little Indian boy that Oberon really wants. Ultimately, Shakespeare makes the case that it is no possible to control someone else, because the effects are short lasting, and the person being controlled can rebel.
A Midsummer’s Night’s Dream shows that the results of people trying to control someone else’s actions are short lasting.In act 3 scene 2 Demetrius gets a love spell put on him to love Helena, after they run into the woods
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looking for Hermia. “Flower of this purple dye/ hit with cupid's archery/ sink in the apple of his eye/ when love he doth esp/ let her shine as glorious as the sky.” (3.2.102-107) This means that Demetrius will no longer love Hermia but instead love Helena. Which shows how him trying to control Hermia was short lasting. After Puck put the love spell on Lysander instead of Demetrius,Oberon had him try and fix his mistake. “Till o’er their brows death counterfeiting sleep… Then crush this herb into Lysander's eyes.” (3.2.364-366) This shows that right after Lysander got the spell put on him Oberon had it taken off. This also goes to show that Lysander being controlled by Oberon on lasted for a small amount of time. As you can see all of the attempts of control were caused by the magical flower. Which ends up leading to the effects being temporary. Shakespeare also shows that the person being controlled can rebel against the person trying to control them.
After Demetrius and Egeus tell Hermia she must marry Demetrius, Hermia decides to do something about it with Lysander. Lysander says, “From Athens is her house remote seven leagues… There gentle Hermia I may marry thee.” (1.1.159-161) This demonstrates how Hermia rebelled against Demetrius because, she decided to run away with Lysander, since she doesn't want to be forced to marry Demetrius. Also after Oberon sked Titanis for the Indian boy Titania turned him down. She said, “set your heart at rest/ the fairyland buys not the child of me” (2.2.122-123) This shows that Titania rebelled against her husband's request since she loved the child too much to let him go. Thus both Demetrius and Oberon discovered that when you try and control someone they can just rebel and it will leave you chasing
them. However, Shakespeare might make it seem that you can control someone because both Demetrius and Oberon appear to be successfully controlling someone else. For example, After Demetrius got the spell put on him and falls in love with Helena, he tries to get Lysander to stop loving Helena. He says to Helena, “I say I love thee more than he can do.” (3.2.254) This demonstrates how Demetrius controls Lysander because when he wakes up the next morning, Lysander is in love with Hermia again. Which makes Demetrius think that he made Lysander stop loving Helena. IN act 4 scene 1 Oberon gets Demetrius to love helena. Demetrius says “and all faith, the virtue of my heart/ The object and pleasure of mine eye/ IS only Helena”(4.1.167-169) This means that Oberon got Demetrius to love Helena by using a love potion to create false love. However, neither Demetrius or Oberon are really in control. Demetrius isn’t actually controlling Lysander, Oberon is just putting a spell on him. And Oberon is just creating false love with the flower, which can eventually blow up in his face if the potion wears off or just goes away. This shows how even though it may seem that Demetrius and Oberon are controlling someone else’s actions they are either using the flower or someone else is controlling the person they are trying to control. After reading A Midsummer’s Night’s Dream you can pick up on the fact that Shakespeare doesn’t think that you can successfully control another person's actions. You can tell this by looking at the results of attempts of control and how the person being controlled can disobey. Also, pretty much all of the changes are short lasting since they are caused by the magical flower. As you can tell, if you read Shakespeare's A mIdsummer’s Night’s Dream you will clearly see why I say that Shakespeare shows that you can not control someone else. So over all Shakespeare shows that your plan to control someone never really works very well… Unless you are a fairy.
In act 3 of the play, Oberon seemed to be ordering Puck to anoint Demetrius. “What hast thou done? Thou hast mistaken quite/And laid the love juice on some true-love’s sight”(3.2.90-92). Oberon thought that he had ordered Puck to anoint Demetrius, but when Puck anointed Lysander, Oberon controlled someone, just not the right man. While it appears that control is balanced, it's true form is chaos.
Titania has been giving all of her time and affection to a “changeling” child, left in the custody of Titania. Not only is Oberon jealous that Titania no longer gives affection or time to him, but Oberon selfishly wants the boy to be employed as his henchman. When Titania refuses to disclose the boy’s location to Oberon, Oberon devises a plan to use magic on Titania by forcing her to fall in love with the next living creature she lays her eyes upon. How this is supposed to lead to the boy, I have no idea. But Titania ends up falling in love with an Athenian man who has the head of a donkey; using the strange donkey-love distraction, Oberon is able to locate and take the boy. Does Oberon want the boy solely for the purpose of employing him as a henchman, or does Oberon wish to rekindle a relationship between himself and Titania that the boy has interrupted? Either way, forcing your wife to fall in love with a donkey man is pretty outrageous and
In the book Oberon and Lysander find a way to try and control others. Oberon and Lysander try to have power . In act three scene two Lysander convinces Hermia that he loves Helena. For example in the book it states, “ What love could press Lysander from my side?” (3.2.189).This shows that Hermia believes Lysander when he says that he loves Helena now. In act four scene one the lovers find themselves all together. For example in the book it states, “ These couples shall be eternally knit.” (4.1.188). This shows that they all got what they want in the end. Oberon and Lysander, not in control of others.This shows that they have a little bit of power ,but have one hundred percent of it. Oberon and Lysander learn that they aren’t in control and that they can’t control
Exerting the type of power that is influenced by malicious intentions can cause one to make decisions that are not beneficial to others. A Midsummer Night’s Dream is written within a time period and setting that favors men instead of woman. In other words, men have all the authority to control the events that occur in their own lives as well as the lives of others whom are considered insignificant. The plot displays the catalysts that ignite many characters’ desire for control that is misused by higher status people. Shakespeare’s use of characterization demonstrates how the wanting of control causes the characters to act irrationally through the misuse of power. Shakespeare’s use of setting, plot and characterization causes the ordeals that the characters ultimately face. In turn, the deceitful choices of a few individuals with status impacts whether the lives of lower status people are enhanced.
In this play, A Midsummer Night’s Dream, true love plays a huge role in the play. Several relationships begin with true love such as Hermia and Lysander’s and Hypolyta and Thesus’ but some that did not begin with true love, end with true love such as Helena and Demetrius’. Helena and Demetrius, in my perspective, were meant to love each other so that everyone may be able to love each other in harmony. The love potion was only the push Demetrius needed so that he could be happy forever.
The first example of conflict with authority in the play is the premiere example and sets up the conflict for the rest of the play. This example that occurs during the play is in the opening scene of act 1. Here we see Theseus warning Hermia not to disobey her father and advising her that Egeus created her and can "discreate" her if he chooses. Hermia is reminded that Athenian law provides that a father shall have total control of his daughter’s life until the daughter is married. Even though Hermia does not want to marry Demetrius, the law says she has no choice and must conform to her father’s wishes. If Egeus’s authority hadn’t been the supreme authority, than Hermia and Lysander wouldn’t have had to flee Athens for their love.
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
Confronted by the "sharp" law of Athens, and not wishing to obey it, Lysander thinks of escape. But he has no idea that the wood, which he sees merely as a rendezvous before he and Hermia fly to his aunt, has its own law and ruler. As Theseus is compromised by his own law, so is Oberon. Theseus wishes to overrule Egeus, but knows that his own authority derives from the law, that this cannot be set aside when it does not suit the ruler's wishes. He does discover a merciful provision of the law which Egeus has overlooked (for Hermia to choose "the livery of a nun") but hopes to persuade Demetrius to relinquish his claim, insisting that Hermia take time before choosing her fate. The lovers' difficulties are made clear by the law of Athens, but arise from their own passions: thus, when they enter the woods, they take their problems with them. Oberon is compromised because his quarrel with Titania has caused him and her to neglect their duties: Oberon, who should rule firmly over the entire fairy kingdom cannot rule in his own domestic arrangements. We see how each ruler, in turn, resolves this problem, without further breaking of his law.
In A Midsummer Night’s Dream, the main conflict is between love and social relations. The play revolves around the magical power of love which transforms many lives. As a result of this, it gets the reader’s emotionally involved through ways of reminding us of love’s foolishness and capabilities, as well as violence often followed alongside of lust. This play shows passion’s conflict with reason. For example, the father presented in the play Egeus, represents tradition and reason while Hermia represents passion for love and freedom. Egeus wants Hermia to marry Demetrius and accuses Lysander of “bewitching” Hermia with love charms and songs. This is one way love’s difficulties are presented in the play between father and daughter. Additionally, Helena recognizes love’s difficulties when Demetrius falls in love with her best friend Hermia. Helena argues that strong emotions such as love can make extremely unpleasant things beautiful. This is another way the play presents love’s difficulties between lovers and capricious emotions.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
Magic affects both the plot and the environment of William Shakespeare’s play “A Midsummer Night’s Dream,” as it influences the thoughts and actions of the characters through most of the play. Through its power, magic confuses the characters and creates conflicts between them, but it also solves the conflicts. The character’s use and misuse of magic lead to some of the ridiculous moment of the play.
Titania and her husband Oberon's problems range from a small Indian prince to the Duke of Athens and his bride, to problems in their very own kingdom. When news of Theseus and Hippolyta's wedding reaches the ears of these magical royals, tension can be felt within their relationship. They each suspect each other of being in love with the Duke and his bride-to-be. During an argument, ¨How canst thou thus for shame, Titania, Glance at my credit with Hippolyta, Knowing I thy love to Theseus?¨ (2.1.74-76) Oberon accosted. When the stress of arguments is high for this couple, it affects their entire kingdom. Trouble is caused because of the son of Titania's deceased friend. She refuses to give him up to Oberon, so he decides to make her fall in love with the next thing she lays eyes on, which happened to be a donkey-headed man. While she was in love with that, he takes the boy. After all is done, he removes the trance that the queen was in and everything is as it was before complications arose. Oberon tells his wife, ¨Sound music!-Come my queen take hands with me… now you and I are new in amity¨(4.1.83-84). The King and Queen drop the matter of The Duke, Hippolyta, and Titania's boy and it is all back to
In William Shakespeare’s book, A Midsummer Night’s Dream, magic is a powerful and useful tool for the characters that have the capability to use it. Some of the characters abuse the power of magic, while others are more responsible in how they use it. Oberon is one the characters that abuses the power of magic. Oberon’s magic has an immense impact on the plot of A Midsummer Night’s Dream. More specifically, Oberon’s magic affects his own life, the lives of other characters, and all the characters in the story experience his magic differently. We will see that even the person who has power to use the magic can become surprised by it. Magic, the ultimate supernatural power, is often unpredictable and inexplicable.