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Critical paper about the archetypes found in harry potter and the sorcerer's stone
Critical paper about the archetypes found in harry potter and the sorcerer's stone
Critical paper about the archetypes found in harry potter and the sorcerer's stone
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he Harry Potter film series exhibit situational, character, and symbolic archetypes. To begin, Harry Potter exhibits situational archetypes such as, The Quest, Death and Rebirth, and the Unhealable wound. The Quest is what the hero must accomplish in order to bring fertility back to the wasteland, which will restore peace, order, and normalcy to a troubled land. Harry is the hero all of the films and his ultimate quest is thorough throughout, to defeat Voldemort, the devil figure, and to save the wizarding world from Voldemort’s ways. Death and Rebirth is a motif that grows out of a parallel between the cycle of nature and the cycle of life. For example, Dumbledore has a bird named Fawkes. Fawkes is continuously loyal and courageous and portrays this archetype well when …show more content…
Fawkes dies and is reborn through his ashes. The Unhelable wound is a physical or psychological wound that cannot be fully healed. The wound symbolizes a loss of innocence.
The Unhealable wound is Harry’s scar on his forehead. This scar is given to Harry by Voldemort and is something that connects them both indefinitely. To continue, Harry Potter exhibits character archetypes such as, The Hero, The Mentor, The Devil Figure, The Evil Figure with Ultimately Good Heart, and The Creature of Nightmare. The Hero and The Devil figure are represented through Harry Potter and Lord Voldemort. The Mentor is exhibited through Albus Dumbledore. He is old, wise, and teaches Harry all he can in the wizarding world until his death. He prepares Harry to be independent, brave and strong for the evil that comes to face. The Evil Figure with Ultimately Good Heart is demonstrated by Severus Snape in this film series. He is a devil figure as he accompanies Lord Voldemort in his plans. Severus Snape is ultimately good due to his immense loyalty to Dumbledore by listening to his order to killing him so that Lord Voldemort will have full trust in Severus. Overall, Severus keeps Harry and the wizarding world safe. The Creature of Nightmare is a monster usually summoned form the deepest and darkest of the human psyche to threaten the lives of the
hero. Often, it is a perversion or desecration of the human body. For example, The Creature of Nightmare in these films is a Dementor. Furthermore, Harry Potter exhibits symbolic archetypes such as, The Maze, The Crossroads, and Fog. The Maze is a puzzling dilemma or great uncertainty. It is a journey into the heart of darkness. For example, in the film, Harry Potter and the Goblet of Fire, Harry takes place in the Triwizard maze to find the Triwizard cup. This cup leads Harry and Cedric into the heart of darkness, that is Tom Riddle’s grave. The Crossroads is a place or time of decision when a realization is made and change or penance results. For example, this is exhibited in, Harry Potter and the Deathly Hallows Part 2, when Harry decides to meet Voldemort in the forest and let him perform the Avada Kedavra spell which leads to his temporary death. Fog symbolizes uncertainty. This archetype is portrayed in Harry Potter and the Prisoner of Azkaban. In Professor Lupin’s class, the kids take part in an activity including boggarts. For example, Ron’s greatest fear is spiders. He imagined the spiders, Professor Lupin opened the cabinet, and through the fog, the boggart shape shifted into a giant spider. Ron performed the task to defeat the spider by performing a spell which put the spider in roller skates. This goes to show the uncertainty of what you will be up against when faced with your greatest fear, maybe it will not be as hard to battle as thought. Overall, the Harry Potter film series exhibit an immense amount of archetypes that contribute to the story line including situational, character, and symbolic.
Every story has characters with different roles, and each of them are important to make the story complete. Three characters, Bilbo, Gandalf, and Smaug represent three archetypal roles in this story. Their guide Gandalf, represents the mentor, Bilbo represents the hero, and Smaug represents the shadow. Smaug symbolizes fear to the characters, and the dragon represents one of the characters that are most often causing the most terror and trouble to the other characters in the story. The hobbit symbolizes the hero of the story, because he sacrifices himself throughout the book. Mr. Bilbo Baggins learns more and more each day, and he tries to always do the right thing. Gandalf symbolizes the guidance and help as a mentor, and he provides training and motivation to the characters. These three important characters greatly explain the
He received the scar the night that Voldemort killed his parents and attempted to kill Harry. However, Harry was protected with his mother’s love so the killing curse rebounded off of him and to Voldemort. Harry’s scar indicates the fact that Voldemort made his mark on him and never left him. A part of Voldemort lives within Harry. Harry survived a killing curse and walked out with just a scar. That scar is a constant reminder of the man who killed his parents and changed his life forever. Harry’s scar is a constant reminder of the burden he must carry throughout his young life. Harry is the only one who can defeat the greatest evil because that evil lives within him. His lightning bolt scar indicates that he is the chosen
When referring to archaic writing, it is clear to see the recurring archetypes and symbols throughout plots and situations. Understandably, certain patterns involving such motifs have continued through centuries, resulting in various works based around the same monomythic template with slight variations. All the big movie titles we love, Aladdin, Shrek, even, Sharknado contain more than traces of these archetypal patterns, consisting of a hero, a mentor, a dark figure and so on. Prime examples of this archetypal plot structure, with their own unique adaptations, may be found within the two poetic narratives Beowulf and Sir Gawain and the Green Knight. Aside from their completely disparate backgrounds and morals, both works include and follow the monomythic journey, as perceived by Joseph Campbell in The Hero with a Thousand Faces, as well as in the secondary works of others who have helped to further our understanding of this analytical method. This generalization, however, is shifted when one dissects further into these two pieces of literature. As in the majority of monomythic quest narratives, the protagonist often practices and displays the characteristics of courage, loyalty, humility
Dorothy, the Tin Man, Scarecrow, and the Cowardly Lion leaves the Emerald City and head back through the forest. The wicked witch of the west commands her army of flying monkeys to bring Dorothy and Toto to her. She warns them to be careful with the handling of the ruby slippers; these slippers in her possession would give her ultimate power. The army of monkeys, flies through the sky, grab Dorothy and fly away with her. They also grab Toto, leaving the Tin Man, Scarecrow, and Cowardly Lion behind. Dorothy is not afraid of the witch, but begs her for Toto. The witched bargains with Dorothy for the ruby slippers. Dorothy remembers being told by Glenda not to remove the slippers from her feet. However, she relents and offers the ruby slippers
The Harry Potter book series has sold over 450 million copies and has been translated into almost every language on the face of the earth (“Harry Potter”). Millions have faithfully followed the story about this magical world and have fallen in love with the many enchanting characters. What most readers do not recognize is the prominence that classical Greek/Roman mythological allusions play in the beloved Harry Potter roles through their names and personality attributes. The importance of names is extremely significant to a person’s identity, especially in literature where words are meant to bring stories to life. J.K. Rowling, author of the Harry Potter series, continues this concept through her characters by linking their names to classical
When I was reading the how to read literature like a professor and the hobbits the three archetypes I saw was the communion at the beginning of the book, the death and resurrection that happen to our hero through the novel, and the hero quest that was going through the entire novel.
In Charles Dickens’, “A Tale of Two Cities” the use of archetypes among the primary female characters projects an idea that when it comes to the human condition, emotions are the most abundant. Archetypes are characters, symbols and motifs that frequent in literature, generally to represent a thought or idea. Meanwhile, the human condition consists of events, ideas and characteristics that are not only recurring, but essential aspects of life. Among the female characters are archetypes that don’t fit hand in hand, but work together to create different messages and appeals to the human condition.
The first archetype I can relate to is the mother archetype. I believe I act like a mom to a lot of people due to me always checking on people and making sure they are good. This archetype is good at times because it’s usually why a lot of people like me. At the same time it can be negative because I tend to want to have control in a lot of situations. This causes me to seem like a control freak. Being like a mother comes more into play when with my friends because I don’t want them to get hurt.
As I was watching Harry Potter on TBS, I saw how Ron Weasly affected Harry and how he acted and what he did because he knew Ron was there for him. Harry knew that whatever he did Ron was going to be there for him. So I started to think to myself, Ron is a sidekick. So, I believe the sidekick affects the story more than the main character because, without the sidekick the main character won't have anyone to be there so they can't make those bold decisions to take down the enemy. So, What is the “Loyal Companion/Sidekick archetype? What exactly is an archetype? Also, how does the “Loyal Companion/Sidekick” affect the decision/choices the main character makes? Also who exactly is the Sidekick? So all these questions build up to one idea, What is the most important idea about being humans that supports the loyal companion archetype? I believe, the reason we as humans want to help their best friends/ “main character” is to show them the loyalness they have, and they want to be trusted so they have more opportunities to show they are worthy.
Just to quickly run through the two previous books; Harry Potter is a wizard, who’s parents were killed by the worst dark wizard ever known. The reason why Harry Potter is still around, is because Lord Voldemort failed to kill Harry. His spell hit Harry, but then backfired on Voldemort taking all of his powers with him. Harry is so famous for two things. Withstanding the powers of Lord Voldemort, and, taking him back in to the underworld in hiding. In the first book, Harry receives a letter from Hogwarts School of Witchcraft and Wizardry. He’s eventually allowed to go, and spends the next six months there learning magic, getting into trouble, and trying to solve mysteries of his past, and the school. In the second book, Harry goes back to his second year at Hogwarts, and gets into more trouble, figures out many astonishing mysteries and learns loads more magic. His best friends in the two books consist of Ron and Hermione (two of his fellow wizard students) and Hagrid the gamekeeper who was expelled from Hogwarts but allowed a job as the gamekeeper.
Harry Potter is a fascinating tale of sorcerers, wands, broomsticks, dragons, and magic. The story begins with a young boy named Harry Potter who lives at number four Privit Drive, Surray, England. His journey begins after the death of his parents at the hands of the evil Lord Voldemort. Harry learns of his past and his future as a wizard from Hagrid, the keeper of keys and grounds at Hogwarts School of Witchcraft and Wizardry. He travels to Hogwarts where he learns spells and enchantments, makes new friends, finds enemies, and discovers fantastic secretes. J.K. Rowling weaves a web of impeccable storytelling with this critically acclaimed novel. In the tale of Harry Potter imagery, symbolism, and motif take central focus.
In his own eyes, Harry is a poor nobody. He is young, modest, and innocent, living a sheltered life and naïve to the immensity of the world. The truth is that Harry is a victim to elements of another world. For instance, the dark Lord Voldemort, an evil wizard, attempts to kill Harry and ends up destroying his family, leaving him with his cruel relatives. Otherwise unharmed, Harry is left with his lightening bolt scar on his forehead representing his terrible past, marking his fame, and symbolizing his destiny. Even though Harry leads a boring, ordinary life on Privet Drive with “the last people you’d expect to be involved in anything strange or mysterious” (1), Harry’s scar hints at something more than ordinary,
At the start of the book, Harry was forty-seven and was upset over the belief that he had two separate being that made up his soul, a wolf, and a man, that he decides to kill himself at the age of fifty. After being given a book that spoke about the Steppenwolf, and explained that people are not singular or even two being, they are much more than that. Harry refused the idea and claims that the book did not know him. After being rude to a professor's wife, he believed his wolf side has beaten what was left of his humanity and planned to kill himself early. He stopped at a bar and met a woman named Hermine, who made it her duty to open him up to life. With her help Harry learned to stop analyzing everything and to love life and what it has to offer. Towards the end of the book, at Fancy Dress Ball Harry allowed himself to be immersed in the dancers and eventually was led from their to the school of laughter, where he learns that laughter is the most important thing to help people get through life (Hesse, Steppenwolf). Throughout the plot, Sartre’s belief that people need to take responsibility for their own lives is shown, as Harry’s failure of it almost leads to his suicide, yet his acceptance of it saves him (Baker, “Existentialist of Note”). Harry lets himself float through life lonely and depressed, unwilling to change in fear of losing his independence. Yet Hermine
the bad. The main characters on the good side are Harry Potter and his two friends, Ron Weasley and Hermione Granger, and on the bad the main character is Lord Voldomort. Harry Potter is a courageous, brave, and kind person. The whole series revolves around Harry Potter and Lord Voldomort. Ron Weasley is Harry’s closest friend and is not always the brightest but he is a good person who always stands with Harry no matter the situation. Hermione Granger is a book worm, straight A student who turns every assignment in on time and always does whatever her teachers tell her to do, and because of her skill and knowledge she has helped the trio out of several tight situations. Lord Voldomort is the most evil of the evil. His goal is to rule the world, kill every muggle (non magical people) so that only wizards are left and, most importantly, to conquer death. Through out the entire series Voldomort has tried to kill Harry a total of eight times but has failed all because of his short-sightedness and un-willingness to admit to his weaknesses.
...ck and a potential pitfall. Someone full of hate and greed, such as Tom Marvolo Riddle, who has never known it even once in their entire life, cannot understand its full magical power. Love is one of the hardest and strongest kinds of magic and is perhaps the fabric that holds the wizarding world of Harry Potter together. Dumbledore says to Harry “Do not pity the dead, Harry. Pity the living, and, above all those who live without love” (Harry Potter and the Deathly Halllows 722). The series stresses that it is important to love. It is obvious throughout the series that Harry embraces his history and duty by accepting the soul-purifying act of practicing self-sacrificial love. It is no surprise that the Harry Potter series is so widely in a time of fear, uncertainty, and unrest. Harry defeats evil not by fearing it, but by embracing it and overcoming it with love.