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Compare and contrast books and movies
Compare and contrast books and movies
Books vs movies comparison essay
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One Flew Over the Cuckoo's Nest INTRODUCTION As all movies are created based on a book, there always seems to be changes and conflicting ideas. However, they still have the same main idea to the story line. The novel One Flew Over the Cuckoo's Nest by Ken Kesey and the movie directed by Miloš Forman deal with the main idea of society's control of natural impulses. The author/director want to prove that this control can be overcome. Although the movie and the book are very different from each other, they still have their similarities. MAIN BODY I. In General Differences A. Point of View 1. In the book, Bromden tells how society is a Combine and shows all his inner thoughts. 2. In the movie, Bromden does not have an inner narrative. B. George Sorensen, the germophobe 1. In the book, Sorensen tells McMurphy about his past as a sea captain and leads the fishing trip. 2. Sorensen is not present in the movie. C. Taber 1. In the book when McMurphy arrives, Taber has already been treated and released. 2. In the movie, Taber is included throughout. D. Bromden's Background 1. In the book, Bromden tells about his life before the hospital. 2. In the movie, it tells nothing about Bromden's former life. E. Dr. Spivey 1. In the book, Spivey is intimidated by Nurse Ratched 2. In the movie, Spivey is has no issues with Nurse Ratched F. Cheswick's Death 1. In the book, Cheswick drowns in the pool. 2. In the movie, Cheswick doesn't drown, goes on the fishing trip, and is sentenced to the Disturbed Ward. II. The Beginning Differences A. World Series Situation 1. In the book, McMurphy and the other patients remain in front of the television after it has been turned off. 2. In the movie, McMurphy and the other patients pre... ... middle of paper ... ... in the book, and in the movie he seduced the girl. 3. In the book, McMurphy gains money from the patients, and in the movie it only shows him getting cigarettes. VII. Symbolism A. McMurphy's Tattoo foreshadowing his death is removed from the film. VIII. Themes A. Natural v.s. Institutional B. Transcendentalist CONCLUSION With all the awards and praise, the movie was considered to be a masterpiece. On the other hand, Ken Kesey felt that this production would ruin his mindset of his own novel. The main reason why there were more differences between the book and the movie was because Kesey had arguments with the producers, Michael Douglas and Saul Zaentz. Of course, everyone has a different view of how a story should be told. One Flew Over the Cuckoo's Nest is superb as both a movie adaptation and a novel that all critics can appreciate.
2. The iota of depth in the book made it a hard plot to follow.
Kesey through changing the structure of power in a society showed the similarity between the oppressed and the oppressor. This was a demonstration of the corruption of power, and a push back to the era. It symbolized an era of radical thinking of changing the power structure, but he advocated making all equal. In addition it exemplified the communist views of the era and the oppressive regime of those with absolute control. One Flew over the Cuckoo’s Nest advocates the quest for equality in a time where disparity in power was great.
Kunz, Don. Symbolization in Kesey's One Flew Over the Cuckoo's Nest. A Casebook on Ken Kesey's One Flew Over the Cuckoo's Nest. Ed. George J. Searles. Albuquerque: University of New Mexico Press. 1989.
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
In the words of Ralph Waldo Emerson, “To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” The father of transcendentalism, Emerson believed that people who resist change to be what is most natural, themselves, are the true heroes of the world. Ken Kesey, another popular writer, wrote One Flew Over the Cuckoo's Nest in a similar spirit. His novel takes place on the ward of a controlling army nurse at an Oregon mental institution in the late 1950s. The storyline mainly follows the interactions between Nurse Ratched, a manipulating representation of society, and Randle Patrick McMurphy, a patient, gambler, and renegade. Kesey echoes the transcendentalists and romantics in his work by
This essay will be exploring the text One flew over the Cuckoo’s nest by Ken Kesey and the film Dead poet’s society written by Tom Schulman. The essay will show how the authors use over exaggerated wildcard characters such as McMurphy and Keating. The use of different settings such as an insane asylum and an all-boys institution. And Lastly the use of fore shading to show how the authors can use different texts to present similar ideas in different ways.
...rtrayed differently in the movie. Lennie is shown as being very mentally challenged, whereas in the book he is just a little slow and has a mind of a young child. Although some changes are made in the movie to make it flow better, it is still based on the same story as the book. The movie has the same plot line and characters, and some of the scenes are told in the exact same way as they are in the novel. As well, the movie and the book give out the same themes. This story is about how all the people in the Great Depression were trying to escape their unhappy, lonely lives, but weren’t capable of doing so. The movie stays very true to the book even though some things are removed or added. Everything that is added or changed still works very well and captures the film perfectly.
Comparison of Book and Movie of One Flew Over the Cuckoo's Nest. & nbsp; One Flew over the Cuckoo's Nest is a book written by Ken Kesey to accomplish a certain mood within its chapters. The feelings and moods given in the book differ greatly from those in the movie because of multiple changes in character development. Each and every time a movie is produced from a book, the producers are forced to change parts of the story. in order to suit the audiences needs for a faster paced plot. It is impossible to capture every mood or setting which the author creates. What is lost can sometimes be the real meaning behind the story. & nbsp; The characterization of Chief Bromden is a good example of the changes made from book to movie. His past is a vital piece of information. contributing to the mood and understanding of the story. In the movie.
One Flew Over the Cuckoo’s Nest is a film directed by Czech Milos Forman in 1975. Using potent elements of fiction--characters, conflict, and symbolism--Forman illustrates the counterculture of the 1960’s. This film depicts American society as an insane asylum that demands conformity from its citizens. The film begins with a conniving convict being assigned to the asylum. R. P. McMurphy is sent to the asylum to be evaluated by the doctors and to determine whether or not he is mentally ill. He is unaware that he will be supervised by an emasculating woman named Nurse Mildred Ratched who watches the patients’ every motion from her nurse’s station.
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest” is a story about a band of patients in a mental ward who struggle to find their identity and get away from the wretched Nurse. As audiences read about the tale, many common events and items seen throughout the story actually represent symbols for the bigger themes of the story. Symbols like the fishing trip, Nurse, and electroshock therapy all emphasize the bigger themes of the story.
Fred Wright, Lauren's instructor for EN 132 (Life, Language, Literature), comments, "English 132 is an introduction to English studies, in which students learn about various areas in the discipline from linguistics to the study of popular culture. For the literature and literary criticism section of the course, students read a canonical work of literature and what scholars have said about the work over the years. This year, students read One Flew over the Cuckoo's Nest, by Ken Kesey, a classic of American literature which dates from the 1960s counterculture. Popularized in a film version starring Jack Nicholson, which the class also watched in order to discuss film studies and adaptation, the novel became notable for its sympathetic portrayal of the mentally ill. For an essay about the novel, students were asked to choose a critical approach (such as feminist, formalist, psychological, and so forth) and interpret the novel using that approach, while also considering how their interpretation fit into the ongoing scholarly dialogue about the work. Lauren chose the challenge of applying a Marxist approach to One Flew over the Cuckoo's Nest. Not only did she learn about critical approaches and how to apply one to a text, she wrote an excellent essay, which will help other readers understand the text better. In fact, if John Clark Pratt or another editor ever want to update the 1996 Viking Critical Library edition of the novel, then he or she might want to include Lauren's essay in the next edition!"
In One Flew Over the Cuckoo’s Nest, a major issue that governs the lack of credibility of its perspective is the differences in characters from book and film. In the opinion of John Zubizarreta “Kesey's novel is written from the unstable perspective of the paranoid schizophrenic Indian who is not much more than an auxiliary character in the movie. The novel's unreliable narrative voice results in tangled verbal ambiguity, but in the film, McMurphy is protagonist and hero, and the viewer's sympathy is engaged by the character's roustabout charm and apparently sacrificial motive to "cure" the other patients of their respective ailments. In the novel, Mack offers only a tenuous salvation perceived dimly through Chief's foggy paranoia and schizophrenic dementia. Ultimately, the reader ponders the reality of the entire narrative, the efficacy of McMurphy's heroism, and the validity of Chief's exuberant escape from the ward, issues not at
One Flew Over the Cuckoo’s Nest was a critically acclaimed novel written by Ken Kesey and later on a movie adaptation, directed by Milos Forman, which was similarly critically acclaimed earning itself an extremely high 96% on rotten tomatoes. However said appraisal of both works, does not excuse the gleaming errors and artistic licensing seen throughout the entirety of the film. Granted there were no major plot holes and alterations present, the physical descriptions of the various characters within the story as well as their behavior differed quite a bit from their silver screen counterparts. The most critical physical and behavioral differences can be seen quite clearly when comparing the book versions of Nurse Ratched, Randal McMurphy and the ward patients of the mental institute.
“Bromden’s point-of-view is necessary to make the characters big enough to be equal to their job” (Kesey). The reliability of the narrator, Chief Bromden, in the novel One Flew Over the Cuckoo’s Nest has been debated between different parties since the novel was published in 1962. It is unknown to most people whether to believe that everything Bromden states in his account is the truth or mere figments of his imagination. The author, Ken Kesey, purposely wrote Bromden as the narrator for a specific purpose. He did not want the narrator of this novel to be similar to any conventional novel written before its time. There are many arguments on both sides, but Bromden’s narration both highlights and detracts from his reliability at the same time.