“You are braver than you believe, stronger than you seem, and smarter than you think.” Winnie the Pooh once said. In the book, One Flew Over the Cuckoo’s Nest, the men that live in the Oregon Mental Institution do not hear words like these very often. They have been rejected from society because they are not classified to meet the “social norm”. These “outcast” hide away behind the white walls of the ward, protecting themselves from the world around them. In the novel One Flew Over the Cuckoo’s Nest, author Ken Kesey uses religious allusions to depict that society rejects people that do not fit the ideal social “norm”, but when someone can prove himself powerful enough to stand up for his beliefs men easily follow. In the beginning of the book, Ken Kesey creates a conception of …show more content…
the ward, to outsiders seems beneficial to the patients inside; in reality what happens behind the walls of the Oregon Institution hinders the patient's mental healing.
When first admitted into the ward, the new admission is taken to the shower, sometimes forcibly, where three black aides wait to take his temperature. Chief Bromden sees almost every new patient come in the ward, he watches the aides as they go, “... in th[e] shower room with the Admission....” and they, “turn all the showers up to where you can’t hear anything but the vicious hiss of water on the green tile.” (10) The actions by the aides are indirectly referred as statutory rape and strange interpretation of their “baptism” into the ward. Each new patient must be cleansed before they are given their “greens” and allowed to interact with other patients. But afterwards the new admissions are left trembling from the psychotic harm they received and terrified of the power the staff holds. Each day the men are required to line up and take their various medications to heal them. The men, “...file by and get a capsule in a paper cup—throw it to the back of the throat and get the cup filled with water by the little nurse and wash the capsule down.” (22) This event is symbolic because it is similar to “communion”, forcing the men to
take their pills and wash it down with water, which is healing them and “washing away their sins”. Every day the patients are brought into a group therapy meeting led by Nurse Ratched and Dr. Spivey which allows the patients to discuss their feelings and past mistakes with their peers. The doctor urges the patients to, “Talk, he says, discuss, confess.” (31) This time is treated as the men’s “confession”, as done in the catholic church, where they confess their sins to the staff or “higher power”. “Confession” in the ward is used to emasculate the men. Through all these techniques the men are suppressed and believe that they cannot leave the ward because they are not psychologically ready to handle the outside world. Throughout the middle of the book, Mack begins to be followed by many of the other patients because he is powerful and isn’t afraid to stand up for his beliefs, his “Christ Like” traits become much more apparent during this time. Mack and Harding, another patient on the ward, have been in a argument about the Nurse. Harding believes that the Nurse’s power should be respected, but Mack disagrees claiming that she has cut their balls off during her “pecking party”. Finally, Harding agrees with Mack and replies, “No one’s ever dared come out and say it before, but there’s not a man among us that doesn’t think it, that doesn’t feel just as you do about her and the whole business—feel it somewhere down deep in his scared little soul.” (37) Harding speaks for all the men when he says this, they all have been deceived by the Nurse’s power and true aspirations for the men and Mack is correct and the first to stand for them. Mack and Chief are roommates in the ward, Mack found Chief’s gum collection under his bed, so when they were sitting waiting at the Disturbed, Mack offered Chief gum. For the first time Chief responses, “And before I realized what I was doing, I told him Thank you.” (122) Mack has broke through to Chief, causing the deaf and dumb Indian to speak, after no one else has in almost ten years, just like Jesus healed a blind man. Mack later decides to take the men on a fishing trip, twelve get to go, for the first time the men actually bonded and did something on their own. After just about everything could go wrong on the boat, McMurphy began to laugh, “...[he was] surrounded by his dozen people, and watch[es] them, us, swinging a laughter that rang out on the water in ever-widening circles, farther and farther, until it crashed up on beaches all over the coast, on beaches all over all coasts, in wave after wave after wave.” (140) This was Mack’s first miracle, just like Jesus, he made the men laugh, not a fake, pretend laugh, a laugh that made their bellies hurt. He made the men actually for the first time in a long time feel good about themselves. He made them feel free. Mack continues throughout the rest of the book to stand up and be a leader for the men, just like Christ Towards the end of the book, Mack shows his success of being “Christ Like” and giving everything up for his men, teaching them they are free. After the men’s last night together, full of fun, drinking cough syrup and partying. The next morning the Nurse and Staff came into the mess of the ward, the Nurse went to find Billy, a young patient on the ward, she found him naked in the room with a stripper. Afterwards, Nurse threaten to tell his mother so he slit his throat, the Nurse was furious about his suicide and blamed it on Mack, telling him, “First Charles Cheswick and now William Bibbit! ... Playing with human lives—gambling with human lives—as if you thought yourself to be a God!” (175) For the first time Mack had the pressure of realizing how much his leadership impacted all the men of the ward. He finally understood how far his power had gone throughout his time on the ward, he was the leader, like Christ, with his followers, or disciples. After the long party night and Mack attacking Nurse, he was sent off for treatment, when he arrived back he was a vegetable. Chief couldn’t stand the idea of Nurse using his as an example for future patients so he, “Then [he] rolled off. [He] lifted the pillow, and in the moonlight [he] saw the expression hadn’t changed from the blank, dead-end look the least bit, even under suffocation.” Scanlon asks Chief, “Is it finished?” (177) Chief realized that Mack would forever be stuck in ward unable to do anything, under the Nurse’s control, never free. So Chief decided it was only fair to release Mack, by suffocating him, that way he could be at peace, just like the descend to heaven in the Bible. But they major thing Mack taught the men was believe in yourself and flying free. After Chief kills Mack, he goes to the control panel and as Mack and him had practiced, he picked it up and, “I put my back toward the screen, then spun and let the momentum carry the panel through the Screen and window with a ripping crash. The glass splashed out in the moon, like a bright cold water baptizing the sleeping earth.” (178) For the first time Chief was free, just like in the Bible after Jesus goes to heaven everyone is free of their sins, in the book after Mack dies Chief is free. Finally free of the ward, free to do just as he pleases. Throughout the end of the book Mack proves his “Christ Like” power and shows how his compassion and leadership impacted the men of the ward. Unfortunately, no matter how hard a person may try, when someone has been rejected from society it is very difficult to make their way back into the world. But when the right person comes along and stands up for what he believes, a man down in the dumps will be willing to follow; and then slowly gain the confidence to stop hiding behind the white walls of a psychiatric ward. This is what Mack did for the men of Nurse Ratched’s ward, he saved them from believing they were not strong enough, smart enough, or brave enough to take on society.
The author, Ken Kessey, in his novel, One Flew Over the Cuckoo’s Nest, depicts how cruel and dehumanizing oppression can be. Kessey’s purpose is to reveal that there are better ways to live than to let others control every aspect of a person’s life. He adopts a reflective tone and by using the techniques of imagery and symbolism, he encourages readers, especially those who may see or face oppression on a regular basis, to realize how atrocious it can be and even take action against it.
The author Ken Kesey was born in La Junta, Colorado and went to Stanford University. He volunteered to be used for an experiment in the hospital because he would get paid. In the book “One Flew Over the Cuckoo’s Nest”, Kesey brings up the past memories to show how Bromden is trying to be more confident by using those thoughts to make him be himself. He uses Bromden’s hallucinations, Nurse Ratched’s authority, and symbolism to reveal how he’s weak, but he builds up more courage after each memory.
Mark Twain best described courage when he said that, “Courage is resistance to fear, mastery of fear - not absence of fear” (Twain). Both in The One Who Flew Over the Cuckoo’s Nest by Ken Kesey and Watership Down by Richard Adams, the authors deal with the topic of courage and each share a similar view on it as this quote. Indeed, both authors suggest that courage is not accumulated simply by acts of heroism, but rather by overcoming fears and speaking one’s mind as well. These books are very similar in the way that bravery is displayed through the characters in an uncommon way. Firstly, an example of bravery
People often find themselves as part of a collective, following society's norms and may find oneself in places where feeling constrained by the rules and will act out to be unconstrained, as a result people are branded as nuisances or troublemakers. In the novel One Flew Over The Cuckoo's Nest, the author Ken Kesey conveys the attempt McMurphy makes to live unconstrained by the authority of Nurse Ratched. The story is very one sided and helps create an understanding for those troublemakers who are look down on in hopes of shifting ingrained ideals. The Significance of McMurphy's struggles lies in the importance placed on individuality and liberty. If McMurphy had not opposed fear and autocratic authority of Nurse Ratched nothing would have gotten better on the ward the men would still feel fear. and unnerved by a possibility of freedom. “...Then, just as she's rolling along at her biggest and meanest, McMurphy steps out of the latrine ... holding that towel around his hips-stops her dead! ” In the novel McMurphy shows little signs like this to combat thee Nurse. His defiance of her system included
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
Ken Kesey in his novel One Flew Over the Cuckoo 's Nest question a lot of things that you think almost everyday. With this famous portrait of a mental institute its rebellious patients and domineering caretakers counter-culture icon Kesey is doing a whole lot more than just spinning a great yarn. He is asking us to stop and consider how what we call "normal" is forced upon each and every one of us. Stepping out of line, going against the grain, swimming upstream whatever your metaphor, there is a steep price to pay for that kind of behavior. The novel tells McMurphys tale, along with the tales of other inmates who suffer under the yoke of the authoritarian Nurse Ratched it is the story of any person who has felt suffocated and confined by our
Sean O’Casey once said that, “Laughter is wine for the soul - laughter soft, or loud and deep, tinged through with seriousness - the hilarious declaration made by man that life is worth living.” Without laughing, man is not living fully. For the men in the novel, One Who Flew over the Cuckoo’s Nest, by Ken Kesey, they are in a mental institution and are repressed by their head nurse until a new patient, McMurphy, comes in laughing an changing the way everything is ran, turning the insane sane. In the novel, laughter is a symbol of sanity and it helps a person grow stronger, so when the men laugh they grow more confident and obtain the ability to overcome the Nurses’ power.
In Ken Kesey's One Flew over the Cuckoo's Nest, the author refers to the many struggles people individually face in life. Through the conflict between Nurse Ratched and McMurphy, the novel explores the themes of individuality and rebellion against conformity. With these themes, Kesey makes various points which help us understand which situations of repression can lead an individual to insanity. These points include: the effects of sexual repression, woman as castrators, and the pressures we face from society to conform. Through these points, Kesey encourages the reader to consider that people react differently in the face of repression, and makes the reader realize the value of alternative states of perception, rather than simply writing them off as "crazy."
In One Flew Over the Cuckoo’s Nest and The Trial, Ken Kesey and Franz Kafka describe the threat corrupt institutions in modern day society pose to the individual. The authors explore the dehumanizing and conforming effects of societal institutio...
At first glance, a reader may wonder how Ken Kesey’s novel One Flew over the Cuckoo’s Nest, a book depicting a group of mentally unstable men and their boisterous Irish-American leader, connects with the economic and sociological view o...
In 1962, Ken Kesey shook Americans across the nation with his book One Flew Over the Cuckoo’s Nest. The novel expresses such things as nonconformity, rebellion, freedom of the mind and the hardships of having a mental illness. It also challenges many levels of reality and social norms, such as glorifying corrupt juveniles, criminal activity, and depicting images of violence.
One Flew Over the Cuckoo’s Nest is a classic American film based off the book by the same name by Ken Kessey. This critically acclaimed movie, directed by Milos Forman and starring award-wining actors Jack Nicholson and Louise Fletcher, looks inside of a mental ward during the 1970’s that shows the viewer a greater metaphor for society’s suppression of natural instinct (IMDB). A recurrent theme of sexuality in relation to societal conformity is seen through character development and interaction of McMurphy and Nurse Ratched, the main setting location, and the use of particular props.
The setting of Ken Kesey’s One Flew Over the Cuckoo’s Nest is a psychiatric ward in Oregon during the 1950s. The reader is only able to view the setting through Chief Bromden’s narration; Bromden breaks down the institution into a system of parts, like a machine, and attributes simple yet symbolic names for each. For example, he calls the electroshock therapy room as the Shock Shop, refers to the ward as the Inside and the rest of the world as the Outside, and views the facility as a machine called the “‘Combine’, which [to him] is a huge organization that aims to adjust the Outside as well as [Nurse Ratched] has [adjusted] the Inside” (30), Because Bromden relates the ward to a machine, he views it as a “web of wires with [Nurse Ratched] at
I sent the soldiers to join their comrades and took Nathan and Peter into my cabin aware Nathan was looking at me greedily. He knew The Major was away and if he wasn't back by dark I would be calling for him to join me in my bed. He was no substitute for my Major who made me feel alive and sent me to a place no other man could, but it was an efficient way of keeping Nathan at my beck and call.
So when applying these concepts to Ken Kesey’s One Flew Over the Cuckoo’s Nest, the Asylum embodies a smaller, more concentrated representation of the oppression and restraint that people face in