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Colonialism and tourism are two of the main points of Kincaid’s A Small Place. Colonialism is the policy of acquiring full or partial political control over another country, while occupying it and exploiting it economically. Tourism is the act of going on vacations and visits to places of interest. When we colonize, we are going into that country or territory and making it our own, disregarding the culture and people that were already there. We then take it further to go vacation in these areas and look at the beauty of what we have made, which might, in the natives eyes, be the destruction that we did to the place. Kincaid brings up both of these points to emphasize her bitter, mocking, and cynical tone, and she uses her tone to effectively …show more content…
“If you go to Antigua as a tourist, this is what you will see… You might say, What a beautiful island Antigua is--more beautiful than any other islands you have seen, and they were very beautiful, in their way, but they were much too green, much too lush with vegetation, which indicated to you, the tourist, that they got quite a bit of rainfall, and rain is the very thing that you, just now, do not want” (919). When she starts with, “as a tourist”, she directly addresses her topic and what point of view she will start with. She despises the tourist because they are coming to this place that seems so simple and almost utopian compared to their home in North America or Europe, when in reality, they made this society the way it is, and they are overlooking the problems that actually occur there. She then moves on to say, “Since you are a tourist, a North American or European--to be frank, white--and not an Antiguan black” (919). Her syntax, using hyphens, in this sentence emphasizes how passionate she is towards the difference between natives and tourists. Her attitude, very frank, also emphasizes her contempt towards the tourists, for they are white and privileged, and the natives are black and …show more content…
She writes, “You are looking out the window (because you want to get your money’s worth); you notice that all the cars you see are brand-new, or almost brand-new, and that they are all Japanese-made. There are no American cars in Antigua--no new ones, at any rate; none that were manufactured in the last ten years. You continue to look at these cars and you say to yourself, Why, they look brand-new, but they have an awful sound, like an old car--a very old dilapidated car” (920). The Japanese cars are an example of the observation a tourist would make without realizing the significance of the actual object. The tourist may assume that the Antiguan may prefer these cars, but the local would know that the government owns the two main car dealerships. The local would also know that they do not have the right gas available to properly care for these cars. The reason for having the cars they do has nothing to do with the common good or the consumer's preferences, it is a moneymaking scheme. The car symbolizes the significance of daily objects that is overlooked by the tourist. By using this symbol, Kincaid emphasizes her cynicism towards the ignorance of the tourists. Another symbol she uses is the closed library. She writes, “Antigua used to have a splendid library, but in The Earthquake (everyone talks about it that way--The Earthquake; we Antiguans, for I am one, have a great
Often times, an inanimate object can be as important and sometimes more important than the characters of the story. In Louise Erdrich's "The Red Convertible," the car played an equally important role with that of the characters, but for different reasons.
The bridge is shown in the beginning of this graphic memoir as a symbol of division. The purpose of a bridge is to get from one place to another. Particularly getting over a certain valley or river people use bridges. License plates are units given to label cars, given that their symbolic meaning of foreign. Having a license plate that was not from the south label visitors, sometimes involving them in dangerous situations. Segregation made it not safe for visitors from northern states to travel down south. The suitcase Lewis had also gives representation of traveling. Lewis packed his belongings when he was pursuing to attend the college he was admitted to. The suitcase also represents the journey to
The story begins with a dark tone as she address how her audience feels about her actions.
In Louise Erdrich’s “The Red Convertible” chronicles both the erosion of childhood innocence and the dissolution of a particular sibling relationship. In order to suggest these themes, the narrative foregrounds imagery of movement and stasis, conveying their meanings in complex ways. As such, it’s no surprise that the title of the story itself not only describes the symbolic importance of the convertible to their brotherhood, but also embodies freedom to transcend one’s societal confinements, which, in this case, imparts the literal power of movement. The car gives both of them a kind of agency that lifts them from their economic and social disadvantages as Native Americans. Hence the story establishes the joyful memories of Lyman and Henry’s brotherhood with an extended description of their movement throughout the land, going as far up to Alaska. Not surprisingly, Lyman thinks that making Henry focus on the car, an agent and symbol of freedom, will ultimate save his brother’s soul and regain his spirit. Unfortunately, this turns out to be a false assumption.
History can significantly influence the ways in which a place, along with its community, evolves. Now considered postcolonial, not only are Hawaii and Antigua heavily defined by their colonial pasts, but they are also systematically forced into enduring the consequences of their unfavorable histories. Through their unconventionally enlightening essays, Jamaica Kincaid and Juliana Spahr offer compelling insights into how the same idea that exists as a tourist’s perception of paradise also exists as an unprofitable reality for the natives who are trapped in their pasts yet ironically labeled as independent. The lasting impacts of colonialism on the history of Antigua and Hawaii can be noted through their lasting subservience to their colonizing
In the passage, “On Seeing England for the First Time,” (1981), Antiguan author Jamaica Kincaid demonstrates her hatred of colonization and how it leads to destruction of cultural identity. Kincaid utilizes various rhetorical strategies such as satire, repetition, and symbolism in a sarcastic, mocking tone to communicate her disgust towards England. She directs these strategies at imperialistic countries, specifically England, in order to prevent further destruction of culture and individuality; however, Kincaid also targets colonized people, challenging them to rebel against conformity and hold to their culture.
Through the use of emotional arguments and social appeal the author, Kincaid, gets the feeling across that she was a victim of England. To get you to feel like the victim she uses lots of metaphors. In the first paragraph she uses the one, “England was a special jewel all right and only special people got to wear it”(p.61). It is right here that the author sets the tone of the essay. She gives you the idea that she was not special enough to put on this gem of England. In doing this she makes a social appeal to anyone looking for a view of colonization. In using descriptive language she make you feel sorry for her in the how she had to “Draw a map of England”(p.63), at the end of every test.
She started her book with tourism and ended it with it too. The tourists were the most important things that happen to their island. There were tourists in the island from the start. They had a big effect on the people of the island and their country. A lot of money came from them and a lot of places belonged to them. The tone of the author when she talked about tourists was filled with hates. She hated them and didn’t want them in their island. She hated them because it was her home, but she was the one that feels like a slave and unwelcome. Those people weren’t just tourists, some of them became the residents. People who stayed there and turned it to their home and acted like the island belong to them and not the original residents. They built their own buildings and then didn’t let the Antiguans to enter. They treated them unwelcome. “We Antiguans thought that the people in the Mill Reef Club had such bad manners, like pigs: they were behaving in a bad way. Like pigs. There they were, strangers in someone else’s home, and they refused to talk to their hosts or have anything human, anything intimate, to do with them” (Kincaid 27). They welcomed the tourists. They gave them a place to live and a food to eat, but they didn’t pay them back with kindness and that’s another reason that she hated
By the turn of the seventeenth century twelve of the English colonies were well on their way to surviving in the New World. The only colony not begun before 1700 was Georgia. These twelve colonies though unique as individual colonies several began to form similarities. Although by the 18th century Eastern America had been colonized by Englishmen, motives, geography, and settlers themselves created two distinct societies, New England and Chesapeake.
(68). The use of the symbolic automobile can be seen as a demonstration of how a...
...r of him and not to blame them badly , and that was clear when he said “women are particularly vulnerable to street (370)” And he decided to give people their space to became less frightened of him and he emphasised in that when he said “if I happen to be entering a building behind some people who appear skittish, I may walk by , letting them clear the lobby before I return , so as not to seem to be following them (371)”. On the other hand Kincaid felt even more fury and anger toward the people she met and didn't accept her for how she was , because she was promised to have a life without racism in England and she makes that clear and obvious when she says “the moment I wished every sentence , everything I knew , that began with England would end with “and then it all died , we don't know how , it just all died” was when I saw the white cliffs of Dover (341)” .
In “A Small Place” by Jamaica Kincaid, Kincaid criticizes tourists for being heartless and ignorant to the problems that the people of Antigua had and the sacrifices that had to be made to make Antigua a tremendous tourist/vacation spot. While Kincaid makes a strong argument, her argument suggests that she doesn't realize what tourism is for the tourists. In other words, tourism is an escape for those who are going on vacation and the tourists are well within their rights to be “ignorant”, especially because no one is telling them what is wrong with Antigua.
In part fictional and part autobiographical novel “A Small Place” published in 1988, Jamaica Kincaid offers a commentary on how the tenets of white superiority and ignorance seem to emerge naturally from white tourists. She establishes this by using the nameless “you” depicted in the story to elucidate the thoughts they have when visiting such formerly colonized islands. This inner mentality of the white tourists reveals how tourism is still a form of oppression for the natives of such formerly colonized tourists as it continues to exploit them. I will be focusing primarily on page 10 of the text to illustrate this.
A Small Place by Jamaica Kincaid presents the hypothetical story of a tourist visiting Antigua, the author’s hometown. Kincaid places the reader in the shoes of the tourist, and tells the tourist what he/she would see through his/her travels on the island. She paints a picturesque scene of the tourist’s view of Antigua, but stains the image with details of issues that most tourists overlook: the bad roads, the origin of the so-called native food, the inefficiency of the plumbing systems in resorts, and the glitches in the health care system. Kincaid was an established writer for The New Yorker when she wrote this book, and it can be safely assumed that majority of her readers had, at some point in their lives, been tourists. I have been a tourist so many times before and yet, I had never stopped to consider what happens behind the surface of the countries I visit until I read this essay. Kincaid aims to provoke her readers; her style of writing supports her goal and sets both her and her essay apart. To the reader, it sounds like Kincaid is attacking the beautiful island, pin-pointing the very things that we, as tourists, wish to ignore. No tourist wants to think about faeces from the several tourists in the hotel swimming alongside them in the oceans, nor do they want to think about having accidents and having to deal with the hospital. It seems so natural that a tourist would not consider these, and that is exactly what Kincaid has a problem with.
12 Nov. 2013. Brooks, Sheer. “’A Squatter in My Own Country!’ Spatial Manifestations of Social Exclusion in a Jamaican Tourist Resort Town.” New Perspectives in Caribbean. Tourism.