One Flew Over the Cuckoo’s Nest is a classic American film based off the book by the same name by Ken Kessey. This critically acclaimed movie, directed by Milos Forman and starring award-wining actors Jack Nicholson and Louise Fletcher, looks inside of a mental ward during the 1970’s that shows the viewer a greater metaphor for society’s suppression of natural instinct (IMDB). A recurrent theme of sexuality in relation to societal conformity is seen through character development and interaction of McMurphy and Nurse Ratched, the main setting location, and the use of particular props. Randal McMurphy, played by Jack Nicholson, lands himself in a mental ward after pleading insanity to get out of prison. Within this ward, he meets a variety of unique characters, including a stoic and …show more content…
silent Indian nicknamed Chief, a self-conscious young man named Billy, an anxious but kind man named Cheswick, and the cold matriarchal nurse, Mildred Ratched. Here, McMurphy attempts to raise a ruckus, and essentially demands reform for his own sake. However, while his actions seemed selfish, they heavily influenced the emotions of the other residents for the better. McMurphy constantly challenges Nurse Ratched through unauthorized fishing trips, unregulated gambling, and after hour parties, rendering it a battle of freewill versus systematic power. It is within this battle that the true theme is shown. The freewill that McMurphy exhibits is often related to his vulgarity and sexuality, centering around the theme of sexual repression. Throughout the movie, scenes are seen in which McMurphy exhibits sexuality in a much more open way than any other character. Within his meetings with his psychologist it is revealed that even his reason for arrest is statutory rape, further showing sexuality as a strong part of his nature (Cliffsnotes). Through his blatant nonconformity, he gains the support and friendship of Cheswick, who is inspired by McMurphy’s ability to do as he pleases, and eventually reaches the others the same way. As McMurphy gains the friendship of the other residents of the ward, he begins to use them to also unravel the system. He organizes a gambling ring, starts an imaginary baseball broadcast, steals a bus to go on a fishing trip, and throws a party with the help of hookers after hours all with the support of other characters. This is important because it shows that, while many of them are there voluntarily, they are still attracted to impulse, which is heavily repressed before McMurphy’s arrival. McMurphy is eventually lobotomized, putting an end to his nonconformist behavior. This serves as a metaphor for forced conformity, and how through constant punishment, the power of a systematic society will go through any means to repress natural impulse (Collins). This repression is executed by the main antagonist and natural enemy of McMurphy, Nurse Ratched. “Ratched also emasculates the men on the ward, forcing them to feel like misbehaving little boys, to reveal each others' secrets and to scare them from ever challenging her authority,” (Cliffsnotes), as seen in group therapy sessions where she attempts to keep things calm and orderly, ultimately by forcing systematic order on a place specifically for emotional outlet. This is the most forward example of Ratched’s repression, as seen in the numerous group therapy sessions, but not the only one. In the final scenes of the movie, Ratched shames Billy for his sexual behavior with one of the hookers invited by McMurphy. Billy denies his shame, and shows more confidence than he has the entire movie, until Ratched continues her scolding for his sexuality rather than his disobedience of the rules, directly leading to Billy’s suicide. Through her repression and shame, progress in Billy’s recovery was shattered. This event is highly significant because it shows not only the theme, but the backwards role of women as the primary oppressive force (Lena 124). Another important factor to the overall theme is the setting. The ward McMurphy is sent to is meant to represent society as a whole, and the interactions within it support the overall theme of suppression of nature (Jennings). Within the main ward, the men in care sleep, eat, medicate, gamble, converse, and have group therapy sessions in the same large open space. The lack of privacy is enforced for their safety by the nurses. This serves as an over exaggeration of the way that even private life in society is hardly private. The way that recreational activities are monitored and often natural behavior, such as merely conversing in excess, is scolded is an example of the way that people are taught to act within social settings. When McMurphy enters the facility, the other residents are stunned by his impulsive behavior, for they were taught to be overly cautious. McMurphy shows blatant disregard for this caution and challenges authority by attempting to break it down. He reintroduces many of the other residents to their natural urges and to simply live as they want. This concept combined with McMurphy’s open sexuality and vulgarity, are what serve as the symbolism for the theme. In addition to the setting, McMurphy carries a key prop that addresses the theme by revealing not only his own sexuality, but the interests of the others. From one of his first scenes within the facility, McMurphy shows that he is in possession of a deck of cards featuring scantily clad women in different sexual positions. From the introduction of the card deck, the viewer can see that the other residents are excited by this. This proves that even through the control of Nurse Ratched, they all still have their natural interests. This prop remains a constant throughout the movie, becoming the default card deck that the patients play cards with (Cliffsnotes). This shows sexuality as a truly constant theme, especially in such a casual sense. A combination of the characters, setting, and props show the theme as sexual repression, but this theme, through further analyzation, goes much deeper.
As discussed, it serves as a metaphor for the suppression of overall natural impulse within society. Through the movie’s symbolism, it can be inferred that the lack of privacy in everyday life and the presence of an overall hierarchy is the reason for this. The backwards role of women and men in the movie, with women as the oppressive force, is a metaphor for how men are typically the oppressors of women- especially in their sexual endeavors. The reason this must be shown in a backwards role is so it is noticed and upfront. The shock of women being so controlling seems to exaggerate the concept of gender roles, grabbing the attention of the viewer (Jennings). This important element emphasizes the emasculation of the residents, serving both the tangible and figurative themes of sexual repression and natural impulse, respectively. Additionally, subtle prop placement and forward characterizations also contribute to this, as discussed before. Sexuality plays a large part at first glance, and an even bigger part at second and third
glances. From something as simple as a card deck, to something as blunt as a pedophilic protagonist, One Flew Over the Cuckoo’s Nest shows deep themes about the repression of sexuality and natural impulse. For this reason, it has earned many awards and is consider a classic in American film literature. Its themes are both important and deep enough to stand the test of time, making it and the novel is originated from a must have (Sutherland 28).
The author Ken Kesey was born in La Junta, Colorado and went to Stanford University. He volunteered to be used for an experiment in the hospital because he would get paid. In the book “One Flew Over the Cuckoo’s Nest”, Kesey brings up the past memories to show how Bromden is trying to be more confident by using those thoughts to make him be himself. He uses Bromden’s hallucinations, Nurse Ratched’s authority, and symbolism to reveal how he’s weak, but he builds up more courage after each memory.
From the moment McMurphy enters the ward it is clear to all that he is different and hard to control. He’s seen as a figure the rest of the patients can look up to and he raises their hopes in taking back power from the big nurse. The other patients identify McMurphy as a leader when he first stands up to the nurse at her group therapy, saying that she has manipulated them all to become “a bunch of chickens at a pecking party”(Kesey 55). He tells the patients that they do not have to listen to Nurse Ratched and he confronts her tactics and motives. The patients see him as a leader at this point, but McMurphy does not see the need for him to be leading alone. McMurphy is a strong willed and opinionated man, so when he arrives at the ward he fails to comprehend why the men live in fear, until Harding explains it to him by
This essay will be exploring the text One flew over the Cuckoo’s nest by Ken Kesey and the film Dead poet’s society written by Tom Schulman. The essay will show how the authors use over exaggerated wildcard characters such as McMurphy and Keating. The use of different settings such as an insane asylum and an all-boys institution. And Lastly the use of fore shading to show how the authors can use different texts to present similar ideas in different ways.
One Flew Over the Cuckoo’s Nest is a film directed by Czech Milos Forman in 1975. Using potent elements of fiction--characters, conflict, and symbolism--Forman illustrates the counterculture of the 1960’s. This film depicts American society as an insane asylum that demands conformity from its citizens. The film begins with a conniving convict being assigned to the asylum. R. P. McMurphy is sent to the asylum to be evaluated by the doctors and to determine whether or not he is mentally ill. He is unaware that he will be supervised by an emasculating woman named Nurse Mildred Ratched who watches the patients’ every motion from her nurse’s station.
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, the reader has the experience to understand what it was like to live in an insane asylum during the 1960’s. Kesey shows the reader the world within the asylum of Portland Oregon and all the relationships and social standings that happen within it. The three major characters’ groups, Nurse Ratched, the Black Boys, and McMurphy show how their level of power effects how they are treated in the asylum. Nurse Ratched is the head of the ward and controls everything that goes on in it, as she has the highest authority in the ward and sabotages the patients with her daily rules and rituals. These rituals include her servants, the Black Boys, doing anything she tells them to do with the patients.
As all movies are created based on a book, there always seems to be changes and conflicting ideas. However, they still have the same main idea to the story line. The novel One Flew Over the Cuckoo's Nest by Ken Kesey and the movie directed by Miloš Forman deal with the main idea of society's control of natural impulses. The author/director want to prove that this control can be overcome. Although the movie and the book are very different from each other, they still have their similarities.
One Who Flew Over the Cuckoo’s Nest is a movie that portrays a life story of a criminal named McMurphy who is sent to a mental institution because he believes that he himself is insane. While McMurphy is in the mental ward, he encounters other patients and changes their perception of the “real” world. Before McMurphy came to the mental ward, it was a place filled with strict rules and orders that patients had to follow; these rules were created by the head nurse, Nurse Ratched. However, once McMurphy was in the ward, everything, including the atmosphere, changed. He was the first patient to disobey Nurse Ratched. Unlike other patients who continuously obeyed Nurse Ratched, McMurphy and another patient named Charlie Cheswick decided to rebel
“Women have been taught that, for us, the earth is flat, and that if we venture out, we will fall off the edge,” verbalizes Andrea Dworkin. Gender-roles have been ingrained in the every-day life of people all around the world since the beginnings of civilization. Both One Flew Over the Cuckoo’s Nest and Hamlet portray typical female stereotypes in different time periods. Due to the representation of women in literature like Hamlet by William Shakespeare and One Flew Over the Cuckoo’s Nest by Ken Kessey, and pop-culture, evidence of classic gender-based stereotypes in a consistently patriarchal world are still blatantly obvious in today’s societies.
One Flew Over the Cuckoo’s Nest (1962) is a novel written by Ken Kesey following his experiences at a mental institution. Kesey wrote the book to critique American Society in the 1950s. Set in a mental hospital during the 50s, the novel explores the narrator’s journey to sanity as well as the conflict between the central characters. Two of the main themes of the novel are the themes of power and journey to freedom. In his novel, Kesey criticizes society’s behaviour towards people who are different. His use of setting and stylistic features throughout the novel contributes towards developing the themes of freedom and power.
Reading Log for “One Flew Over the Cuckoo’s Nest” The novel is written from the perspective of a mental patient, Big Chief Bromden, who observes and comments about the daily activities of the hospital where he is a chronic patient. Through his interpretations, the reader experiences his surroundings and experiences. One of the key elements that he conveys early on is that he is pretending to be deaf and is able to hear everything spoken around him.
Everybody wants to be accepted, yet society is not so forgiving. It bends you and changes you until you are like everyone else. Society depends on conformity and it forces it upon people. In Emerson's Self Reliance, he says "Society is a joint stock company, in which the members agree, for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater." People are willing to sacrifice their own hopes and freedoms just to get the bread to survive. Although the society that we are living in is different than the one the Emerson's essay, the idea of fitting in still exists today. Although society and our minds make us think a certain way, we should always trust our better judgment instead of just conforming to society.
...s a time where the people were not afraid to uproar against controlling institutions. During this time period, a common hatred against conformity was shared throughout the public- these people were later to be known as beatniks ("Beatniks and Hippies"). Kesey himself being considered one of these “hippies” tries to portray his radical views through the character McMurphy. He represents the leader of the psychiatric ward, and has the ability to actually see the corruption occurring in the institution. He seeks to rally up the other patients through rebellious acts in order to break free of their oppression of Nurse Ratched (Kesey). Kesey is able to incorporate the anti-conformists ideology through McMurphys’ rebellious nature in the mental ward, and therefore is able to truly capture the anti-materialistic and anti-government tone of the time period of the 1960’s.
Fred Wright, Lauren's instructor for EN 132 (Life, Language, Literature), comments, "English 132 is an introduction to English studies, in which students learn about various areas in the discipline from linguistics to the study of popular culture. For the literature and literary criticism section of the course, students read a canonical work of literature and what scholars have said about the work over the years. This year, students read One Flew over the Cuckoo's Nest, by Ken Kesey, a classic of American literature which dates from the 1960s counterculture. Popularized in a film version starring Jack Nicholson, which the class also watched in order to discuss film studies and adaptation, the novel became notable for its sympathetic portrayal of the mentally ill. For an essay about the novel, students were asked to choose a critical approach (such as feminist, formalist, psychological, and so forth) and interpret the novel using that approach, while also considering how their interpretation fit into the ongoing scholarly dialogue about the work. Lauren chose the challenge of applying a Marxist approach to One Flew over the Cuckoo's Nest. Not only did she learn about critical approaches and how to apply one to a text, she wrote an excellent essay, which will help other readers understand the text better. In fact, if John Clark Pratt or another editor ever want to update the 1996 Viking Critical Library edition of the novel, then he or she might want to include Lauren's essay in the next edition!"
One Flew over the Cuckoo’s Nest, filmed in 1975, based on the 1962 novel of the same name, tell a story about the lack of autonomy for mental health patients due to rigid rules of conformity, manipulation and authority. The Institutionalised Mental Hospital is where the patients are mainly governed through a paternalistic and/or authoritative approach which results in a general lack of autonomy in the film. This leads to the following ethical problems such
The movie One Flew Over the Cuckoo’s Nest was released in 1975 and based off of the novel of the same name which was published in 1962. Not only was it the 1975 Academy Award winner for Best Picture and inducted into the National Film Registry list in 1993, but it is also number 33 on the American Film Institute’s 100 Best Films list. It is said to be one of the greatest films of all time. There are a handful of characters that the viewer gets to know, but only one protagonist, Randall P. McMurphy, and one antagonist, Nurse Ratched. The film makes it very clear that it is “right vs. wrong” and “us vs. them” by showing the patients as one way and the nurses and staff as another. The ward is meant to be seen as a democracy, but one can easily